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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC3FC7 it is the complementary color #03C038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC3FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC3FC7 shade: #FF3FC2, #FF51D5, #FF63E8, #FF75FB and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC3FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC3FC7 shade: #FC3FC7, #EB2DB4, #DA1BA1, #C9098E and #B8007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC3FC7 shade: #FC40C7, #FC4094, #FC4061 and #FC4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC3FC7 shade: #FC40C7, #FC40FA, #CB40FC, #9840FC and #6640FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC3FC7 shade matches the following richer shades: #FC40C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC3FC7 shade: #FC40C7, #EC4FC0, #DC5FB9, #CD6FB2 and #BD7EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC3FC7 shade: #C940FC, #FC40FC, #FC40C9, #FC4097 and #FC4065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC3FC7 shade: #E603A6, #FB17BB, #FC40C7, #FC68D3 and #FD91DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC3FC7 shade: #FC3FC7, #FC9740 and #40FCE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC3FC7 shade: #FC3FC7, #C9FC40 and #40C9FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC3FC7 shade: #FC3FC7, #FC9740, #40FC72 and #40A4FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC3FC7 shade: #FC3FC7, #FCD040, #40FC72 and #406BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

Complementary color

CMYK 98 / 0 / 71 / 25

HEX #03C038

RGB 3 192 56

HSL 136.83, 0.97%, 0.38%

LAB 68.02, -66.77, 54.5

 

CMYK 0 / 75 / 24 / 0

HEX #FF3FC2

RGB 255 63 194

HSL 319.06, 1%, 0.62%

LAB 60.52, 81.06, -26.17

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D5

RGB 255 81 213

HSL 314.48, 1%, 0.66%

LAB 63.3, 77.83, -32.67

 

CMYK 0 / 61 / 9 / 0

HEX #FF63E8

RGB 255 99 232

HSL 308.85, 1%, 0.69%

LAB 66.53, 73.83, -38.27

 

CMYK 0 / 54 / 2 / 0

HEX #FF75FB

RGB 255 117 251

HSL 301.74, 1%, 0.73%

LAB 70.14, 69.26, -43.09

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

CMYK 0 / 81 / 23 / 8

HEX #EB2DB4

RGB 235 45 180

HSL 317.37, 0.83%, 0.55%

LAB 54.9, 79.53, -27.06

 

CMYK 0 / 88 / 26 / 15

HEX #DA1BA1

RGB 218 27 161

HSL 317.91, 0.78%, 0.48%

LAB 49.81, 77.21, -24

 

CMYK 0 / 96 / 29 / 21

HEX #C9098E

RGB 201 9 142

HSL 318.44, 0.91%, 0.41%

LAB 45.03, 73.79, -20.22

 

CMYK 0 / 100 / 33 / 28

HEX #B8007B

RGB 184 0 123

HSL 319.89, 1%, 0.36%

LAB 40.61, 69.12, -15.62

 

CMYK 0 / 75 / 21 / 1

HEX #FC40C7

RGB 252 64 199

HSL 316.91, 0.97%, 0.62%

LAB 60.33, 80.7, -29.38

 

CMYK 0 / 75 / 41 / 1

HEX #FC4094

RGB 252 64 148

HSL 333.19, 0.97%, 0.62%

LAB 58.51, 75.13, -2.59

 

CMYK 0 / 75 / 62 / 1

HEX #FC4061

RGB 252 64 97

HSL 349.47, 0.97%, 0.62%

LAB 57.29, 71.26, 25.78

 

CMYK 0 / 75 / 75 / 1

HEX #FC4040

RGB 252 64 64

HSL 0, 0.97%, 0.62%

LAB 56.81, 69.7, 44.06

 

CMYK 0 / 75 / 21 / 1

HEX #FC40C7

RGB 252 64 199

HSL 316.91, 0.97%, 0.62%

LAB 60.33, 80.7, -29.38

 

CMYK 0 / 75 / 1 / 1

HEX #FC40FA

RGB 252 64 250

HSL 300.64, 0.97%, 0.62%

LAB 62.73, 87.73, -54.26

 

CMYK 19 / 75 / 0 / 1

HEX #CB40FC

RGB 203 64 252

HSL 284.36, 0.97%, 0.62%

LAB 55.47, 78.81, -67.4

 

CMYK 40 / 75 / 0 / 1

HEX #9840FC

RGB 152 64 252

HSL 268.09, 0.97%, 0.62%

LAB 48.72, 70.13, -78.67

 

CMYK 60 / 75 / 0 / 1

HEX #6640FC

RGB 102 64 252

HSL 252.13, 0.97%, 0.62%

LAB 43.54, 63.24, -87.38

 

CMYK 0 / 75 / 21 / 1

HEX #FC40C7

RGB 252 64 199

HSL 316.91, 0.97%, 0.62%

LAB 60.33, 80.7, -29.38

 

CMYK 0 / 75 / 21 / 1

HEX #FC40C7

RGB 252 64 199

HSL 316.91, 0.97%, 0.62%

LAB 60.33, 80.7, -29.38

 

CMYK 0 / 67 / 19 / 7

HEX #EC4FC0

RGB 236 79 192

HSL 316.82, 0.81%, 0.62%

LAB 59.19, 71.03, -27.35

 

CMYK 0 / 57 / 16 / 14

HEX #DC5FB9

RGB 220 95 185

HSL 316.8, 0.64%, 0.62%

LAB 58.88, 59.16, -24.01

 

CMYK 0 / 46 / 13 / 20

HEX #CD6FB2

RGB 205 111 178

HSL 317.23, 0.48%, 0.62%

LAB 59.49, 45.83, -19.25

 

CMYK 0 / 33 / 10 / 26

HEX #BD7EAB

RGB 189 126 171

HSL 317.14, 0.32%, 0.62%

LAB 60.5, 31.35, -13.9

 

CMYK 20 / 75 / 0 / 1

HEX #C940FC

RGB 201 64 252

HSL 283.72, 0.97%, 0.62%

LAB 55.19, 78.45, -67.88

 

CMYK 0 / 75 / 0 / 1

HEX #FC40FC

RGB 252 64 252

HSL 300, 0.97%, 0.62%

LAB 62.84, 88.03, -55.2

 

CMYK 0 / 75 / 20 / 1

HEX #FC40C9

RGB 252 64 201

HSL 316.28, 0.97%, 0.62%

LAB 60.41, 80.95, -30.39

 

CMYK 0 / 75 / 40 / 1

HEX #FC4097

RGB 252 64 151

HSL 332.23, 0.97%, 0.62%

LAB 58.6, 75.42, -4.22

 

CMYK 0 / 75 / 60 / 1

HEX #FC4065

RGB 252 64 101

HSL 348.19, 0.97%, 0.62%

LAB 57.37, 71.5, 23.53

 

CMYK 0 / 99 / 28 / 10

HEX #E603A6

RGB 230 3 166

HSL 316.92, 0.97%, 0.46%

LAB 51.43, 82.64, -24.29

 

CMYK 0 / 91 / 25 / 2

HEX #FB17BB

RGB 251 23 187

HSL 316.84, 0.97%, 0.54%

LAB 56.79, 87.32, -27.97

 

CMYK 0 / 75 / 21 / 1

HEX #FC40C7

RGB 252 64 199

HSL 316.91, 0.97%, 0.62%

LAB 60.33, 80.7, -29.38

 

CMYK 0 / 59 / 16 / 1

HEX #FC68D3

RGB 252 104 211

HSL 316.62, 0.96%, 0.7%

LAB 65.98, 67.92, -27.44

 

CMYK 0 / 43 / 12 / 1

HEX #FD91DF

RGB 253 145 223

HSL 316.67, 0.96%, 0.78%

LAB 73.84, 50.88, -22.05

 

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

CMYK 0 / 40 / 75 / 1

HEX #FC9740

RGB 252 151 64

HSL 27.77, 0.97%, 0.62%

LAB 71.69, 31.32, 59.65

 

CMYK 75 / 0 / 10 / 1

HEX #40FCE3

RGB 64 252 227

HSL 172.02, 0.97%, 0.62%

LAB 89.98, -51.06, -1.23

 

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

CMYK 20 / 0 / 75 / 1

HEX #C9FC40

RGB 201 252 64

HSL 76.28, 0.97%, 0.62%

LAB 92.75, -40.27, 78.55

 

CMYK 75 / 20 / 0 / 1

HEX #40C9FC

RGB 64 201 252

HSL 196.28, 0.97%, 0.62%

LAB 76, -20.09, -35.51

 

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

CMYK 0 / 40 / 75 / 1

HEX #FC9740

RGB 252 151 64

HSL 27.77, 0.97%, 0.62%

LAB 71.69, 31.32, 59.65

 

CMYK 75 / 0 / 55 / 1

HEX #40FC72

RGB 64 252 114

HSL 135.96, 0.97%, 0.62%

LAB 87.93, -73.41, 52.47

 

CMYK 75 / 35 / 0 / 1

HEX #40A4FC

RGB 64 164 252

HSL 208.09, 0.97%, 0.62%

LAB 65.49, 0.03, -51.97

 

CMYK 0 / 75 / 21 / 1

HEX #FC3FC7

RGB 252 63 199

HSL 316.83, 0.97%, 0.62%

LAB 60.23, 80.99, -29.54

 

CMYK 0 / 17 / 75 / 1

HEX #FCD040

RGB 252 208 64

HSL 45.96, 0.97%, 0.62%

LAB 85.09, 1.67, 72.7

 

CMYK 75 / 0 / 55 / 1

HEX #40FC72

RGB 64 252 114

HSL 135.96, 0.97%, 0.62%

LAB 87.93, -73.41, 52.47

 

CMYK 75 / 58 / 0 / 1

HEX #406BFC

RGB 64 107 252

HSL 226.28, 0.97%, 0.62%

LAB 50.26, 34.53, -76.46

 

Description

Color code: HEX #FC3FC7 | qconv.com Color code: HEX #FC3FC7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 63 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 63 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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