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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC4464 it is the complementary color #03BB9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC4464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC4464 shade: #FF445F, #FF5672, #FF6885, #FF7A98 and #FF8CAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC4464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC4464 shade: #FC4464, #EB3251, #DA203E, #C90E2B and #B80018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC4464 shade: #FC4564 and #FC4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC4464 shade: #FC4564, #FC4596, #FC45C7, #FC45F9 and #CD45FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC4464 shade matches the following richer shades: #FC4564

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC4464 shade: #FC4564, #EC546E, #DD6378, #CE7282 and #BF828C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC4464 shade: #FC45C8, #FC4597, #FC4566, #FC5445 and #FC8545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC4464 shade: #EB032B, #FB1C43, #FC4564, #FC6D86 and #FD96A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC4464 shade: #FC4464, #F9FC45 and #45AFFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC4464 shade: #FC4464, #66FC45 and #4566FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC4464 shade: #FC4464, #F9FC45, #45FCDA and #4845FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC4464 shade: #FC4464, #C2FC45, #45FCDA and #7F45FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

Complementary color

CMYK 98 / 0 / 17 / 27

HEX #03BB9B

RGB 3 187 155

HSL 169.57, 0.97%, 0.37%

LAB 67.97, -47.11, 5.1

 

CMYK 0 / 73 / 63 / 0

HEX #FF445F

RGB 255 68 95

HSL 351.34, 1%, 0.63%

LAB 58.25, 70.75, 28.29

 

CMYK 0 / 66 / 55 / 0

HEX #FF5672

RGB 255 86 114

HSL 350.06, 1%, 0.67%

LAB 60.9, 65.63, 20.75

 

CMYK 0 / 59 / 48 / 0

HEX #FF6885

RGB 255 104 133

HSL 348.48, 1%, 0.7%

LAB 64.04, 59.75, 14.13

 

CMYK 0 / 52 / 40 / 0

HEX #FF7A98

RGB 255 122 152

HSL 346.47, 1%, 0.74%

LAB 67.61, 53.39, 8.34

 

CMYK 0 / 45 / 33 / 0

HEX #FF8CAB

RGB 255 140 171

HSL 343.83, 1%, 0.77%

LAB 71.53, 46.76, 3.31

 

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

CMYK 0 / 79 / 66 / 8

HEX #EB3251

RGB 235 50 81

HSL 349.95, 0.82%, 0.56%

LAB 52.44, 69.71, 28.36

 

CMYK 0 / 85 / 72 / 15

HEX #DA203E

RGB 218 32 62

HSL 350.32, 0.74%, 0.49%

LAB 47.35, 68.51, 32.68

 

CMYK 0 / 93 / 79 / 21

HEX #C90E2B

RGB 201 14 43

HSL 350.7, 0.87%, 0.42%

LAB 42.62, 66.31, 37.63

 

CMYK 0 / 100 / 87 / 28

HEX #B80018

RGB 184 0 24

HSL 352.17, 1%, 0.36%

LAB 38.3, 63.01, 42.73

 

CMYK 0 / 73 / 60 / 1

HEX #FC4564

RGB 252 69 100

HSL 349.84, 0.97%, 0.63%

LAB 57.92, 69.86, 24.84

 

CMYK 0 / 73 / 73 / 1

HEX #FC4545

RGB 252 69 69

HSL 0, 0.97%, 0.63%

LAB 57.45, 68.29, 42.02

 

CMYK 0 / 73 / 60 / 1

HEX #FC4564

RGB 252 69 100

HSL 349.84, 0.97%, 0.63%

LAB 57.92, 69.86, 24.84

 

CMYK 0 / 73 / 40 / 1

HEX #FC4596

RGB 252 69 150

HSL 333.44, 0.97%, 0.63%

LAB 59.12, 73.78, -2.87

 

CMYK 0 / 73 / 21 / 1

HEX #FC45C7

RGB 252 69 199

HSL 317.38, 0.97%, 0.63%

LAB 60.85, 79.22, -28.57

 

CMYK 0 / 73 / 1 / 1

HEX #FC45F9

RGB 252 69 249

HSL 300.98, 0.97%, 0.63%

LAB 63.17, 86.17, -53.01

 

CMYK 19 / 73 / 0 / 1

HEX #CD45FC

RGB 205 69 252

HSL 284.59, 0.97%, 0.63%

LAB 56.35, 77.48, -65.97

 

CMYK 0 / 73 / 60 / 1

HEX #FC4564

RGB 252 69 100

HSL 349.84, 0.97%, 0.63%

LAB 57.92, 69.86, 24.84

 

CMYK 0 / 73 / 60 / 1

HEX #FC4564

RGB 252 69 100

HSL 349.84, 0.97%, 0.63%

LAB 57.92, 69.86, 24.84

 

CMYK 0 / 64 / 53 / 7

HEX #EC546E

RGB 236 84 110

HSL 349.74, 0.8%, 0.63%

LAB 57.37, 60.25, 17.76

 

CMYK 0 / 55 / 46 / 13

HEX #DD6378

RGB 221 99 120

HSL 349.67, 0.64%, 0.63%

LAB 57.71, 49.58, 12.01

 

CMYK 0 / 45 / 37 / 19

HEX #CE7282

RGB 206 114 130

HSL 349.57, 0.48%, 0.63%

LAB 58.76, 37.84, 7.39

 

CMYK 0 / 32 / 27 / 25

HEX #BF828C

RGB 191 130 140

HSL 350.16, 0.32%, 0.63%

LAB 60.72, 24.93, 4.21

 

CMYK 0 / 73 / 21 / 1

HEX #FC45C8

RGB 252 69 200

HSL 317.05, 0.97%, 0.63%

LAB 60.89, 79.34, -29.08

 

CMYK 0 / 73 / 40 / 1

HEX #FC4597

RGB 252 69 151

HSL 333.11, 0.97%, 0.63%

LAB 59.15, 73.88, -3.41

 

CMYK 0 / 73 / 60 / 1

HEX #FC4566

RGB 252 69 102

HSL 349.18, 0.97%, 0.63%

LAB 57.95, 69.99, 23.71

 

CMYK 0 / 67 / 73 / 1

HEX #FC5445

RGB 252 84 69

HSL 4.92, 0.97%, 0.63%

LAB 59.4, 62.91, 44.22

 

CMYK 0 / 47 / 73 / 1

HEX #FC8545

RGB 252 133 69

HSL 20.98, 0.97%, 0.63%

LAB 67.95, 40.73, 53.52

 

CMYK 0 / 99 / 82 / 8

HEX #EB032B

RGB 235 3 43

HSL 349.66, 0.97%, 0.47%

LAB 49.38, 75.66, 46.73

 

CMYK 0 / 89 / 73 / 2

HEX #FB1C43

RGB 251 28 67

HSL 349.51, 0.97%, 0.55%

LAB 53.76, 77.77, 38.89

 

CMYK 0 / 73 / 60 / 1

HEX #FC4564

RGB 252 69 100

HSL 349.84, 0.97%, 0.63%

LAB 57.92, 69.86, 24.84

 

CMYK 0 / 57 / 47 / 1

HEX #FC6D86

RGB 252 109 134

HSL 349.51, 0.96%, 0.71%

LAB 64.45, 56.65, 14.05

 

CMYK 0 / 41 / 34 / 1

HEX #FD96A8

RGB 253 150 168

HSL 349.51, 0.96%, 0.79%

LAB 73.23, 40.64, 7.4

 

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

CMYK 1 / 0 / 73 / 1

HEX #F9FC45

RGB 249 252 69

HSL 60.98, 0.97%, 0.63%

LAB 96.08, -21.15, 81.3

 

CMYK 73 / 31 / 0 / 1

HEX #45AFFC

RGB 69 175 252

HSL 205.25, 0.97%, 0.63%

LAB 68.72, -5.57, -46.87

 

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

CMYK 60 / 0 / 73 / 1

HEX #66FC45

RGB 102 252 69

HSL 109.18, 0.97%, 0.63%

LAB 88.39, -71.04, 71.21

 

CMYK 73 / 60 / 0 / 1

HEX #4566FC

RGB 69 102 252

HSL 229.18, 0.97%, 0.63%

LAB 49.25, 38.16, -78.09

 

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

CMYK 1 / 0 / 73 / 1

HEX #F9FC45

RGB 249 252 69

HSL 60.98, 0.97%, 0.63%

LAB 96.08, -21.15, 81.3

 

CMYK 73 / 0 / 13 / 1

HEX #45FCDA

RGB 69 252 218

HSL 168.85, 0.97%, 0.63%

LAB 89.84, -52.78, 3.25

 

CMYK 71 / 73 / 0 / 1

HEX #4845FC

RGB 72 69 252

HSL 240.98, 0.97%, 0.63%

LAB 42.25, 57.64, -89.57

 

CMYK 0 / 73 / 60 / 1

HEX #FC4464

RGB 252 68 100

HSL 349.57, 0.97%, 0.63%

LAB 57.8, 70.19, 24.68

 

CMYK 23 / 0 / 73 / 1

HEX #C2FC45

RGB 194 252 69

HSL 79.02, 0.97%, 0.63%

LAB 92.36, -42.66, 76.46

 

CMYK 73 / 0 / 13 / 1

HEX #45FCDA

RGB 69 252 218

HSL 168.85, 0.97%, 0.63%

LAB 89.84, -52.78, 3.25

 

CMYK 50 / 73 / 0 / 1

HEX #7F45FC

RGB 127 69 252

HSL 259.02, 0.97%, 0.63%

LAB 46.71, 64.18, -82.08

 

Description

Color code: HEX #FC4464 | qconv.com Color code: HEX #FC4464 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 68 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 68 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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