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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC45BC it is the complementary color #03BA43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC45BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC45BC shade: #FF45B7, #FF57CA, #FF69DD, #FF7BF0 and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC45BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC45BC shade: #FC45BC, #EB33A9, #DA2196, #C90F83 and #B80070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC45BC shade: #FC45BC, #FC458A, #FC4559 and #FC4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC45BC shade: #FC45BC, #FC45ED, #D945FC, #A845FC and #7645FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC45BC shade matches the following richer shades: #FC45BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC45BC shade: #FC45BC, #EC54B7, #DD63B2, #CE72AE and #BF82A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC45BC shade: #D745FC, #FC45EF, #FC45BF, #FC458E and #FC455D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC45BC shade: #EB039A, #FB1CAD, #FC45BC, #FC6DCA and #FD96D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC45BC shade: #FC45BC, #FCA645 and #45FCEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC45BC shade: #FC45BC, #BFFC45 and #45BFFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC45BC shade: #FC45BC, #FCA645, #45FC82 and #459AFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC45BC shade: #FC45BC, #FCDD45, #45FC82 and #4563FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

Complementary color

CMYK 98 / 0 / 64 / 27

HEX #03BA43

RGB 3 186 67

HSL 140.98, 0.97%, 0.37%

LAB 66.17, -63.84, 47.99

 

CMYK 0 / 73 / 28 / 0

HEX #FF45B7

RGB 255 69 183

HSL 323.23, 1%, 0.64%

LAB 60.72, 78.01, -19.56

 

CMYK 0 / 66 / 21 / 0

HEX #FF57CA

RGB 255 87 202

HSL 318.93, 1%, 0.67%

LAB 63.62, 74.23, -25.96

 

CMYK 0 / 59 / 13 / 0

HEX #FF69DD

RGB 255 105 221

HSL 313.6, 1%, 0.71%

LAB 66.96, 69.74, -31.48

 

CMYK 0 / 52 / 6 / 0

HEX #FF7BF0

RGB 255 123 240

HSL 306.82, 1%, 0.74%

LAB 70.68, 64.76, -36.23

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 78 / 28 / 8

HEX #EB33A9

RGB 235 51 169

HSL 321.52, 0.82%, 0.56%

LAB 54.96, 76.78, -20.54

 

CMYK 0 / 85 / 31 / 15

HEX #DA2196

RGB 218 33 150

HSL 322.05, 0.74%, 0.49%

LAB 49.73, 74.93, -17.56

 

CMYK 0 / 93 / 35 / 21

HEX #C90F83

RGB 201 15 131

HSL 322.58, 0.86%, 0.42%

LAB 44.8, 72.03, -13.87

 

CMYK 0 / 100 / 39 / 28

HEX #B80070

RGB 184 0 112

HSL 323.48, 1%, 0.36%

LAB 40.18, 68.02, -9.39

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 73 / 45 / 1

HEX #FC458A

RGB 252 69 138

HSL 337.38, 0.97%, 0.63%

LAB 58.78, 72.68, 3.67

 

CMYK 0 / 73 / 65 / 1

HEX #FC4559

RGB 252 69 89

HSL 353.44, 0.97%, 0.63%

LAB 57.73, 69.23, 31

 

CMYK 0 / 73 / 73 / 1

HEX #FC4545

RGB 252 69 69

HSL 0, 0.97%, 0.63%

LAB 57.45, 68.29, 42.02

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 73 / 6 / 1

HEX #FC45ED

RGB 252 69 237

HSL 304.92, 0.97%, 0.63%

LAB 62.56, 84.39, -47.31

 

CMYK 14 / 73 / 0 / 1

HEX #D945FC

RGB 217 69 252

HSL 288.52, 0.97%, 0.63%

LAB 58.07, 79.77, -63.12

 

CMYK 33 / 73 / 0 / 1

HEX #A845FC

RGB 168 69 252

HSL 272.46, 0.97%, 0.63%

LAB 51.39, 70.77, -74.24

 

CMYK 53 / 73 / 0 / 1

HEX #7645FC

RGB 118 69 252

HSL 256.07, 0.97%, 0.63%

LAB 45.82, 62.91, -83.57

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 64 / 22 / 7

HEX #EC54B7

RGB 236 84 183

HSL 320.92, 0.8%, 0.63%

LAB 59.52, 67.93, -21.68

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B2

RGB 221 99 178

HSL 321.15, 0.64%, 0.63%

LAB 59.44, 56.6, -19.12

 

CMYK 0 / 45 / 16 / 19

HEX #CE72AE

RGB 206 114 174

HSL 320.87, 0.48%, 0.63%

LAB 60.08, 43.97, -16.05

 

CMYK 0 / 32 / 12 / 25

HEX #BF82A9

RGB 191 130 169

HSL 321.64, 0.32%, 0.63%

LAB 61.57, 29.49, -11.12

 

CMYK 15 / 73 / 0 / 1

HEX #D745FC

RGB 215 69 252

HSL 287.87, 0.97%, 0.63%

LAB 57.78, 79.38, -63.6

 

CMYK 0 / 73 / 5 / 1

HEX #FC45EF

RGB 252 69 239

HSL 304.26, 0.97%, 0.63%

LAB 62.66, 84.68, -48.26

 

CMYK 0 / 73 / 24 / 1

HEX #FC45BF

RGB 252 69 191

HSL 320, 0.97%, 0.63%

LAB 60.53, 78.23, -24.5

 

CMYK 0 / 73 / 44 / 1

HEX #FC458E

RGB 252 69 142

HSL 336.07, 0.97%, 0.63%

LAB 58.89, 73.04, 1.48

 

CMYK 0 / 73 / 63 / 1

HEX #FC455D

RGB 252 69 93

HSL 352.13, 0.97%, 0.63%

LAB 57.79, 69.45, 28.76

 

CMYK 0 / 99 / 34 / 8

HEX #EB039A

RGB 235 3 154

HSL 320.95, 0.97%, 0.47%

LAB 51.91, 82.39, -16.35

 

CMYK 0 / 89 / 31 / 2

HEX #FB1CAD

RGB 251 28 173

HSL 320.99, 0.97%, 0.55%

LAB 56.44, 85.2, -20.36

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 57 / 20 / 1

HEX #FC6DCA

RGB 252 109 202

HSL 320.98, 0.96%, 0.71%

LAB 66.44, 64.5, -21.68

 

CMYK 0 / 41 / 14 / 1

HEX #FD96D9

RGB 253 150 217

HSL 320.97, 0.96%, 0.79%

LAB 74.64, 47.42, -17.55

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 34 / 73 / 1

HEX #FCA645

RGB 252 166 69

HSL 31.8, 0.97%, 0.63%

LAB 75.07, 23.73, 60.92

 

CMYK 73 / 0 / 5 / 1

HEX #45FCEF

RGB 69 252 239

HSL 175.74, 0.97%, 0.63%

LAB 90.38, -47.38, -6.87

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 24 / 0 / 73 / 1

HEX #BFFC45

RGB 191 252 69

HSL 80, 0.97%, 0.63%

LAB 92.19, -43.77, 76.23

 

CMYK 73 / 24 / 0 / 1

HEX #45BFFC

RGB 69 191 252

HSL 200, 0.97%, 0.63%

LAB 73.26, -14.27, -39.77

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 34 / 73 / 1

HEX #FCA645

RGB 252 166 69

HSL 31.8, 0.97%, 0.63%

LAB 75.07, 23.73, 60.92

 

CMYK 73 / 0 / 48 / 1

HEX #45FC82

RGB 69 252 130

HSL 140, 0.97%, 0.63%

LAB 88.21, -70.48, 45.41

 

CMYK 73 / 39 / 0 / 1

HEX #459AFC

RGB 69 154 252

HSL 212.13, 0.97%, 0.63%

LAB 62.85, 6.45, -56.16

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

CMYK 0 / 12 / 73 / 1

HEX #FCDD45

RGB 252 221 69

HSL 49.84, 0.97%, 0.63%

LAB 88.37, -4.72, 74.07

 

CMYK 73 / 0 / 48 / 1

HEX #45FC82

RGB 69 252 130

HSL 140, 0.97%, 0.63%

LAB 88.21, -70.48, 45.41

 

CMYK 73 / 61 / 0 / 1

HEX #4563FC

RGB 69 99 252

HSL 230.16, 0.97%, 0.63%

LAB 48.53, 39.99, -79.26

 

Description

Color code: HEX #FC45BC | qconv.com Color code: HEX #FC45BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 69 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 69 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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