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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC57E7 it is the complementary color #03A818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC57E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC57E7 shade: #FF57E2, #FF69F5, #FF7BFF, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC57E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC57E7 shade: #FC57E7, #EB45D4, #DA33C1, #C921AE and #B80F9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC57E7 shade: #FB55E6, #FB55B9, #FB558C, #FB555F and #FB5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC57E7 shade: #FB55E6, #E355FB, #B655FB, #8A55FB and #5D55FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC57E7 shade matches the following richer shades: #FB55E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC57E7 shade: #FB55E6, #ED63DB, #DF71D1, #D17FC6 and #C38DBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC57E7 shade: #B655FB, #E255FB, #FB55E8, #FB55BB and #FB558F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC57E7 shade: #F905D9, #FA2CE0, #FB55E6, #FC7DEC and #FDA5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC57E7 shade: #FC57E7, #FB8955 and #55FBCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC57E7 shade: #FC57E7, #E8FB55 and #55E8FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC57E7 shade: #FC57E7, #FB8955, #55FB68 and #55C6FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC57E7 shade: #FC57E7, #FBBB55, #55FB68 and #5594FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

Complementary color

CMYK 98 / 0 / 86 / 34

HEX #03A818

RGB 3 168 24

HSL 127.64, 0.96%, 0.34%

LAB 59.97, -62.12, 56.88

 

CMYK 0 / 66 / 11 / 0

HEX #FF57E2

RGB 255 87 226

HSL 310.36, 1%, 0.67%

LAB 64.62, 77.52, -37.91

 

CMYK 0 / 59 / 4 / 0

HEX #FF69F5

RGB 255 105 245

HSL 304, 1%, 0.71%

LAB 67.99, 73.41, -43.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

CMYK 0 / 71 / 10 / 8

HEX #EB45D4

RGB 235 69 212

HSL 308.31, 0.81%, 0.6%

LAB 58.67, 77.07, -39.57

 

CMYK 0 / 77 / 11 / 15

HEX #DA33C1

RGB 218 51 193

HSL 308.98, 0.69%, 0.53%

LAB 53.08, 76.05, -37.66

 

CMYK 0 / 84 / 13 / 21

HEX #C921AE

RGB 201 33 174

HSL 309.64, 0.72%, 0.46%

LAB 47.7, 74.24, -35.22

 

CMYK 0 / 92 / 16 / 28

HEX #B80F9B

RGB 184 15 155

HSL 310.3, 0.85%, 0.39%

LAB 42.61, 71.34, -32.11

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E6

RGB 251 85 230

HSL 307.59, 0.95%, 0.66%

LAB 63.93, 77.88, -41.26

 

CMYK 0 / 66 / 26 / 2

HEX #FB55B9

RGB 251 85 185

HSL 323.86, 0.95%, 0.66%

LAB 62.09, 71.79, -18.69

 

CMYK 0 / 66 / 44 / 2

HEX #FB558C

RGB 251 85 140

HSL 340.12, 0.95%, 0.66%

LAB 60.69, 66.95, 5.24

 

CMYK 0 / 66 / 62 / 2

HEX #FB555F

RGB 251 85 95

HSL 356.39, 0.95%, 0.66%

LAB 59.74, 63.53, 30.07

 

CMYK 0 / 66 / 66 / 2

HEX #FB5555

RGB 251 85 85

HSL 0, 0.95%, 0.66%

LAB 59.58, 62.96, 35.56

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E6

RGB 251 85 230

HSL 307.59, 0.95%, 0.66%

LAB 63.93, 77.88, -41.26

 

CMYK 10 / 66 / 0 / 2

HEX #E355FB

RGB 227 85 251

HSL 291.33, 0.95%, 0.66%

LAB 61.48, 75.88, -57.03

 

CMYK 27 / 66 / 0 / 2

HEX #B655FB

RGB 182 85 251

HSL 275.06, 0.95%, 0.66%

LAB 55.49, 66.4, -66.96

 

CMYK 45 / 66 / 0 / 2

HEX #8A55FB

RGB 138 85 251

HSL 259.16, 0.95%, 0.66%

LAB 50.53, 57.94, -75.24

 

CMYK 63 / 66 / 0 / 2

HEX #5D55FB

RGB 93 85 251

HSL 242.89, 0.95%, 0.66%

LAB 46.7, 50.86, -81.65

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E6

RGB 251 85 230

HSL 307.59, 0.95%, 0.66%

LAB 63.93, 77.88, -41.26

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E6

RGB 251 85 230

HSL 307.59, 0.95%, 0.66%

LAB 63.93, 77.88, -41.26

 

CMYK 0 / 58 / 8 / 7

HEX #ED63DB

RGB 237 99 219

HSL 307.83, 0.79%, 0.66%

LAB 63.38, 67.24, -36.13

 

CMYK 0 / 49 / 6 / 13

HEX #DF71D1

RGB 223 113 209

HSL 307.64, 0.63%, 0.66%

LAB 63.43, 55.39, -30.59

 

CMYK 0 / 39 / 5 / 18

HEX #D17FC6

RGB 209 127 198

HSL 308.05, 0.47%, 0.66%

LAB 64.01, 42.15, -23.65

 

CMYK 0 / 28 / 4 / 24

HEX #C38DBC

RGB 195 141 188

HSL 307.78, 0.31%, 0.66%

LAB 65.19, 28.18, -16.38

 

CMYK 27 / 66 / 0 / 2

HEX #B655FB

RGB 182 85 251

HSL 275.06, 0.95%, 0.66%

LAB 55.49, 66.4, -66.96

 

CMYK 10 / 66 / 0 / 2

HEX #E255FB

RGB 226 85 251

HSL 290.96, 0.95%, 0.66%

LAB 61.33, 75.67, -57.27

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E8

RGB 251 85 232

HSL 306.87, 0.95%, 0.66%

LAB 64.02, 78.18, -42.23

 

CMYK 0 / 66 / 25 / 2

HEX #FB55BB

RGB 251 85 187

HSL 323.13, 0.95%, 0.66%

LAB 62.16, 72.03, -19.72

 

CMYK 0 / 66 / 43 / 2

HEX #FB558F

RGB 251 85 143

HSL 339.04, 0.95%, 0.66%

LAB 60.77, 67.23, 3.61

 

CMYK 0 / 98 / 13 / 2

HEX #F905D9

RGB 249 5 217

HSL 307.87, 0.96%, 0.5%

LAB 57.33, 91.95, -44.36

 

CMYK 0 / 82 / 10 / 2

HEX #FA2CE0

RGB 250 44 224

HSL 307.57, 0.95%, 0.58%

LAB 59.44, 88.38, -44.97

 

CMYK 0 / 66 / 8 / 2

HEX #FB55E6

RGB 251 85 230

HSL 307.59, 0.95%, 0.66%

LAB 63.93, 77.88, -41.26

 

CMYK 0 / 50 / 6 / 1

HEX #FC7DEC

RGB 252 125 236

HSL 307.56, 0.95%, 0.74%

LAB 70.47, 62.36, -34.38

 

CMYK 0 / 35 / 4 / 1

HEX #FDA5F2

RGB 253 165 242

HSL 307.5, 0.96%, 0.82%

LAB 78.58, 43.84, -25.17

 

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

CMYK 0 / 45 / 66 / 2

HEX #FB8955

RGB 251 137 85

HSL 18.8, 0.95%, 0.66%

LAB 68.79, 39.13, 46.52

 

CMYK 66 / 0 / 19 / 2

HEX #55FBCC

RGB 85 251 204

HSL 163.01, 0.95%, 0.66%

LAB 89.53, -53.55, 10.1

 

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

CMYK 8 / 0 / 66 / 2

HEX #E8FB55

RGB 232 251 85

HSL 66.87, 0.95%, 0.66%

LAB 94.66, -26.69, 73.98

 

CMYK 66 / 8 / 0 / 2

HEX #55E8FB

RGB 85 232 251

HSL 186.87, 0.95%, 0.66%

LAB 85.31, -33, -20.7

 

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

CMYK 0 / 45 / 66 / 2

HEX #FB8955

RGB 251 137 85

HSL 18.8, 0.95%, 0.66%

LAB 68.79, 39.13, 46.52

 

CMYK 66 / 0 / 59 / 2

HEX #55FB68

RGB 85 251 104

HSL 126.87, 0.95%, 0.66%

LAB 87.93, -70.99, 57

 

CMYK 66 / 21 / 0 / 2

HEX #55C6FB

RGB 85 198 251

HSL 199.16, 0.95%, 0.66%

LAB 75.63, -16.08, -35.52

 

CMYK 0 / 65 / 8 / 1

HEX #FC57E7

RGB 252 87 231

HSL 307.64, 0.96%, 0.66%

LAB 64.39, 77.54, -41.09

 

CMYK 0 / 25 / 66 / 2

HEX #FBBB55

RGB 251 187 85

HSL 36.87, 0.95%, 0.66%

LAB 80.01, 13.14, 59.09

 

CMYK 66 / 0 / 59 / 2

HEX #55FB68

RGB 85 251 104

HSL 126.87, 0.95%, 0.66%

LAB 87.93, -70.99, 57

 

CMYK 66 / 41 / 0 / 2

HEX #5594FB

RGB 85 148 251

HSL 217.23, 0.95%, 0.66%

LAB 61.72, 11.92, -57.38

 

Description

Color code: HEX #FC57E7 | qconv.com Color code: HEX #FC57E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 87 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 87 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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