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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6E0E it is the complementary color #0391F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6E0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6E0E shade: #FF6E09, #FF801C, #FF922F, #FFA442 and #FFB655

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6E0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6E0E shade: #FC6E0E, #EB5C00, #DA4A00, #C93800 and #B82600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6E0E shade: #FC6D0C, #FC2C0C and #FC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6E0E shade: #FC6D0C, #FCAE0C, #FCEE0C, #C9FC0C and #88FC0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6E0E shade matches the following richer shades: #FC6D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6E0E shade: #FC6D0C, #E87120, #D47534, #C17848 and #AD7C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6E0E shade: #FC0C2C, #FC2C0C, #FC6C0C, #FCAC0C and #FCEC0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6E0E shade: #B44A01, #DD5A02, #FC6D0C, #FC8535 and #FD9E5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6E0E shade: #FC6E0E, #6CFC0C and #0C0CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6E0E shade: #FC6E0E, #0CFC6C and #6C0CFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6E0E shade: #FC6E0E, #6CFC0C, #0C9CFC and #9C0CFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6E0E shade: #FC6E0E, #24FC0C, #0C9CFC and #E40CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

Complementary color

CMYK 99 / 40 / 0 / 5

HEX #0391F1

RGB 3 145 241

HSL 204.2, 0.98%, 0.48%

LAB 58.62, 3.1, -56.92

 

CMYK 0 / 57 / 96 / 0

HEX #FF6E09

RGB 255 110 9

HSL 24.63, 1%, 0.52%

LAB 63.7, 51.48, 70.66

 

CMYK 0 / 50 / 89 / 0

HEX #FF801C

RGB 255 128 28

HSL 26.43, 1%, 0.55%

LAB 67.11, 43.13, 68.89

 

CMYK 0 / 43 / 82 / 0

HEX #FF922F

RGB 255 146 47

HSL 28.56, 1%, 0.59%

LAB 70.89, 34.51, 65.84

 

CMYK 0 / 36 / 74 / 0

HEX #FFA442

RGB 255 164 66

HSL 31.11, 1%, 0.63%

LAB 74.95, 25.87, 62.19

 

CMYK 0 / 29 / 67 / 0

HEX #FFB655

RGB 255 182 85

HSL 34.24, 1%, 0.67%

LAB 79.25, 17.4, 58.38

 

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

CMYK 0 / 61 / 100 / 8

HEX #EB5C00

RGB 235 92 0

HSL 23.49, 1%, 0.46%

LAB 57.38, 52.32, 66.94

 

CMYK 0 / 66 / 100 / 15

HEX #DA4A00

RGB 218 74 0

HSL 20.37, 1%, 0.43%

LAB 51.61, 54.07, 62.36

 

CMYK 0 / 72 / 100 / 21

HEX #C93800

RGB 201 56 0

HSL 16.72, 1%, 0.39%

LAB 45.97, 55.38, 57.87

 

CMYK 0 / 79 / 100 / 28

HEX #B82600

RGB 184 38 0

HSL 12.39, 1%, 0.36%

LAB 40.54, 55.97, 53.52

 

CMYK 0 / 57 / 95 / 1

HEX #FC6D0C

RGB 252 109 12

HSL 24.25, 0.98%, 0.52%

LAB 63.06, 50.87, 69.54

 

CMYK 0 / 83 / 95 / 1

HEX #FC2C0C

RGB 252 44 12

HSL 8, 0.98%, 0.52%

LAB 54.58, 73.92, 64.63

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 57 / 95 / 1

HEX #FC6D0C

RGB 252 109 12

HSL 24.25, 0.98%, 0.52%

LAB 63.06, 50.87, 69.54

 

CMYK 0 / 31 / 95 / 1

HEX #FCAE0C

RGB 252 174 12

HSL 40.5, 0.98%, 0.52%

LAB 76.68, 18.07, 78.63

 

CMYK 0 / 6 / 95 / 1

HEX #FCEE0C

RGB 252 238 12

HSL 56.5, 0.98%, 0.52%

LAB 92.52, -14.53, 90.11

 

CMYK 20 / 0 / 95 / 1

HEX #C9FC0C

RGB 201 252 12

HSL 72.75, 0.98%, 0.52%

LAB 92.6, -41.68, 88.56

 

CMYK 46 / 0 / 95 / 1

HEX #88FC0C

RGB 136 252 12

HSL 89, 0.98%, 0.52%

LAB 89.34, -64.26, 84.6

 

CMYK 0 / 57 / 95 / 1

HEX #FC6D0C

RGB 252 109 12

HSL 24.25, 0.98%, 0.52%

LAB 63.06, 50.87, 69.54

 

CMYK 0 / 57 / 95 / 1

HEX #FC6D0C

RGB 252 109 12

HSL 24.25, 0.98%, 0.52%

LAB 63.06, 50.87, 69.54

 

CMYK 0 / 51 / 86 / 9

HEX #E87120

RGB 232 113 32

HSL 24.3, 0.81%, 0.52%

LAB 60.84, 41.73, 61.36

 

CMYK 0 / 45 / 75 / 17

HEX #D47534

RGB 212 117 52

HSL 24.38, 0.65%, 0.52%

LAB 58.94, 32.36, 50.43

 

CMYK 0 / 38 / 63 / 24

HEX #C17848

RGB 193 120 72

HSL 23.8, 0.49%, 0.52%

LAB 57.31, 23.99, 37.91

 

CMYK 0 / 28 / 47 / 32

HEX #AD7C5B

RGB 173 124 91

HSL 24.15, 0.33%, 0.52%

LAB 56.14, 14.98, 25.52

 

CMYK 0 / 95 / 83 / 1

HEX #FC0C2C

RGB 252 12 44

HSL 352, 0.98%, 0.52%

LAB 53.1, 79.11, 50.95

 

CMYK 0 / 83 / 95 / 1

HEX #FC2C0C

RGB 252 44 12

HSL 8, 0.98%, 0.52%

LAB 54.58, 73.92, 64.63

 

CMYK 0 / 57 / 95 / 1

HEX #FC6C0C

RGB 252 108 12

HSL 24, 0.98%, 0.52%

LAB 62.88, 51.33, 69.43

 

CMYK 0 / 32 / 95 / 1

HEX #FCAC0C

RGB 252 172 12

HSL 40, 0.98%, 0.52%

LAB 76.21, 19.11, 78.31

 

CMYK 0 / 6 / 95 / 1

HEX #FCEC0C

RGB 252 236 12

HSL 56, 0.98%, 0.52%

LAB 92, -13.56, 89.72

 

CMYK 0 / 59 / 99 / 29

HEX #B44A01

RGB 180 74 1

HSL 24.47, 0.99%, 0.35%

LAB 45.09, 40.29, 55.08

 

CMYK 0 / 59 / 99 / 13

HEX #DD5A02

RGB 221 90 2

HSL 24.11, 0.98%, 0.44%

LAB 54.75, 48.18, 63.86

 

CMYK 0 / 57 / 95 / 1

HEX #FC6D0C

RGB 252 109 12

HSL 24.25, 0.98%, 0.52%

LAB 63.06, 50.87, 69.54

 

CMYK 0 / 47 / 79 / 1

HEX #FC8535

RGB 252 133 53

HSL 24.12, 0.97%, 0.6%

LAB 67.82, 40.1, 60.55

 

CMYK 0 / 38 / 63 / 1

HEX #FD9E5E

RGB 253 158 94

HSL 24.15, 0.98%, 0.68%

LAB 73.64, 29.66, 47.68

 

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

CMYK 57 / 0 / 95 / 1

HEX #6CFC0C

RGB 108 252 12

HSL 96, 0.98%, 0.52%

LAB 88.37, -71.89, 83.42

 

CMYK 95 / 95 / 0 / 1

HEX #0C0CFC

RGB 12 12 252

HSL 240, 0.98%, 0.52%

LAB 32.63, 76.73, -105.62

 

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

CMYK 95 / 0 / 57 / 1

HEX #0CFC6C

RGB 12 252 108

HSL 144, 0.98%, 0.52%

LAB 87.38, -78.33, 54.38

 

CMYK 57 / 95 / 0 / 1

HEX #6C0CFC

RGB 108 12 252

HSL 264, 0.98%, 0.52%

LAB 38.69, 79.8, -95.37

 

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

CMYK 57 / 0 / 95 / 1

HEX #6CFC0C

RGB 108 252 12

HSL 96, 0.98%, 0.52%

LAB 88.37, -71.89, 83.42

 

CMYK 95 / 38 / 0 / 1

HEX #0C9CFC

RGB 12 156 252

HSL 204, 0.98%, 0.52%

LAB 62.41, 0.98, -56.92

 

CMYK 38 / 95 / 0 / 1

HEX #9C0CFC

RGB 156 12 252

HSL 276, 0.98%, 0.52%

LAB 44.74, 83.87, -85.17

 

CMYK 0 / 56 / 94 / 1

HEX #FC6E0E

RGB 252 110 14

HSL 24.2, 0.98%, 0.52%

LAB 63.24, 50.43, 69.29

 

CMYK 86 / 0 / 95 / 1

HEX #24FC0C

RGB 36 252 12

HSL 114, 0.98%, 0.52%

LAB 87.01, -83.57, 81.75

 

CMYK 95 / 38 / 0 / 1

HEX #0C9CFC

RGB 12 156 252

HSL 204, 0.98%, 0.52%

LAB 62.41, 0.98, -56.92

 

CMYK 10 / 95 / 0 / 1

HEX #E40CFC

RGB 228 12 252

HSL 294, 0.98%, 0.52%

LAB 55.87, 93.02, -66.57

 

Description

Color code: HEX #FC6E0E | qconv.com Color code: HEX #FC6E0E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 110 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 110 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 94% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Tøj | shop modetøj o...
Link: http://www.miinto.dk

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