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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC7E6E it is the complementary color #038191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC7E6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC7E6E shade: #FF7E69, #FF907C, #FFA28F, #FFB4A2 and #FFC6B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC7E6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC7E6E shade: #FC7E6E, #EB6C5B, #DA5A48, #C94835 and #B83622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC7E6E shade: #FC7E6E and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC7E6E shade: #FC7E6E, #FCA46E, #FCCA6E, #FCF06E and #E0FC6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC7E6E shade matches the following richer shades: #FC7E6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC7E6E shade: #FC7E6E, #F0877A, #E49085, #D89991 and #CCA39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC7E6E shade: #FC6EAB, #FC6E85, #FC7C6E, #FCA26E and #FCC76E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC7E6E shade: #FA361D, #FB5A45, #FC7E6E, #FCA296 and #FDC5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC7E6E shade: #FC7E6E, #D1FC6E and #6E98FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC7E6E shade: #FC7E6E, #6EFC7C and #7C6EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC7E6E shade: #FC7E6E, #D1FC6E, #6EEDFC and #986EFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC7E6E shade: #FC7E6E, #A6FC6E, #6EEDFC and #C36EFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

Complementary color

CMYK 98 / 11 / 0 / 43

HEX #038191

RGB 3 129 145

HSL 186.76, 0.96%, 0.29%

LAB 49.21, -23.47, -17.03

 

CMYK 0 / 51 / 59 / 0

HEX #FF7E69

RGB 255 126 105

HSL 8.4, 1%, 0.71%

LAB 67.43, 47.36, 34.39

 

CMYK 0 / 44 / 51 / 0

HEX #FF907C

RGB 255 144 124

HSL 9.16, 1%, 0.74%

LAB 71.32, 39.88, 29.06

 

CMYK 0 / 36 / 44 / 0

HEX #FFA28F

RGB 255 162 143

HSL 10.18, 1%, 0.78%

LAB 75.5, 32.4, 24.32

 

CMYK 0 / 29 / 36 / 0

HEX #FFB4A2

RGB 255 180 162

HSL 11.61, 1%, 0.82%

LAB 79.9, 25.06, 20.1

 

CMYK 0 / 22 / 29 / 0

HEX #FFC6B5

RGB 255 198 181

HSL 13.78, 1%, 0.85%

LAB 84.48, 17.96, 16.32

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 54 / 61 / 8

HEX #EB6C5B

RGB 235 108 91

HSL 7.08, 0.78%, 0.64%

LAB 60.91, 47.86, 33.28

 

CMYK 0 / 59 / 67 / 15

HEX #DA5A48

RGB 218 90 72

HSL 7.4, 0.66%, 0.57%

LAB 54.75, 49.08, 35.73

 

CMYK 0 / 64 / 74 / 21

HEX #C94835

RGB 201 72 53

HSL 7.7, 0.58%, 0.5%

LAB 48.65, 50.22, 38.51

 

CMYK 0 / 71 / 82 / 28

HEX #B83622

RGB 184 54 34

HSL 8, 0.69%, 0.43%

LAB 42.68, 51.13, 41.54

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 20 / 56 / 1

HEX #FCCA6E

RGB 252 202 110

HSL 38.87, 0.96%, 0.71%

LAB 84, 7.4, 52.04

 

CMYK 0 / 5 / 56 / 1

HEX #FCF06E

RGB 252 240 110

HSL 54.93, 0.96%, 0.71%

LAB 93.51, -11.81, 63.03

 

CMYK 11 / 0 / 56 / 1

HEX #E0FC6E

RGB 224 252 110

HSL 71.83, 0.96%, 0.71%

LAB 94.57, -28.59, 63.66

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 44 / 49 / 6

HEX #F0877A

RGB 240 135 122

HSL 6.61, 0.8%, 0.71%

LAB 67.47, 38.7, 24.69

 

CMYK 0 / 37 / 42 / 11

HEX #E49085

RGB 228 144 133

HSL 6.95, 0.64%, 0.71%

LAB 68.12, 30.55, 19.2

 

CMYK 0 / 29 / 33 / 15

HEX #D89991

RGB 216 153 145

HSL 6.76, 0.48%, 0.71%

LAB 69.06, 22.55, 13.63

 

CMYK 0 / 20 / 23 / 20

HEX #CCA39D

RGB 204 163 157

HSL 7.66, 0.32%, 0.71%

LAB 70.5, 14.19, 8.85

 

CMYK 0 / 56 / 32 / 1

HEX #FC6EAB

RGB 252 110 171

HSL 334.23, 0.96%, 0.71%

LAB 65.58, 60.08, -5.44

 

CMYK 0 / 56 / 47 / 1

HEX #FC6E85

RGB 252 110 133

HSL 350.28, 0.96%, 0.71%

LAB 64.6, 56.11, 14.83

 

CMYK 0 / 51 / 56 / 1

HEX #FC7C6E

RGB 252 124 110

HSL 5.92, 0.96%, 0.71%

LAB 66.7, 47.61, 30.62

 

CMYK 0 / 36 / 56 / 1

HEX #FCA26E

RGB 252 162 110

HSL 21.97, 0.96%, 0.71%

LAB 74.61, 28.3, 40.66

 

CMYK 0 / 21 / 56 / 1

HEX #FCC76E

RGB 252 199 110

HSL 37.61, 0.96%, 0.71%

LAB 83.27, 8.95, 51.17

 

CMYK 0 / 78 / 88 / 2

HEX #FA361D

RGB 250 54 29

HSL 6.79, 0.96%, 0.55%

LAB 55.12, 71.11, 59.33

 

CMYK 0 / 64 / 73 / 2

HEX #FB5A45

RGB 251 90 69

HSL 6.92, 0.96%, 0.63%

LAB 60.12, 60.21, 44.97

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 36 / 40 / 1

HEX #FCA296

RGB 252 162 150

HSL 7.06, 0.94%, 0.79%

LAB 75.29, 32, 20.16

 

CMYK 0 / 22 / 25 / 1

HEX #FDC5BE

RGB 253 197 190

HSL 6.67, 0.94%, 0.87%

LAB 84.24, 18.96, 11.18

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 17 / 0 / 56 / 1

HEX #D1FC6E

RGB 209 252 110

HSL 78.17, 0.96%, 0.71%

LAB 93.58, -34.27, 62.28

 

CMYK 56 / 40 / 0 / 1

HEX #6E98FC

RGB 110 152 252

HSL 222.25, 0.96%, 0.71%

LAB 64, 14.34, -54.23

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 56 / 0 / 51 / 1

HEX #6EFC7C

RGB 110 252 124

HSL 125.92, 0.96%, 0.71%

LAB 89.11, -63.7, 49.56

 

CMYK 51 / 56 / 0 / 1

HEX #7C6EFC

RGB 124 110 252

HSL 245.92, 0.96%, 0.71%

LAB 54.52, 41.91, -69.38

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 17 / 0 / 56 / 1

HEX #D1FC6E

RGB 209 252 110

HSL 78.17, 0.96%, 0.71%

LAB 93.58, -34.27, 62.28

 

CMYK 56 / 6 / 0 / 1

HEX #6EEDFC

RGB 110 237 252

HSL 186.34, 0.96%, 0.71%

LAB 87.44, -31.03, -17.93

 

CMYK 40 / 56 / 0 / 1

HEX #986EFC

RGB 152 110 252

HSL 257.75, 0.96%, 0.71%

LAB 56.93, 47.71, -65.36

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 34 / 0 / 56 / 1

HEX #A6FC6E

RGB 166 252 110

HSL 96.34, 0.96%, 0.71%

LAB 91.17, -49.48, 58.87

 

CMYK 56 / 6 / 0 / 1

HEX #6EEDFC

RGB 110 237 252

HSL 186.34, 0.96%, 0.71%

LAB 87.44, -31.03, -17.93

 

CMYK 23 / 56 / 0 / 1

HEX #C36EFC

RGB 195 110 252

HSL 275.92, 0.96%, 0.71%

LAB 61.47, 57.67, -57.84

 

Description

Color code: HEX #FC7E6E | qconv.com Color code: HEX #FC7E6E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 126 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 126 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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