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Color name
HEX #FC919A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC919A it is the complementary color #036E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC919A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC919A shade: #FF9195, #FFA3A8, #FFB5BB, #FFC7CE and #FFD9E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC919A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC919A shade: #FC919A, #EB7F87, #DA6D74, #C95B61 and #B8494E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC919A shade: #FC919A and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC919A shade: #FC919A, #FC91B7, #FC91D4, #FC91F0 and #EA91FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC919A shade matches the following richer shades: #FC919A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC919A shade: #FC919A, #F39AA2, #EAA3A9, #E0ACB1 and #D7B5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC919A shade: #FC91D5, #FC91B8, #FC919C, #FCA391 and #FCBF91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC919A shade: #FA4150, #FB6975, #FC919A, #FDB9BF and #FEE2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC919A shade: #FC919A, #F1FC91 and #91C6FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC919A shade: #FC919A, #9CFC91 and #919CFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC919A shade: #FC919A, #F1FC91, #91FCF1 and #9C91FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC919A shade: #FC919A, #D1FC91, #91FCF1 and #BC91FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

Complementary color

CMYK 97 / 0 / 8 / 57

HEX #036E65

RGB 3 110 101

HSL 174.95, 0.95%, 0.22%

LAB 41.39, -28.6, -2.54

 

CMYK 0 / 43 / 42 / 0

HEX #FF9195

RGB 255 145 149

HSL 357.82, 1%, 0.78%

LAB 72.01, 41.76, 16.23

 

CMYK 0 / 36 / 34 / 0

HEX #FFA3A8

RGB 255 163 168

HSL 356.74, 1%, 0.82%

LAB 76.24, 34.65, 11.72

 

CMYK 0 / 29 / 27 / 0

HEX #FFB5BB

RGB 255 181 187

HSL 355.14, 1%, 0.85%

LAB 80.68, 27.67, 7.73

 

CMYK 0 / 22 / 19 / 0

HEX #FFC7CE

RGB 255 199 206

HSL 352.5, 1%, 0.89%

LAB 85.28, 20.92, 4.17

 

CMYK 0 / 15 / 12 / 0

HEX #FFD9E1

RGB 255 217 225

HSL 347.37, 1%, 0.93%

LAB 90.01, 14.45, 0.98

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 46 / 43 / 8

HEX #EB7F87

RGB 235 127 135

HSL 355.56, 0.73%, 0.71%

LAB 65.43, 42.21, 14.49

 

CMYK 0 / 50 / 47 / 15

HEX #DA6D74

RGB 218 109 116

HSL 356.15, 0.6%, 0.64%

LAB 59.07, 43.25, 16.17

 

CMYK 0 / 55 / 52 / 21

HEX #C95B61

RGB 201 91 97

HSL 356.73, 0.5%, 0.57%

LAB 52.69, 44.31, 18.12

 

CMYK 0 / 60 / 58 / 28

HEX #B8494E

RGB 184 73 78

HSL 357.3, 0.44%, 0.5%

LAB 46.32, 45.31, 20.45

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 42 / 27 / 1

HEX #FC91B7

RGB 252 145 183

HSL 338.69, 0.95%, 0.78%

LAB 72.47, 44.74, -2.03

 

CMYK 0 / 42 / 16 / 1

HEX #FC91D4

RGB 252 145 212

HSL 322.43, 0.95%, 0.78%

LAB 73.35, 48.86, -16.76

 

CMYK 0 / 42 / 5 / 1

HEX #FC91F0

RGB 252 145 240

HSL 306.73, 0.95%, 0.78%

LAB 74.34, 53.36, -30.59

 

CMYK 7 / 42 / 0 / 1

HEX #EA91FC

RGB 234 145 252

HSL 289.91, 0.95%, 0.78%

LAB 72.74, 50.26, -39.76

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 37 / 33 / 5

HEX #F39AA2

RGB 243 154 162

HSL 354.61, 0.79%, 0.78%

LAB 72.74, 34.24, 9.86

 

CMYK 0 / 30 / 28 / 8

HEX #EAA3A9

RGB 234 163 169

HSL 354.93, 0.63%, 0.78%

LAB 73.9, 27.09, 7.52

 

CMYK 0 / 23 / 21 / 12

HEX #E0ACB1

RGB 224 172 177

HSL 354.23, 0.46%, 0.78%

LAB 75.16, 19.74, 4.8

 

CMYK 0 / 16 / 14 / 16

HEX #D7B5B8

RGB 215 181 184

HSL 354.71, 0.3%, 0.78%

LAB 76.65, 12.7, 3.04

 

CMYK 0 / 42 / 15 / 1

HEX #FC91D5

RGB 252 145 213

HSL 321.87, 0.95%, 0.78%

LAB 73.38, 49.01, -17.26

 

CMYK 0 / 42 / 27 / 1

HEX #FC91B8

RGB 252 145 184

HSL 338.13, 0.95%, 0.78%

LAB 72.5, 44.87, -2.55

 

CMYK 0 / 42 / 38 / 1

HEX #FC919C

RGB 252 145 156

HSL 353.83, 0.95%, 0.78%

LAB 71.79, 41.44, 11.98

 

CMYK 0 / 35 / 42 / 1

HEX #FCA391

RGB 252 163 145

HSL 10.09, 0.95%, 0.78%

LAB 75.41, 30.95, 23.05

 

CMYK 0 / 24 / 42 / 1

HEX #FCBF91

RGB 252 191 145

HSL 25.79, 0.95%, 0.78%

LAB 81.84, 16.27, 31.68

 

CMYK 0 / 74 / 68 / 2

HEX #FA4150

RGB 250 65 80

HSL 355.14, 0.95%, 0.62%

LAB 56.77, 69.48, 34.92

 

CMYK 0 / 58 / 53 / 2

HEX #FB6975

RGB 251 105 117

HSL 355.07, 0.95%, 0.7%

LAB 63.26, 56.67, 22.11

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 0 / 27 / 25 / 1

HEX #FDB9BF

RGB 253 185 191

HSL 354.71, 0.94%, 0.86%

LAB 81.48, 25.4, 6.69

 

CMYK 0 / 11 / 10 / 0

HEX #FEE2E4

RGB 254 226 228

HSL 355.71, 0.93%, 0.94%

LAB 92.16, 9.92, 2.53

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 4 / 0 / 42 / 1

HEX #F1FC91

RGB 241 252 145

HSL 66.17, 0.95%, 0.78%

LAB 96.15, -18.92, 49.86

 

CMYK 42 / 21 / 0 / 1

HEX #91C6FC

RGB 145 198 252

HSL 210.28, 0.95%, 0.78%

LAB 78.13, -3.62, -31.98

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 38 / 0 / 42 / 1

HEX #9CFC91

RGB 156 252 145

HSL 113.83, 0.95%, 0.78%

LAB 91.11, -48.52, 42.45

 

CMYK 42 / 38 / 0 / 1

HEX #919CFC

RGB 145 156 252

HSL 233.83, 0.95%, 0.78%

LAB 67.15, 19.82, -49.11

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 4 / 0 / 42 / 1

HEX #F1FC91

RGB 241 252 145

HSL 66.17, 0.95%, 0.78%

LAB 96.15, -18.92, 49.86

 

CMYK 42 / 0 / 4 / 1

HEX #91FCF1

RGB 145 252 241

HSL 173.83, 0.95%, 0.78%

LAB 92.57, -33.5, -4.43

 

CMYK 38 / 42 / 0 / 1

HEX #9C91FC

RGB 156 145 252

HSL 246.17, 0.95%, 0.78%

LAB 65.24, 28.88, -52.08

 

CMYK 0 / 42 / 39 / 1

HEX #FC919A

RGB 252 145 154

HSL 354.95, 0.95%, 0.78%

LAB 71.74, 41.22, 13.03

 

CMYK 17 / 0 / 42 / 1

HEX #D1FC91

RGB 209 252 145

HSL 84.11, 0.95%, 0.78%

LAB 93.98, -30.8, 46.68

 

CMYK 42 / 0 / 4 / 1

HEX #91FCF1

RGB 145 252 241

HSL 173.83, 0.95%, 0.78%

LAB 92.57, -33.5, -4.43

 

CMYK 25 / 42 / 0 / 1

HEX #BC91FC

RGB 188 145 252

HSL 264.11, 0.95%, 0.78%

LAB 68, 37.31, -47.53

 

Description

Color code: HEX #FC919A | qconv.com Color code: HEX #FC919A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 145 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 145 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 39 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 39% 1% C M Y K

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Provide designers and agencies with accurate color values.

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