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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD27EC it is the complementary color #02D813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD27EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD27EC shade: #FF27E7, #FF39FA, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD27EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD27EC shade: #FD27EC, #EC15D9, #DB03C6, #CA00B3 and #B900A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD27EC shade: #FC25EB, #FC25B1, #FC2577, #FC253D and #FC2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD27EC shade: #FC25EB, #D325FC, #9925FC, #6025FC and #2625FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD27EC shade matches the following richer shades: #FC25EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD27EC shade: #FC25EB, #EB37DC, #D949CD, #C75BBE and #B56CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD27EC shade: #9825FC, #D125FC, #FC25EE, #FC25B5 and #FC257B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD27EC shade: #CE02BD, #F602E3, #FC25EB, #FD4EEF and #FD77F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD27EC shade: #FD27EC, #FC5F25 and #25FCB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD27EC shade: #FD27EC, #EEFC25 and #25EEFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD27EC shade: #FD27EC, #FC5F25, #25FC34 and #25C3FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD27EC shade: #FD27EC, #FC9F25, #25FC34 and #2583FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

Complementary color

CMYK 99 / 0 / 91 / 15

HEX #02D813

RGB 2 216 19

HSL 124.77, 0.98%, 0.43%

LAB 75.56, -75.58, 71.37

 

CMYK 0 / 85 / 9 / 0

HEX #FF27E7

RGB 255 39 231

HSL 306.67, 1%, 0.58%

LAB 60.32, 91.17, -47.46

 

CMYK 0 / 78 / 2 / 0

HEX #FF39FA

RGB 255 57 250

HSL 301.52, 1%, 0.61%

LAB 62.58, 90.1, -54.47

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

CMYK 0 / 91 / 8 / 7

HEX #EC15D9

RGB 236 21 217

HSL 305.3, 0.85%, 0.5%

LAB 55.46, 88.44, -47.46

 

CMYK 0 / 99 / 10 / 14

HEX #DB03C6

RGB 219 3 198

HSL 305.83, 0.97%, 0.44%

LAB 50.92, 84.47, -43.95

 

CMYK 0 / 100 / 11 / 21

HEX #CA00B3

RGB 202 0 179

HSL 306.83, 1%, 0.4%

LAB 46.73, 79.25, -39.7

 

CMYK 0 / 100 / 14 / 27

HEX #B900A0

RGB 185 0 160

HSL 308.11, 1%, 0.36%

LAB 42.54, 73.71, -35.22

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EB

RGB 252 37 235

HSL 304.74, 0.97%, 0.57%

LAB 59.9, 91.5, -50.4

 

CMYK 0 / 85 / 30 / 1

HEX #FC25B1

RGB 252 37 177

HSL 320.93, 0.97%, 0.57%

LAB 57.26, 84.43, -21.42

 

CMYK 0 / 85 / 53 / 1

HEX #FC2577

RGB 252 37 119

HSL 337.12, 0.97%, 0.57%

LAB 55.43, 79.29, 10.17

 

CMYK 0 / 85 / 76 / 1

HEX #FC253D

RGB 252 37 61

HSL 353.3, 0.97%, 0.57%

LAB 54.4, 76.32, 43.08

 

CMYK 0 / 85 / 85 / 1

HEX #FC2525

RGB 252 37 37

HSL 0, 0.97%, 0.57%

LAB 54.19, 75.69, 55.33

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EB

RGB 252 37 235

HSL 304.74, 0.97%, 0.57%

LAB 59.9, 91.5, -50.4

 

CMYK 16 / 85 / 0 / 1

HEX #D325FC

RGB 211 37 252

HSL 288.56, 0.97%, 0.57%

LAB 54.24, 87.22, -69.34

 

CMYK 39 / 85 / 0 / 1

HEX #9925FC

RGB 153 37 252

HSL 272.37, 0.97%, 0.57%

LAB 45.8, 79.14, -83.45

 

CMYK 62 / 85 / 0 / 1

HEX #6025FC

RGB 96 37 252

HSL 256.47, 0.97%, 0.57%

LAB 39.31, 73.44, -94.38

 

CMYK 85 / 85 / 0 / 1

HEX #2625FC

RGB 38 37 252

HSL 240.28, 0.97%, 0.57%

LAB 35.52, 70.43, -100.78

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EB

RGB 252 37 235

HSL 304.74, 0.97%, 0.57%

LAB 59.9, 91.5, -50.4

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EB

RGB 252 37 235

HSL 304.74, 0.97%, 0.57%

LAB 59.9, 91.5, -50.4

 

CMYK 0 / 77 / 6 / 8

HEX #EB37DC

RGB 235 55 220

HSL 305, 0.82%, 0.57%

LAB 57.62, 82.35, -45.76

 

CMYK 0 / 66 / 6 / 15

HEX #D949CD

RGB 217 73 205

HSL 305, 0.65%, 0.57%

LAB 56.01, 70.49, -39.96

 

CMYK 0 / 54 / 5 / 22

HEX #C75BBE

RGB 199 91 190

HSL 305, 0.49%, 0.57%

LAB 55.42, 55.87, -32.48

 

CMYK 0 / 40 / 3 / 29

HEX #B56CB0

RGB 181 108 176

HSL 304.11, 0.33%, 0.57%

LAB 55.77, 39.41, -24.06

 

CMYK 40 / 85 / 0 / 1

HEX #9825FC

RGB 152 37 252

HSL 272.09, 0.97%, 0.57%

LAB 45.67, 79.02, -83.67

 

CMYK 17 / 85 / 0 / 1

HEX #D125FC

RGB 209 37 252

HSL 288, 0.97%, 0.57%

LAB 53.93, 86.91, -69.86

 

CMYK 0 / 85 / 6 / 1

HEX #FC25EE

RGB 252 37 238

HSL 303.91, 0.97%, 0.57%

LAB 60.06, 91.91, -51.83

 

CMYK 0 / 85 / 28 / 1

HEX #FC25B5

RGB 252 37 181

HSL 319.81, 0.97%, 0.57%

LAB 57.42, 84.86, -23.51

 

CMYK 0 / 85 / 51 / 1

HEX #FC257B

RGB 252 37 123

HSL 336, 0.97%, 0.57%

LAB 55.53, 79.58, 7.91

 

CMYK 0 / 99 / 8 / 19

HEX #CE02BD

RGB 206 2 189

HSL 305, 0.98%, 0.41%

LAB 48.06, 81.11, -43.41

 

CMYK 0 / 99 / 8 / 4

HEX #F602E3

RGB 246 2 227

HSL 304.67, 0.98%, 0.49%

LAB 57.25, 92.91, -50.17

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EB

RGB 252 37 235

HSL 304.74, 0.97%, 0.57%

LAB 59.9, 91.5, -50.4

 

CMYK 0 / 69 / 6 / 1

HEX #FD4EEF

RGB 253 78 239

HSL 304.8, 0.98%, 0.65%

LAB 63.81, 82.08, -46.45

 

CMYK 0 / 53 / 4 / 1

HEX #FD77F2

RGB 253 119 242

HSL 304.93, 0.97%, 0.73%

LAB 69.82, 66.36, -38.69

 

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

CMYK 0 / 62 / 85 / 1

HEX #FC5F25

RGB 252 95 37

HSL 16.19, 0.97%, 0.57%

LAB 60.79, 57.45, 60.78

 

CMYK 85 / 0 / 28 / 1

HEX #25FCB5

RGB 37 252 181

HSL 160.19, 0.97%, 0.57%

LAB 88.61, -64.39, 20.55

 

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

CMYK 6 / 0 / 85 / 1

HEX #EEFC25

RGB 238 252 37

HSL 63.91, 0.97%, 0.57%

LAB 95.13, -26.62, 88.29

 

CMYK 85 / 6 / 0 / 1

HEX #25EEFC

RGB 37 238 252

HSL 183.91, 0.97%, 0.57%

LAB 86.29, -40.24, -19.81

 

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

CMYK 0 / 62 / 85 / 1

HEX #FC5F25

RGB 252 95 37

HSL 16.19, 0.97%, 0.57%

LAB 60.79, 57.45, 60.78

 

CMYK 85 / 0 / 79 / 1

HEX #25FC34

RGB 37 252 52

HSL 124.19, 0.97%, 0.57%

LAB 87.13, -82.1, 74.73

 

CMYK 85 / 23 / 0 / 1

HEX #25C3FC

RGB 37 195 252

HSL 195.91, 0.97%, 0.57%

LAB 73.84, -19.38, -38.91

 

CMYK 0 / 85 / 7 / 1

HEX #FD27EC

RGB 253 39 236

HSL 304.77, 0.98%, 0.57%

LAB 60.24, 91.48, -50.42

 

CMYK 0 / 37 / 85 / 1

HEX #FC9F25

RGB 252 159 37

HSL 34.05, 0.97%, 0.57%

LAB 73.3, 26.3, 71.01

 

CMYK 85 / 0 / 79 / 1

HEX #25FC34

RGB 37 252 52

HSL 124.19, 0.97%, 0.57%

LAB 87.13, -82.1, 74.73

 

CMYK 85 / 48 / 0 / 1

HEX #2583FC

RGB 37 131 252

HSL 213.77, 0.97%, 0.57%

LAB 55.74, 17.21, -67.6

 

Description

Color code: HEX #FD27EC | qconv.com Color code: HEX #FD27EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 39 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 39 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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