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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD23BE it is the complementary color #02DC41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD23BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD23BE shade: #FF23B9, #FF35CC, #FF47DF, #FF59F2 and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD23BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD23BE shade: #FD23BE, #EC11AB, #DB0098, #CA0085 and #B90072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD23BE shade: #FC20BD, #FC2081, #FC2046 and #FC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD23BE shade: #FC20BD, #FC20F8, #C520FC, #8A20FC and #4F20FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD23BE shade matches the following richer shades: #FC20BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD23BE shade: #FC20BD, #EA32B5, #D845AD, #C657A6 and #B4699E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD23BE shade: #C520FC, #FC20F9, #FC20BE, #FC2083 and #FC2049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD23BE shade: #C9028F, #F102AC, #FC20BD, #FD49C9 and #FD72D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD23BE shade: #FD23BE, #FC8B20 and #20FCE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD23BE shade: #FD23BE, #BEFC20 and #20BEFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD23BE shade: #FD23BE, #FC8B20, #20FC5F and #2092FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD23BE shade: #FD23BE, #FCCD20, #20FC5F and #2050FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

Complementary color

CMYK 99 / 0 / 70 / 14

HEX #02DC41

RGB 2 220 65

HSL 137.34, 0.98%, 0.44%

LAB 77.03, -74.05, 60.53

 

CMYK 0 / 86 / 27 / 0

HEX #FF23B9

RGB 255 35 185

HSL 319.09, 1%, 0.57%

LAB 58, 86.25, -24.88

 

CMYK 0 / 79 / 20 / 0

HEX #FF35CC

RGB 255 53 204

HSL 315.15, 1%, 0.6%

LAB 60.04, 84.86, -32.64

 

CMYK 0 / 72 / 13 / 0

HEX #FF47DF

RGB 255 71 223

HSL 310.43, 1%, 0.64%

LAB 62.59, 82.45, -39.41

 

CMYK 0 / 65 / 5 / 0

HEX #FF59F2

RGB 255 89 242

HSL 304.7, 1%, 0.67%

LAB 65.6, 79.16, -45.26

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

CMYK 0 / 93 / 28 / 7

HEX #EC11AB

RGB 236 17 171

HSL 317.81, 0.87%, 0.5%

LAB 53.14, 83.26, -24.5

 

CMYK 0 / 100 / 31 / 14

HEX #DB0098

RGB 219 0 152

HSL 318.36, 1%, 0.43%

LAB 48.67, 79.23, -20.37

 

CMYK 0 / 100 / 34 / 21

HEX #CA0085

RGB 202 0 133

HSL 320.5, 1%, 0.4%

LAB 44.59, 73.86, -15.39

 

CMYK 0 / 100 / 38 / 27

HEX #B90072

RGB 185 0 114

HSL 323.03, 1%, 0.36%

LAB 40.46, 68.43, -10.21

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BD

RGB 252 32 189

HSL 317.18, 0.97%, 0.56%

LAB 57.47, 86.55, -28.07

 

CMYK 0 / 87 / 49 / 1

HEX #FC2081

RGB 252 32 129

HSL 333.55, 0.97%, 0.56%

LAB 55.39, 80.88, 4.13

 

CMYK 0 / 87 / 72 / 1

HEX #FC2046

RGB 252 32 70

HSL 349.64, 0.97%, 0.56%

LAB 54.21, 77.51, 37.73

 

CMYK 0 / 87 / 87 / 1

HEX #FC2020

RGB 252 32 32

HSL 0, 0.97%, 0.56%

LAB 53.85, 76.48, 57.3

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BD

RGB 252 32 189

HSL 317.18, 0.97%, 0.56%

LAB 57.47, 86.55, -28.07

 

CMYK 0 / 87 / 2 / 1

HEX #FC20F8

RGB 252 32 248

HSL 301.09, 0.97%, 0.56%

LAB 60.34, 94.07, -56.95

 

CMYK 22 / 87 / 0 / 1

HEX #C520FC

RGB 197 32 252

HSL 285, 0.97%, 0.56%

LAB 51.76, 86.07, -73.46

 

CMYK 45 / 87 / 0 / 1

HEX #8A20FC

RGB 138 32 252

HSL 268.91, 0.97%, 0.56%

LAB 43.46, 78.66, -87.38

 

CMYK 69 / 87 / 0 / 1

HEX #4F20FC

RGB 79 32 252

HSL 252.82, 0.97%, 0.56%

LAB 37.34, 73.84, -97.69

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BD

RGB 252 32 189

HSL 317.18, 0.97%, 0.56%

LAB 57.47, 86.55, -28.07

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BD

RGB 252 32 189

HSL 317.18, 0.97%, 0.56%

LAB 57.47, 86.55, -28.07

 

CMYK 0 / 79 / 23 / 8

HEX #EA32B5

RGB 234 50 181

HSL 317.28, 0.81%, 0.56%

LAB 55.19, 78.23, -27.22

 

CMYK 0 / 68 / 20 / 15

HEX #D845AD

RGB 216 69 173

HSL 317.55, 0.65%, 0.56%

LAB 53.89, 67.05, -24.8

 

CMYK 0 / 56 / 16 / 22

HEX #C657A6

RGB 198 87 166

HSL 317.3, 0.49%, 0.56%

LAB 53.57, 53.58, -21.44

 

CMYK 0 / 42 / 12 / 29

HEX #B4699E

RGB 180 105 158

HSL 317.6, 0.33%, 0.56%

LAB 54.32, 37.51, -15.85

 

CMYK 22 / 87 / 0 / 1

HEX #C520FC

RGB 197 32 252

HSL 285, 0.97%, 0.56%

LAB 51.76, 86.07, -73.46

 

CMYK 0 / 87 / 1 / 1

HEX #FC20F9

RGB 252 32 249

HSL 300.82, 0.97%, 0.56%

LAB 60.4, 94.21, -57.42

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BE

RGB 252 32 190

HSL 316.91, 0.97%, 0.56%

LAB 57.51, 86.66, -28.58

 

CMYK 0 / 87 / 48 / 1

HEX #FC2083

RGB 252 32 131

HSL 333, 0.97%, 0.56%

LAB 55.45, 81.03, 3.01

 

CMYK 0 / 87 / 71 / 1

HEX #FC2049

RGB 252 32 73

HSL 348.82, 0.97%, 0.56%

LAB 54.25, 77.63, 36.03

 

CMYK 0 / 99 / 29 / 21

HEX #C9028F

RGB 201 2 143

HSL 317.49, 0.98%, 0.4%

LAB 44.86, 74.52, -21.09

 

CMYK 0 / 99 / 29 / 5

HEX #F102AC

RGB 241 2 172

HSL 317.32, 0.98%, 0.48%

LAB 53.73, 85.47, -24.1

 

CMYK 0 / 87 / 25 / 1

HEX #FC20BD

RGB 252 32 189

HSL 317.18, 0.97%, 0.56%

LAB 57.47, 86.55, -28.07

 

CMYK 0 / 71 / 21 / 1

HEX #FD49C9

RGB 253 73 201

HSL 317.33, 0.98%, 0.64%

LAB 61.54, 78.45, -28.63

 

CMYK 0 / 55 / 16 / 1

HEX #FD72D5

RGB 253 114 213

HSL 317.27, 0.97%, 0.72%

LAB 67.81, 64.13, -25.73

 

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

CMYK 0 / 45 / 87 / 1

HEX #FC8B20

RGB 252 139 32

HSL 29.18, 0.97%, 0.56%

LAB 68.94, 36.52, 68.98

 

CMYK 87 / 0 / 10 / 1

HEX #20FCE3

RGB 32 252 227

HSL 173.18, 0.97%, 0.56%

LAB 89.61, -53.58, -1.8

 

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

CMYK 25 / 0 / 87 / 1

HEX #BEFC20

RGB 190 252 32

HSL 76.91, 0.97%, 0.56%

LAB 91.99, -45.53, 85.31

 

CMYK 87 / 25 / 0 / 1

HEX #20BEFC

RGB 32 190 252

HSL 196.91, 0.97%, 0.56%

LAB 72.34, -17.07, -41.25

 

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

CMYK 0 / 45 / 87 / 1

HEX #FC8B20

RGB 252 139 32

HSL 29.18, 0.97%, 0.56%

LAB 68.94, 36.52, 68.98

 

CMYK 87 / 0 / 62 / 1

HEX #20FC5F

RGB 32 252 95

HSL 137.18, 0.97%, 0.56%

LAB 87.37, -78.91, 59.96

 

CMYK 87 / 42 / 0 / 1

HEX #2092FC

RGB 32 146 252

HSL 208.91, 0.97%, 0.56%

LAB 59.79, 7.76, -61.09

 

CMYK 0 / 86 / 25 / 1

HEX #FD23BE

RGB 253 35 190

HSL 317.34, 0.98%, 0.56%

LAB 57.85, 86.39, -28.04

 

CMYK 0 / 19 / 87 / 1

HEX #FCCD20

RGB 252 205 32

HSL 47.18, 0.97%, 0.56%

LAB 84.21, 2.26, 80.97

 

CMYK 87 / 0 / 62 / 1

HEX #20FC5F

RGB 32 252 95

HSL 137.18, 0.97%, 0.56%

LAB 87.37, -78.91, 59.96

 

CMYK 87 / 68 / 0 / 1

HEX #2050FC

RGB 32 80 252

HSL 226.91, 0.97%, 0.56%

LAB 42.87, 48.68, -88.6

 

Description

Color code: HEX #FD23BE | qconv.com Color code: HEX #FD23BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 35 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 35 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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