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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD2EB9 it is the complementary color #02D146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD2EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD2EB9 shade: #FF2EB4, #FF40C7, #FF52DA, #FF64ED and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD2EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD2EB9 shade: #FD2EB9, #EC1CA6, #DB0A93, #CA0080 and #B9006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD2EB9 shade: #FC2FB9, #FC2F82, #FC2F4B and #FC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD2EB9 shade: #FC2FB9, #FC2FF0, #D12FFC, #9A2FFC and #632FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD2EB9 shade matches the following richer shades: #FC2FB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD2EB9 shade: #FC2FB9, #EB40B3, #DB51AD, #CA62A8 and #B973A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD2EB9 shade: #D02FFC, #FC2FF2, #FC2FBC, #FC2F85 and #FC2F4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD2EB9 shade: #D80291, #FC07AB, #FC2FB9, #FD58C7 and #FD81D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD2EB9 shade: #FD2EB9, #FC992F and #2FFCEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD2EB9 shade: #FD2EB9, #BCFC2F and #2FBCFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD2EB9 shade: #FD2EB9, #FC992F, #2FFC70 and #2F93FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD2EB9 shade: #FD2EB9, #FCD72F, #2FFC70 and #2F55FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

Complementary color

CMYK 99 / 0 / 67 / 18

HEX #02D146

RGB 2 209 70

HSL 139.71, 0.98%, 0.41%

LAB 73.58, -70.4, 54.91

 

CMYK 0 / 82 / 29 / 0

HEX #FF2EB4

RGB 255 46 180

HSL 321.53, 1%, 0.59%

LAB 58.52, 83.65, -21.2

 

CMYK 0 / 75 / 22 / 0

HEX #FF40C7

RGB 255 64 199

HSL 317.59, 1%, 0.63%

LAB 60.83, 81.38, -28.57

 

CMYK 0 / 68 / 15 / 0

HEX #FF52DA

RGB 255 82 218

HSL 312.83, 1%, 0.66%

LAB 63.64, 78.17, -34.96

 

CMYK 0 / 61 / 7 / 0

HEX #FF64ED

RGB 255 100 237

HSL 306.97, 1%, 0.7%

LAB 66.89, 74.19, -40.47

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

CMYK 0 / 88 / 30 / 7

HEX #EC1CA6

RGB 236 28 166

HSL 320.19, 0.85%, 0.52%

LAB 53.4, 81.36, -21.15

 

CMYK 0 / 95 / 33 / 14

HEX #DB0A93

RGB 219 10 147

HSL 320.67, 0.91%, 0.45%

LAB 48.74, 77.92, -17.26

 

CMYK 0 / 100 / 37 / 21

HEX #CA0080

RGB 202 0 128

HSL 321.98, 1%, 0.4%

LAB 44.4, 73.36, -12.61

 

CMYK 0 / 100 / 41 / 27

HEX #B9006D

RGB 185 0 109

HSL 324.65, 1%, 0.36%

LAB 40.28, 67.96, -7.34

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB9

RGB 252 47 185

HSL 319.61, 0.97%, 0.59%

LAB 58.26, 83.34, -24.54

 

CMYK 0 / 81 / 48 / 1

HEX #FC2F82

RGB 252 47 130

HSL 335.71, 0.97%, 0.59%

LAB 56.43, 78.06, 5.02

 

CMYK 0 / 81 / 70 / 1

HEX #FC2F4B

RGB 252 47 75

HSL 351.8, 0.97%, 0.59%

LAB 55.32, 74.74, 36.14

 

CMYK 0 / 81 / 81 / 1

HEX #FC2F2F

RGB 252 47 47

HSL 0, 0.97%, 0.59%

LAB 55, 73.8, 51.19

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB9

RGB 252 47 185

HSL 319.61, 0.97%, 0.59%

LAB 58.26, 83.34, -24.54

 

CMYK 0 / 81 / 5 / 1

HEX #FC2FF0

RGB 252 47 240

HSL 303.51, 0.97%, 0.59%

LAB 60.8, 90.34, -51.77

 

CMYK 17 / 81 / 0 / 1

HEX #D12FFC

RGB 209 47 252

HSL 287.41, 0.97%, 0.59%

LAB 54.68, 84.72, -68.65

 

CMYK 39 / 81 / 0 / 1

HEX #9A2FFC

RGB 154 47 252

HSL 271.32, 0.97%, 0.59%

LAB 46.88, 76.47, -81.67

 

CMYK 61 / 81 / 0 / 1

HEX #632FFC

RGB 99 47 252

HSL 255.22, 0.97%, 0.59%

LAB 40.76, 70.21, -91.97

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB9

RGB 252 47 185

HSL 319.61, 0.97%, 0.59%

LAB 58.26, 83.34, -24.54

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB9

RGB 252 47 185

HSL 319.61, 0.97%, 0.59%

LAB 58.26, 83.34, -24.54

 

CMYK 0 / 73 / 24 / 8

HEX #EB40B3

RGB 235 64 179

HSL 319.65, 0.81%, 0.59%

LAB 56.67, 74.24, -23.75

 

CMYK 0 / 63 / 21 / 14

HEX #DB51AD

RGB 219 81 173

HSL 320, 0.66%, 0.59%

LAB 56.05, 63.19, -21.44

 

CMYK 0 / 51 / 17 / 21

HEX #CA62A8

RGB 202 98 168

HSL 319.62, 0.5%, 0.59%

LAB 56.21, 49.83, -18.52

 

CMYK 0 / 38 / 12 / 27

HEX #B973A2

RGB 185 115 162

HSL 319.71, 0.33%, 0.59%

LAB 57.25, 34.46, -13.67

 

CMYK 17 / 81 / 0 / 1

HEX #D02FFC

RGB 208 47 252

HSL 287.12, 0.97%, 0.59%

LAB 54.52, 84.56, -68.9

 

CMYK 0 / 81 / 4 / 1

HEX #FC2FF2

RGB 252 47 242

HSL 302.93, 0.97%, 0.59%

LAB 60.9, 90.63, -52.72

 

CMYK 0 / 81 / 25 / 1

HEX #FC2FBC

RGB 252 47 188

HSL 318.73, 0.97%, 0.59%

LAB 58.38, 83.68, -26.08

 

CMYK 0 / 81 / 47 / 1

HEX #FC2F85

RGB 252 47 133

HSL 334.83, 0.97%, 0.59%

LAB 56.51, 78.3, 3.35

 

CMYK 0 / 81 / 69 / 1

HEX #FC2F4E

RGB 252 47 78

HSL 350.93, 0.97%, 0.59%

LAB 55.36, 74.87, 34.45

 

CMYK 0 / 99 / 33 / 15

HEX #D80291

RGB 216 2 145

HSL 319.91, 0.98%, 0.43%

LAB 47.86, 77.75, -17.45

 

CMYK 0 / 97 / 32 / 1

HEX #FC07AB

RGB 252 7 171

HSL 319.84, 0.98%, 0.51%

LAB 55.87, 87.18, -20.05

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB9

RGB 252 47 185

HSL 319.61, 0.97%, 0.59%

LAB 58.26, 83.34, -24.54

 

CMYK 0 / 65 / 21 / 1

HEX #FD58C7

RGB 253 88 199

HSL 319.64, 0.98%, 0.67%

LAB 63.33, 72.95, -24.74

 

CMYK 0 / 49 / 16 / 1

HEX #FD81D4

RGB 253 129 212

HSL 319.84, 0.97%, 0.75%

LAB 70.41, 57.03, -21.2

 

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

CMYK 0 / 39 / 81 / 1

HEX #FC992F

RGB 252 153 47

HSL 31.02, 0.97%, 0.59%

LAB 72.02, 29.69, 66.69

 

CMYK 81 / 0 / 7 / 1

HEX #2FFCEB

RGB 47 252 235

HSL 175.02, 0.97%, 0.59%

LAB 89.96, -50.49, -5.43

 

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

CMYK 25 / 0 / 81 / 1

HEX #BCFC2F

RGB 188 252 47

HSL 78.73, 0.97%, 0.59%

LAB 91.92, -45.83, 82.14

 

CMYK 81 / 25 / 0 / 1

HEX #2FBCFC

RGB 47 188 252

HSL 198.73, 0.97%, 0.59%

LAB 71.96, -14.96, -41.82

 

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

CMYK 0 / 39 / 81 / 1

HEX #FC992F

RGB 252 153 47

HSL 31.02, 0.97%, 0.59%

LAB 72.02, 29.69, 66.69

 

CMYK 81 / 0 / 56 / 1

HEX #2FFC70

RGB 47 252 112

HSL 139.02, 0.97%, 0.59%

LAB 87.68, -75.63, 53.01

 

CMYK 81 / 42 / 0 / 1

HEX #2F93FC

RGB 47 147 252

HSL 210.73, 0.97%, 0.59%

LAB 60.34, 8.25, -60.2

 

CMYK 0 / 82 / 27 / 1

HEX #FD2EB9

RGB 253 46 185

HSL 319.71, 0.98%, 0.59%

LAB 58.36, 83.77, -24.36

 

CMYK 0 / 15 / 81 / 1

HEX #FCD72F

RGB 252 215 47

HSL 49.17, 0.97%, 0.59%

LAB 86.75, -2.47, 79.49

 

CMYK 81 / 0 / 56 / 1

HEX #2FFC70

RGB 47 252 112

HSL 139.02, 0.97%, 0.59%

LAB 87.68, -75.63, 53.01

 

CMYK 81 / 66 / 0 / 1

HEX #2F55FC

RGB 47 85 252

HSL 228.88, 0.97%, 0.59%

LAB 44.42, 46.53, -86.04

 

Description

Color code: HEX #FD2EB9 | qconv.com Color code: HEX #FD2EB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 46 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 46 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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