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Color name
HEX #FD3A54

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3A54 it is the complementary color #02C5AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3A54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3A54 shade: #FF3A4F, #FF4C62, #FF5E75, #FF7088 and #FF829B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3A54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3A54 shade: #FD3A54, #EC2841, #DB162E, #CA041B and #B90008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3A54 shade: #FD3A54 and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3A54 shade: #FD3A54, #FD3A88, #FD3ABD, #FD3AF1 and #D33AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3A54 shade matches the following richer shades: #FD3A54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3A54 shade: #FD3A54, #EC4A5F, #DC5A6B, #CC6A77 and #BC7A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3A54 shade: #FD3ABC, #FD3A88, #FD3A54, #FD543A and #FD883A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3A54 shade: #E20220, #FC1130, #FD3A54, #FD6277 and #FD8B9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3A54 shade: #FD3A54, #F0FD3A and #3AA2FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3A54 shade: #FD3A54, #54FD3A and #3A54FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3A54 shade: #FD3A54, #F0FD3A, #3AFDE3 and #473AFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3A54 shade: #FD3A54, #B5FD3A, #3AFDE3 and #813AFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

Complementary color

CMYK 99 / 0 / 13 / 23

HEX #02C5AB

RGB 2 197 171

HSL 172, 0.98%, 0.39%

LAB 71.48, -46.99, 1.45

 

CMYK 0 / 77 / 69 / 0

HEX #FF3A4F

RGB 255 58 79

HSL 353.6, 1%, 0.61%

LAB 56.93, 72.92, 35.91

 

CMYK 0 / 70 / 62 / 0

HEX #FF4C62

RGB 255 76 98

HSL 352.63, 1%, 0.65%

LAB 59.26, 68.25, 27.86

 

CMYK 0 / 63 / 54 / 0

HEX #FF5E75

RGB 255 94 117

HSL 351.43, 1%, 0.68%

LAB 62.13, 62.67, 20.68

 

CMYK 0 / 56 / 47 / 0

HEX #FF7088

RGB 255 112 136

HSL 349.93, 1%, 0.72%

LAB 65.46, 56.46, 14.39

 

CMYK 0 / 49 / 39 / 0

HEX #FF829B

RGB 255 130 155

HSL 348, 1%, 0.75%

LAB 69.18, 49.86, 8.89

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 83 / 72 / 7

HEX #EC2841

RGB 236 40 65

HSL 352.35, 0.84%, 0.54%

LAB 51.53, 71.69, 36.71

 

CMYK 0 / 90 / 79 / 14

HEX #DB162E

RGB 219 22 46

HSL 352.69, 0.82%, 0.47%

LAB 46.75, 69.92, 41.38

 

CMYK 0 / 98 / 87 / 21

HEX #CA041B

RGB 202 4 27

HSL 353.03, 0.96%, 0.4%

LAB 42.34, 67.16, 46.15

 

CMYK 0 / 100 / 96 / 27

HEX #B90008

RGB 185 0 8

HSL 357.41, 1%, 0.36%

LAB 38.43, 63.03, 49.75

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 77 / 46 / 1

HEX #FD3A88

RGB 253 58 136

HSL 336, 0.98%, 0.61%

LAB 57.74, 76.05, 3.37

 

CMYK 0 / 77 / 25 / 1

HEX #FD3ABD

RGB 253 58 189

HSL 319.69, 0.98%, 0.61%

LAB 59.51, 81.37, -24.9

 

CMYK 0 / 77 / 5 / 1

HEX #FD3AF1

RGB 253 58 241

HSL 303.69, 0.98%, 0.61%

LAB 61.88, 88.17, -50.61

 

CMYK 17 / 77 / 0 / 1

HEX #D33AFD

RGB 211 58 253

HSL 287.08, 0.98%, 0.61%

LAB 56.05, 82.29, -66.96

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 69 / 60 / 7

HEX #EC4A5F

RGB 236 74 95

HSL 352.22, 0.81%, 0.61%

LAB 55.64, 63.09, 24.25

 

CMYK 0 / 59 / 51 / 14

HEX #DC5A6B

RGB 220 90 107

HSL 352.15, 0.65%, 0.61%

LAB 55.67, 52.24, 16.79

 

CMYK 0 / 48 / 42 / 20

HEX #CC6A77

RGB 204 106 119

HSL 352.04, 0.49%, 0.61%

LAB 56.56, 40.02, 10.63

 

CMYK 0 / 35 / 30 / 26

HEX #BC7A83

RGB 188 122 131

HSL 351.82, 0.33%, 0.61%

LAB 58.27, 26.95, 5.81

 

CMYK 0 / 77 / 26 / 1

HEX #FD3ABC

RGB 253 58 188

HSL 320, 0.98%, 0.61%

LAB 59.47, 81.26, -24.38

 

CMYK 0 / 77 / 46 / 1

HEX #FD3A88

RGB 253 58 136

HSL 336, 0.98%, 0.61%

LAB 57.74, 76.05, 3.37

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 67 / 77 / 1

HEX #FD543A

RGB 253 84 58

HSL 8, 0.98%, 0.61%

LAB 59.46, 62.82, 50.08

 

CMYK 0 / 46 / 77 / 1

HEX #FD883A

RGB 253 136 58

HSL 24, 0.98%, 0.61%

LAB 68.6, 39.16, 59.23

 

CMYK 0 / 99 / 86 / 11

HEX #E20220

RGB 226 2 32

HSL 351.96, 0.98%, 0.45%

LAB 47.39, 73.33, 49.92

 

CMYK 0 / 93 / 81 / 1

HEX #FC1130

RGB 252 17 48

HSL 352.09, 0.98%, 0.53%

LAB 53.29, 78.77, 49.03

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 0 / 61 / 53 / 1

HEX #FD6277

RGB 253 98 119

HSL 351.87, 0.97%, 0.69%

LAB 62.47, 60.53, 19.94

 

CMYK 0 / 45 / 39 / 1

HEX #FD8B9A

RGB 253 139 154

HSL 352.11, 0.97%, 0.77%

LAB 70.65, 44.61, 11.5

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 5 / 0 / 77 / 1

HEX #F0FD3A

RGB 240 253 58

HSL 64, 0.98%, 0.61%

LAB 95.61, -25.67, 83.88

 

CMYK 77 / 36 / 0 / 1

HEX #3AA2FD

RGB 58 162 253

HSL 208, 0.98%, 0.61%

LAB 64.83, 0.86, -53.58

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 67 / 0 / 77 / 1

HEX #54FD3A

RGB 84 253 58

HSL 112, 0.98%, 0.61%

LAB 88.18, -75.78, 74.3

 

CMYK 77 / 67 / 0 / 1

HEX #3A54FD

RGB 58 84 253

HSL 232, 0.98%, 0.61%

LAB 44.71, 48.3, -86.11

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 5 / 0 / 77 / 1

HEX #F0FD3A

RGB 240 253 58

HSL 64, 0.98%, 0.61%

LAB 95.61, -25.67, 83.88

 

CMYK 77 / 0 / 10 / 1

HEX #3AFDE3

RGB 58 253 227

HSL 172, 0.98%, 0.61%

LAB 90.18, -52.08, -0.94

 

CMYK 72 / 77 / 0 / 1

HEX #473AFD

RGB 71 58 253

HSL 244, 0.98%, 0.61%

LAB 40.34, 63.41, -93.29

 

CMYK 0 / 77 / 67 / 1

HEX #FD3A54

RGB 253 58 84

HSL 352, 0.98%, 0.61%

LAB 56.63, 72.6, 32.57

 

CMYK 28 / 0 / 77 / 1

HEX #B5FD3A

RGB 181 253 58

HSL 82.15, 0.98%, 0.61%

LAB 91.86, -48.37, 79.07

 

CMYK 77 / 0 / 10 / 1

HEX #3AFDE3

RGB 58 253 227

HSL 172, 0.98%, 0.61%

LAB 90.18, -52.08, -0.94

 

CMYK 49 / 77 / 0 / 1

HEX #813AFD

RGB 129 58 253

HSL 261.85, 0.98%, 0.61%

LAB 45.34, 69.47, -84.88

 

Description

Color code: HEX #FD3A54 | qconv.com Color code: HEX #FD3A54 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 58 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 58 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 67 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 67% 1% C M Y K

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