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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD40F8 it is the complementary color #02BF07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD40F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD40F8 shade: #FF40F3, #FF52FF, #FF64FF, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD40F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD40F8 shade: #FD40F8, #EC2EE5, #DB1CD2, #CA0ABF and #B900AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD40F8 shade: #FD3FF8, #FD3FC4, #FD3F91, #FD3F5E and #FD3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD40F8 shade: #FD3FF8, #CE3FFD, #9B3FFD, #683FFD and #3F3FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD40F8 shade matches the following richer shades: #FD3FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD40F8 shade: #FD3FF8, #ED4EE9, #DD5EDA, #CE6ECB and #BE7DBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD40F8 shade: #9A3FFD, #CD3FFD, #FD3FF9, #FD3FC7 and #FD3F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD40F8 shade: #E702E1, #FC16F6, #FD3FF8, #FD67F9 and #FD90FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD40F8 shade: #FD40F8, #FD683F and #3FFDB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD40F8 shade: #FD40F8, #F9FD3F and #3FF9FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD40F8 shade: #FD40F8, #FD683F, #3FFD42 and #3FD3FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD40F8 shade: #FD40F8, #FDA13F, #3FFD42 and #3F9AFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

Complementary color

CMYK 99 / 0 / 96 / 25

HEX #02BF07

RGB 2 191 7

HSL 121.59, 0.98%, 0.38%

LAB 67.49, -69.11, 66.14

 

CMYK 0 / 75 / 5 / 0

HEX #FF40F3

RGB 255 64 243

HSL 303.77, 1%, 0.63%

LAB 62.84, 87.29, -50.17

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

CMYK 0 / 81 / 3 / 7

HEX #EC2EE5

RGB 236 46 229

HSL 302.21, 0.83%, 0.55%

LAB 57.51, 86.02, -51

 

CMYK 0 / 87 / 4 / 14

HEX #DB1CD2

RGB 219 28 210

HSL 302.83, 0.77%, 0.48%

LAB 52.45, 83.56, -48.44

 

CMYK 0 / 95 / 5 / 21

HEX #CA0ABF

RGB 202 10 191

HSL 303.44, 0.91%, 0.42%

LAB 47.67, 80.05, -45.24

 

CMYK 0 / 100 / 7 / 27

HEX #B900AC

RGB 185 0 172

HSL 304.22, 1%, 0.36%

LAB 43.2, 75.34, -41.35

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF8

RGB 253 63 248

HSL 301.58, 0.98%, 0.62%

LAB 62.69, 87.9, -53.21

 

CMYK 0 / 75 / 23 / 1

HEX #FD3FC4

RGB 253 63 196

HSL 318, 0.98%, 0.62%

LAB 60.27, 80.85, -27.74

 

CMYK 0 / 75 / 43 / 1

HEX #FD3F91

RGB 253 63 145

HSL 334.11, 0.98%, 0.62%

LAB 58.49, 75.41, -0.84

 

CMYK 0 / 75 / 63 / 1

HEX #FD3F5E

RGB 253 63 94

HSL 350.21, 0.98%, 0.62%

LAB 57.31, 71.67, 27.6

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF8

RGB 253 63 248

HSL 301.58, 0.98%, 0.62%

LAB 62.69, 87.9, -53.21

 

CMYK 19 / 75 / 0 / 1

HEX #CE3FFD

RGB 206 63 253

HSL 285.16, 0.98%, 0.62%

LAB 55.86, 79.86, -67.32

 

CMYK 39 / 75 / 0 / 1

HEX #9B3FFD

RGB 155 63 253

HSL 269.05, 0.98%, 0.62%

LAB 49.03, 71.22, -78.72

 

CMYK 59 / 75 / 0 / 1

HEX #683FFD

RGB 104 63 253

HSL 252.95, 0.98%, 0.62%

LAB 43.64, 64.21, -87.76

 

CMYK 75 / 75 / 0 / 1

HEX #3F3FFD

RGB 63 63 253

HSL 240, 0.98%, 0.62%

LAB 40.74, 60.35, -92.64

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF8

RGB 253 63 248

HSL 301.58, 0.98%, 0.62%

LAB 62.69, 87.9, -53.21

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF8

RGB 253 63 248

HSL 301.58, 0.98%, 0.62%

LAB 62.69, 87.9, -53.21

 

CMYK 0 / 67 / 2 / 7

HEX #ED4EE9

RGB 237 78 233

HSL 301.51, 0.82%, 0.62%

LAB 61.08, 77.64, -47.57

 

CMYK 0 / 57 / 1 / 13

HEX #DD5EDA

RGB 221 94 218

HSL 301.42, 0.65%, 0.62%

LAB 60.28, 65.1, -40.57

 

CMYK 0 / 47 / 1 / 19

HEX #CE6ECB

RGB 206 110 203

HSL 301.88, 0.49%, 0.62%

LAB 60.41, 50.89, -32.05

 

CMYK 0 / 34 / 1 / 25

HEX #BE7DBC

RGB 190 125 188

HSL 301.85, 0.33%, 0.62%

LAB 61, 35.31, -22.81

 

CMYK 39 / 75 / 0 / 1

HEX #9A3FFD

RGB 154 63 253

HSL 268.74, 0.98%, 0.62%

LAB 48.9, 71.07, -78.92

 

CMYK 19 / 75 / 0 / 1

HEX #CD3FFD

RGB 205 63 253

HSL 284.84, 0.98%, 0.62%

LAB 55.71, 79.68, -67.56

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF9

RGB 253 63 249

HSL 301.26, 0.98%, 0.62%

LAB 62.74, 88.05, -53.68

 

CMYK 0 / 75 / 21 / 1

HEX #FD3FC7

RGB 253 63 199

HSL 317.05, 0.98%, 0.62%

LAB 60.39, 81.21, -29.26

 

CMYK 0 / 75 / 42 / 1

HEX #FD3F94

RGB 253 63 148

HSL 333.16, 0.98%, 0.62%

LAB 58.58, 75.69, -2.47

 

CMYK 0 / 99 / 3 / 9

HEX #E702E1

RGB 231 2 225

HSL 301.57, 0.98%, 0.46%

LAB 54.52, 90.2, -53.55

 

CMYK 0 / 91 / 2 / 1

HEX #FC16F6

RGB 252 22 246

HSL 301.57, 0.97%, 0.54%

LAB 59.82, 95, -56.68

 

CMYK 0 / 75 / 2 / 1

HEX #FD3FF8

RGB 253 63 248

HSL 301.58, 0.98%, 0.62%

LAB 62.69, 87.9, -53.21

 

CMYK 0 / 59 / 2 / 1

HEX #FD67F9

RGB 253 103 249

HSL 301.6, 0.97%, 0.7%

LAB 67.59, 74.38, -46.01

 

CMYK 0 / 43 / 1 / 1

HEX #FD90FA

RGB 253 144 250

HSL 301.65, 0.96%, 0.78%

LAB 74.66, 55.86, -35.53

 

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

CMYK 0 / 59 / 75 / 1

HEX #FD683F

RGB 253 104 63

HSL 12.95, 0.98%, 0.62%

LAB 62.63, 54.66, 50.86

 

CMYK 75 / 0 / 29 / 1

HEX #3FFDB4

RGB 63 253 180

HSL 156.95, 0.98%, 0.62%

LAB 89.21, -62.59, 21.93

 

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

CMYK 2 / 0 / 75 / 1

HEX #F9FD3F

RGB 249 253 63

HSL 61.26, 0.98%, 0.62%

LAB 96.31, -21.86, 83.34

 

CMYK 75 / 2 / 0 / 1

HEX #3FF9FD

RGB 63 249 253

HSL 181.26, 0.98%, 0.62%

LAB 89.81, -42.86, -15

 

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

CMYK 0 / 59 / 75 / 1

HEX #FD683F

RGB 253 104 63

HSL 12.95, 0.98%, 0.62%

LAB 62.63, 54.66, 50.86

 

CMYK 75 / 0 / 74 / 1

HEX #3FFD42

RGB 63 253 66

HSL 120.95, 0.98%, 0.62%

LAB 87.82, -78.66, 71.35

 

CMYK 75 / 17 / 0 / 1

HEX #3FD3FD

RGB 63 211 253

HSL 193.26, 0.98%, 0.62%

LAB 78.89, -24.95, -31.59

 

CMYK 0 / 75 / 2 / 1

HEX #FD40F8

RGB 253 64 248

HSL 301.59, 0.98%, 0.62%

LAB 62.78, 87.63, -53.06

 

CMYK 0 / 36 / 75 / 1

HEX #FDA13F

RGB 253 161 63

HSL 30.95, 0.98%, 0.62%

LAB 74.02, 26.49, 62.43

 

CMYK 75 / 0 / 74 / 1

HEX #3FFD42

RGB 63 253 66

HSL 120.95, 0.98%, 0.62%

LAB 87.82, -78.66, 71.35

 

CMYK 75 / 39 / 0 / 1

HEX #3F9AFD

RGB 63 154 253

HSL 211.26, 0.98%, 0.62%

LAB 62.73, 6.07, -56.91

 

Description

Color code: HEX #FD40F8 | qconv.com Color code: HEX #FD40F8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 64 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 64 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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