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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4AC0 it is the complementary color #02B53F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4AC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4AC0 shade: #FF4ABB, #FF5CCE, #FF6EE1, #FF80F4 and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4AC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4AC0 shade: #FD4AC0, #EC38AD, #DB269A, #CA1487 and #B90274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4AC0 shade: #FD49BF, #FD498F, #FD495E and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4AC0 shade: #FD49BF, #FD49F0, #D949FD, #A849FD and #7849FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4AC0 shade matches the following richer shades: #FD49BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4AC0 shade: #FD49BF, #EE58BB, #DF66B6, #D075B1 and #C184AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4AC0 shade: #D949FD, #FD49F1, #FD49C1, #FD4991 and #FD4961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4AC0 shade: #F1029F, #FC20B1, #FD49BF, #FD72CE and #FD9ADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4AC0 shade: #FD4AC0, #FDA949 and #49FDF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4AC0 shade: #FD4AC0, #C1FD49 and #49C1FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4AC0 shade: #FD4AC0, #FDA949, #49FD85 and #499DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4AC0 shade: #FD4AC0, #FDDF49, #49FD85 and #4967FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

Complementary color

CMYK 99 / 0 / 65 / 29

HEX #02B53F

RGB 2 181 63

HSL 140.45, 0.98%, 0.36%

LAB 64.5, -62.82, 47.86

 

CMYK 0 / 71 / 27 / 0

HEX #FF4ABB

RGB 255 74 187

HSL 322.54, 1%, 0.65%

LAB 61.43, 76.89, -20.77

 

CMYK 0 / 64 / 19 / 0

HEX #FF5CCE

RGB 255 92 206

HSL 318.04, 1%, 0.68%

LAB 64.46, 72.87, -26.93

 

CMYK 0 / 57 / 12 / 0

HEX #FF6EE1

RGB 255 110 225

HSL 312.41, 1%, 0.72%

LAB 67.91, 68.21, -32.24

 

CMYK 0 / 50 / 4 / 0

HEX #FF80F4

RGB 255 128 244

HSL 305.2, 1%, 0.75%

LAB 71.71, 63.1, -36.81

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

CMYK 0 / 76 / 27 / 7

HEX #EC38AD

RGB 236 56 173

HSL 321, 0.83%, 0.57%

LAB 55.76, 76.13, -21.64

 

CMYK 0 / 83 / 30 / 14

HEX #DB269A

RGB 219 38 154

HSL 321.55, 0.72%, 0.5%

LAB 50.43, 74.56, -18.87

 

CMYK 0 / 90 / 33 / 21

HEX #CA1487

RGB 202 20 135

HSL 322.09, 0.82%, 0.44%

LAB 45.37, 72.02, -15.43

 

CMYK 0 / 99 / 37 / 27

HEX #B90274

RGB 185 2 116

HSL 322.62, 0.98%, 0.37%

LAB 40.6, 68.42, -11.24

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BF

RGB 253 73 191

HSL 320.67, 0.98%, 0.64%

LAB 61.14, 77.2, -23.54

 

CMYK 0 / 71 / 43 / 1

HEX #FD498F

RGB 253 73 143

HSL 336.67, 0.98%, 0.64%

LAB 59.55, 72.09, 1.89

 

CMYK 0 / 71 / 63 / 1

HEX #FD495E

RGB 253 73 94

HSL 353, 0.98%, 0.64%

LAB 58.47, 68.46, 29.09

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BF

RGB 253 73 191

HSL 320.67, 0.98%, 0.64%

LAB 61.14, 77.2, -23.54

 

CMYK 0 / 71 / 5 / 1

HEX #FD49F0

RGB 253 73 240

HSL 304.33, 0.98%, 0.64%

LAB 63.29, 83.82, -47.81

 

CMYK 14 / 71 / 0 / 1

HEX #D949FD

RGB 217 73 253

HSL 288, 0.98%, 0.64%

LAB 58.61, 78.58, -62.8

 

CMYK 34 / 71 / 0 / 1

HEX #A849FD

RGB 168 73 253

HSL 271.67, 0.98%, 0.64%

LAB 52.04, 69.35, -73.74

 

CMYK 53 / 71 / 0 / 1

HEX #7849FD

RGB 120 73 253

HSL 255.67, 0.98%, 0.64%

LAB 46.78, 61.54, -82.55

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BF

RGB 253 73 191

HSL 320.67, 0.98%, 0.64%

LAB 61.14, 77.2, -23.54

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BF

RGB 253 73 191

HSL 320.67, 0.98%, 0.64%

LAB 61.14, 77.2, -23.54

 

CMYK 0 / 63 / 21 / 7

HEX #EE58BB

RGB 238 88 187

HSL 320.4, 0.82%, 0.64%

LAB 60.56, 67.41, -22.36

 

CMYK 0 / 54 / 18 / 13

HEX #DF66B6

RGB 223 102 182

HSL 320.33, 0.65%, 0.64%

LAB 60.4, 56.39, -19.93

 

CMYK 0 / 44 / 15 / 18

HEX #D075B1

RGB 208 117 177

HSL 320.44, 0.49%, 0.64%

LAB 61.05, 43.54, -16.27

 

CMYK 0 / 32 / 11 / 24

HEX #C184AC

RGB 193 132 172

HSL 320.66, 0.33%, 0.64%

LAB 62.35, 29.6, -11.63

 

CMYK 14 / 71 / 0 / 1

HEX #D949FD

RGB 217 73 253

HSL 288, 0.98%, 0.64%

LAB 58.61, 78.58, -62.8

 

CMYK 0 / 71 / 5 / 1

HEX #FD49F1

RGB 253 73 241

HSL 304, 0.98%, 0.64%

LAB 63.34, 83.97, -48.29

 

CMYK 0 / 71 / 24 / 1

HEX #FD49C1

RGB 253 73 193

HSL 320, 0.98%, 0.64%

LAB 61.22, 77.45, -24.56

 

CMYK 0 / 71 / 43 / 1

HEX #FD4991

RGB 253 73 145

HSL 336, 0.98%, 0.64%

LAB 59.61, 72.27, 0.8

 

CMYK 0 / 71 / 62 / 1

HEX #FD4961

RGB 253 73 97

HSL 352, 0.98%, 0.64%

LAB 58.52, 68.64, 27.41

 

CMYK 0 / 99 / 34 / 5

HEX #F1029F

RGB 241 2 159

HSL 320.59, 0.98%, 0.48%

LAB 53.22, 84.15, -17.21

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B1

RGB 252 32 177

HSL 320.45, 0.97%, 0.56%

LAB 56.98, 85.25, -21.86

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BF

RGB 253 73 191

HSL 320.67, 0.98%, 0.64%

LAB 61.14, 77.2, -23.54

 

CMYK 0 / 55 / 19 / 1

HEX #FD72CE

RGB 253 114 206

HSL 320.29, 0.97%, 0.72%

LAB 67.56, 63.13, -22.21

 

CMYK 0 / 39 / 13 / 1

HEX #FD9ADC

RGB 253 154 220

HSL 320, 0.96%, 0.8%

LAB 75.55, 45.86, -17.81

 

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

CMYK 0 / 33 / 71 / 1

HEX #FDA949

RGB 253 169 73

HSL 32, 0.98%, 0.64%

LAB 75.91, 22.75, 60.09

 

CMYK 71 / 0 / 5 / 1

HEX #49FDF1

RGB 73 253 241

HSL 176, 0.98%, 0.64%

LAB 90.79, -46.82, -7.29

 

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

CMYK 24 / 0 / 71 / 1

HEX #C1FD49

RGB 193 253 73

HSL 80, 0.98%, 0.64%

LAB 92.61, -43.25, 75.35

 

CMYK 71 / 24 / 0 / 1

HEX #49C1FD

RGB 73 193 253

HSL 200, 0.98%, 0.64%

LAB 73.96, -14.5, -39.2

 

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

CMYK 0 / 33 / 71 / 1

HEX #FDA949

RGB 253 169 73

HSL 32, 0.98%, 0.64%

LAB 75.91, 22.75, 60.09

 

CMYK 71 / 0 / 47 / 1

HEX #49FD85

RGB 73 253 133

HSL 140, 0.98%, 0.64%

LAB 88.62, -69.79, 44.52

 

CMYK 71 / 38 / 0 / 1

HEX #499DFD

RGB 73 157 253

HSL 212, 0.98%, 0.64%

LAB 63.85, 5.56, -55.1

 

CMYK 0 / 71 / 24 / 1

HEX #FD4AC0

RGB 253 74 192

HSL 320.45, 0.98%, 0.64%

LAB 61.3, 77, -23.87

 

CMYK 0 / 12 / 71 / 1

HEX #FDDF49

RGB 253 223 73

HSL 50, 0.98%, 0.64%

LAB 88.99, -5.13, 73.27

 

CMYK 71 / 0 / 47 / 1

HEX #49FD85

RGB 73 253 133

HSL 140, 0.98%, 0.64%

LAB 88.62, -69.79, 44.52

 

CMYK 71 / 59 / 0 / 1

HEX #4967FD

RGB 73 103 253

HSL 230, 0.98%, 0.64%

LAB 49.75, 38.35, -77.82

 

Description

Color code: HEX #FD4AC0 | qconv.com Color code: HEX #FD4AC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 74 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 74 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 24 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 24% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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