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Color name
HEX #FD7239

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7239 it is the complementary color #028DC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7239 shade: #FF7234, #FF8447, #FF965A, #FFA86D and #FFBA80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7239 shade: #FD7239, #EC6026, #DB4E13, #CA3C00 and #B92A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7239 shade: #FD723A, #FD3E3A and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7239 shade: #FD723A, #FDA73A, #FDDB3A, #E9FD3A and #B4FD3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7239 shade matches the following richer shades: #FD723A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7239 shade: #FD723A, #EC794A, #DC805A, #CC866A and #BC8D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7239 shade: #FD3A6A, #FD3D3A, #FD713A, #FDA53A and #FDD93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7239 shade: #E24302, #FC5511, #FD723A, #FD8F62 and #FDAC8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7239 shade: #FD7239, #9EFD3A and #3A50FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7239 shade: #FD7239, #3AFD71 and #713AFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7239 shade: #FD7239, #9EFD3A, #3AC5FD and #983AFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7239 shade: #FD7239, #64FD3A, #3AC5FD and #D23AFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

Complementary color

CMYK 99 / 29 / 0 / 22

HEX #028DC6

RGB 2 141 198

HSL 197.45, 0.98%, 0.39%

LAB 55.22, -10.85, -38.26

 

CMYK 0 / 55 / 80 / 0

HEX #FF7234

RGB 255 114 52

HSL 18.33, 1%, 0.6%

LAB 64.6, 50.43, 58.09

 

CMYK 0 / 48 / 72 / 0

HEX #FF8447

RGB 255 132 71

HSL 19.89, 1%, 0.64%

LAB 68.18, 42.46, 52.93

 

CMYK 0 / 41 / 65 / 0

HEX #FF965A

RGB 255 150 90

HSL 21.82, 1%, 0.68%

LAB 72.1, 34.35, 47.96

 

CMYK 0 / 34 / 57 / 0

HEX #FFA86D

RGB 255 168 109

HSL 24.25, 1%, 0.71%

LAB 76.3, 26.28, 43.33

 

CMYK 0 / 27 / 50 / 0

HEX #FFBA80

RGB 255 186 128

HSL 27.4, 1%, 0.75%

LAB 80.7, 18.42, 39.09

 

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

CMYK 0 / 59 / 84 / 7

HEX #EC6026

RGB 236 96 38

HSL 17.58, 0.84%, 0.54%

LAB 58.36, 51.44, 57.28

 

CMYK 0 / 64 / 91 / 14

HEX #DB4E13

RGB 219 78 19

HSL 17.7, 0.84%, 0.47%

LAB 52.46, 52.95, 58.35

 

CMYK 0 / 70 / 100 / 21

HEX #CA3C00

RGB 202 60 0

HSL 17.82, 1%, 0.4%

LAB 46.7, 54.22, 58.32

 

CMYK 0 / 77 / 100 / 27

HEX #B92A00

RGB 185 42 0

HSL 13.62, 1%, 0.36%

LAB 41.17, 55.06, 53.91

 

CMYK 0 / 55 / 77 / 1

HEX #FD723A

RGB 253 114 58

HSL 17.23, 0.98%, 0.61%

LAB 64.34, 49.9, 55.02

 

CMYK 0 / 75 / 77 / 1

HEX #FD3E3A

RGB 253 62 58

HSL 1.23, 0.98%, 0.61%

LAB 56.72, 70.39, 47.24

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 55 / 77 / 1

HEX #FD723A

RGB 253 114 58

HSL 17.23, 0.98%, 0.61%

LAB 64.34, 49.9, 55.02

 

CMYK 0 / 34 / 77 / 1

HEX #FDA73A

RGB 253 167 58

HSL 33.54, 0.98%, 0.61%

LAB 75.34, 23.17, 65.7

 

CMYK 0 / 13 / 77 / 1

HEX #FDDB3A

RGB 253 219 58

HSL 49.54, 0.98%, 0.61%

LAB 87.9, -3.72, 77.33

 

CMYK 8 / 0 / 77 / 1

HEX #E9FD3A

RGB 233 253 58

HSL 66.15, 0.98%, 0.61%

LAB 95.11, -28.48, 83.24

 

CMYK 29 / 0 / 77 / 1

HEX #B4FD3A

RGB 180 253 58

HSL 82.46, 0.98%, 0.61%

LAB 91.8, -48.73, 79

 

CMYK 0 / 55 / 77 / 1

HEX #FD723A

RGB 253 114 58

HSL 17.23, 0.98%, 0.61%

LAB 64.34, 49.9, 55.02

 

CMYK 0 / 55 / 77 / 1

HEX #FD723A

RGB 253 114 58

HSL 17.23, 0.98%, 0.61%

LAB 64.34, 49.9, 55.02

 

CMYK 0 / 49 / 69 / 7

HEX #EC794A

RGB 236 121 74

HSL 17.41, 0.81%, 0.61%

LAB 63.34, 40.84, 45.36

 

CMYK 0 / 42 / 59 / 14

HEX #DC805A

RGB 220 128 90

HSL 17.54, 0.65%, 0.61%

LAB 62.84, 31.98, 35.77

 

CMYK 0 / 34 / 48 / 20

HEX #CC866A

RGB 204 134 106

HSL 17.14, 0.49%, 0.61%

LAB 62.45, 23.73, 26.09

 

CMYK 0 / 25 / 35 / 26

HEX #BC8D7A

RGB 188 141 122

HSL 17.27, 0.33%, 0.61%

LAB 62.63, 15.23, 17.08

 

CMYK 0 / 77 / 58 / 1

HEX #FD3A6A

RGB 253 58 106

HSL 345.23, 0.98%, 0.61%

LAB 57.03, 73.84, 20.15

 

CMYK 0 / 76 / 77 / 1

HEX #FD3D3A

RGB 253 61 58

HSL 0.92, 0.98%, 0.61%

LAB 56.61, 70.68, 47.13

 

CMYK 0 / 55 / 77 / 1

HEX #FD713A

RGB 253 113 58

HSL 16.92, 0.98%, 0.61%

LAB 64.16, 50.37, 54.84

 

CMYK 0 / 35 / 77 / 1

HEX #FDA53A

RGB 253 165 58

HSL 32.92, 0.98%, 0.61%

LAB 74.89, 24.21, 65.27

 

CMYK 0 / 14 / 77 / 1

HEX #FDD93A

RGB 253 217 58

HSL 48.92, 0.98%, 0.61%

LAB 87.39, -2.71, 76.87

 

CMYK 0 / 70 / 99 / 11

HEX #E24302

RGB 226 67 2

HSL 17.41, 0.98%, 0.45%

LAB 52.05, 59.46, 62.9

 

CMYK 0 / 66 / 93 / 1

HEX #FC5511

RGB 252 85 17

HSL 17.36, 0.98%, 0.53%

LAB 59.19, 61.21, 66.08

 

CMYK 0 / 55 / 77 / 1

HEX #FD723A

RGB 253 114 58

HSL 17.23, 0.98%, 0.61%

LAB 64.34, 49.9, 55.02

 

CMYK 0 / 43 / 61 / 1

HEX #FD8F62

RGB 253 143 98

HSL 17.42, 0.97%, 0.69%

LAB 70.46, 37.66, 41.85

 

CMYK 0 / 32 / 45 / 1

HEX #FDAC8B

RGB 253 172 139

HSL 17.37, 0.97%, 0.77%

LAB 77.43, 26.01, 29.02

 

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

CMYK 38 / 0 / 77 / 1

HEX #9EFD3A

RGB 158 253 58

HSL 89.23, 0.98%, 0.61%

LAB 90.7, -56.31, 77.58

 

CMYK 77 / 68 / 0 / 1

HEX #3A50FD

RGB 58 80 253

HSL 233.23, 0.98%, 0.61%

LAB 43.84, 50.65, -87.53

 

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

CMYK 77 / 0 / 55 / 1

HEX #3AFD71

RGB 58 253 113

HSL 136.92, 0.98%, 0.61%

LAB 88.13, -74.62, 53.14

 

CMYK 55 / 77 / 0 / 1

HEX #713AFD

RGB 113 58 253

HSL 256.92, 0.98%, 0.61%

LAB 43.7, 67.49, -87.64

 

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

CMYK 38 / 0 / 77 / 1

HEX #9EFD3A

RGB 158 253 58

HSL 89.23, 0.98%, 0.61%

LAB 90.7, -56.31, 77.58

 

CMYK 77 / 22 / 0 / 1

HEX #3AC5FD

RGB 58 197 253

HSL 197.23, 0.98%, 0.61%

LAB 74.78, -18.34, -37.96

 

CMYK 40 / 77 / 0 / 1

HEX #983AFD

RGB 152 58 253

HSL 268.92, 0.98%, 0.61%

LAB 48, 72.67, -80.41

 

CMYK 0 / 55 / 77 / 1

HEX #FD7239

RGB 253 114 57

HSL 17.45, 0.98%, 0.61%

LAB 64.33, 49.86, 55.48

 

CMYK 60 / 0 / 77 / 1

HEX #64FD3A

RGB 100 253 58

HSL 107.08, 0.98%, 0.61%

LAB 88.57, -72.52, 74.81

 

CMYK 77 / 22 / 0 / 1

HEX #3AC5FD

RGB 58 197 253

HSL 197.23, 0.98%, 0.61%

LAB 74.78, -18.34, -37.96

 

CMYK 17 / 77 / 0 / 1

HEX #D23AFD

RGB 210 58 253

HSL 286.77, 0.98%, 0.61%

LAB 55.91, 82.11, -67.21

 

Description

Color code: HEX #FD7239 | qconv.com Color code: HEX #FD7239 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 114 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 114 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 77% 1% C M Y K

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Provide designers and agencies with accurate color values.

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