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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD9934 it is the complementary color #0266CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD9934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD9934 shade: #FF992F, #FFAB42, #FFBD55, #FFCF68 and #FFE17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD9934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD9934 shade: #FD9934, #EC8721, #DB750E, #CA6300 and #B95100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD9934 shade: #FC9935, #FC6335 and #FC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD9934 shade: #FC9935, #FCCF35, #F4FC35, #BEFC35 and #88FC35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD9934 shade matches the following richer shades: #FC9935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD9934 shade: #FC9935, #EC9945, #DB9956, #CB9966 and #BA9977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD9934 shade: #FC353B, #FC6335, #FC9935, #FCCE35 and #F6FC35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD9934 shade: #DD7002, #FC840C, #FC9935, #FDAE5D and #FDC286

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD9934 shade: #FD9934, #71FC35 and #4935FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD9934 shade: #FD9934, #35FC99 and #9935FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD9934 shade: #FD9934, #71FC35, #3599FC and #C035FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD9934 shade: #FD9934, #35FC35, #3599FC and #FC35FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

Complementary color

CMYK 99 / 50 / 0 / 20

HEX #0266CB

RGB 2 102 203

HSL 210.15, 0.98%, 0.4%

LAB 43.98, 14.95, -59.03

 

CMYK 0 / 40 / 82 / 0

HEX #FF992F

RGB 255 153 47

HSL 30.58, 1%, 0.59%

LAB 72.39, 30.91, 67.16

 

CMYK 0 / 33 / 74 / 0

HEX #FFAB42

RGB 255 171 66

HSL 33.33, 1%, 0.63%

LAB 76.55, 22.22, 63.77

 

CMYK 0 / 26 / 67 / 0

HEX #FFBD55

RGB 255 189 85

HSL 36.71, 1%, 0.67%

LAB 80.91, 13.75, 60.18

 

CMYK 0 / 19 / 59 / 0

HEX #FFCF68

RGB 255 207 104

HSL 40.93, 1%, 0.7%

LAB 85.45, 5.61, 56.62

 

CMYK 0 / 12 / 52 / 0

HEX #FFE17B

RGB 255 225 123

HSL 46.36, 1%, 0.74%

LAB 90.11, -2.12, 53.2

 

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

CMYK 0 / 43 / 86 / 7

HEX #EC8721

RGB 236 135 33

HSL 30.15, 0.84%, 0.53%

LAB 65.96, 32.14, 65.4

 

CMYK 0 / 47 / 94 / 14

HEX #DB750E

RGB 219 117 14

HSL 30.15, 0.88%, 0.46%

LAB 59.72, 34.22, 64.6

 

CMYK 0 / 51 / 100 / 21

HEX #CA6300

RGB 202 99 0

HSL 29.41, 1%, 0.4%

LAB 53.47, 36.46, 61.99

 

CMYK 0 / 56 / 100 / 27

HEX #B95100

RGB 185 81 0

HSL 26.27, 1%, 0.36%

LAB 47.23, 38.79, 56.99

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 61 / 79 / 1

HEX #FC6335

RGB 252 99 53

HSL 13.87, 0.97%, 0.6%

LAB 61.55, 56.16, 54.55

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 18 / 79 / 1

HEX #FCCF35

RGB 252 207 53

HSL 46.43, 0.97%, 0.6%

LAB 84.78, 1.78, 76.04

 

CMYK 3 / 0 / 79 / 1

HEX #F4FC35

RGB 244 252 53

HSL 62.41, 0.97%, 0.6%

LAB 95.63, -23.76, 85.33

 

CMYK 25 / 0 / 79 / 1

HEX #BEFC35

RGB 190 252 53

HSL 78.69, 0.97%, 0.6%

LAB 92.05, -44.87, 80.8

 

CMYK 46 / 0 / 79 / 1

HEX #88FC35

RGB 136 252 53

HSL 94.97, 0.97%, 0.6%

LAB 89.45, -63.07, 77.46

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 35 / 71 / 7

HEX #EC9945

RGB 236 153 69

HSL 30.18, 0.81%, 0.6%

LAB 70.21, 23.97, 55.28

 

CMYK 0 / 30 / 61 / 14

HEX #DB9956

RGB 219 153 86

HSL 30.23, 0.65%, 0.6%

LAB 68.4, 17.91, 44.55

 

CMYK 0 / 25 / 50 / 20

HEX #CB9966

RGB 203 153 102

HSL 30.3, 0.49%, 0.6%

LAB 66.85, 12.56, 33.95

 

CMYK 0 / 18 / 36 / 27

HEX #BA9977

RGB 186 153 119

HSL 30.45, 0.33%, 0.6%

LAB 65.4, 7.42, 22.49

 

CMYK 0 / 79 / 77 / 1

HEX #FC353B

RGB 252 53 59

HSL 358.19, 0.97%, 0.6%

LAB 55.64, 72.66, 45.52

 

CMYK 0 / 61 / 79 / 1

HEX #FC6335

RGB 252 99 53

HSL 13.87, 0.97%, 0.6%

LAB 61.55, 56.16, 54.55

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 18 / 79 / 1

HEX #FCCE35

RGB 252 206 53

HSL 46.13, 0.97%, 0.6%

LAB 84.53, 2.29, 75.82

 

CMYK 2 / 0 / 79 / 1

HEX #F6FC35

RGB 246 252 53

HSL 61.81, 0.97%, 0.6%

LAB 95.78, -22.94, 85.52

 

CMYK 0 / 49 / 99 / 13

HEX #DD7002

RGB 221 112 2

HSL 30.14, 0.98%, 0.44%

LAB 58.94, 37.47, 66.33

 

CMYK 0 / 48 / 95 / 1

HEX #FC840C

RGB 252 132 12

HSL 30, 0.98%, 0.52%

LAB 67.45, 39.77, 72.35

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 0 / 31 / 63 / 1

HEX #FDAE5D

RGB 253 174 93

HSL 30.38, 0.98%, 0.68%

LAB 77.25, 21.24, 52.35

 

CMYK 0 / 23 / 47 / 1

HEX #FDC286

RGB 253 194 134

HSL 30.25, 0.97%, 0.76%

LAB 82.48, 14, 38.24

 

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

CMYK 55 / 0 / 79 / 1

HEX #71FC35

RGB 113 252 53

HSL 101.91, 0.97%, 0.6%

LAB 88.63, -69.37, 76.41

 

CMYK 71 / 79 / 0 / 1

HEX #4935FC

RGB 73 53 252

HSL 246.03, 0.97%, 0.6%

LAB 39.57, 65.58, -94.01

 

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

CMYK 79 / 0 / 39 / 1

HEX #35FC99

RGB 53 252 153

HSL 150.15, 0.97%, 0.6%

LAB 88.29, -68.62, 34.29

 

CMYK 39 / 79 / 0 / 1

HEX #9935FC

RGB 153 53 252

HSL 270.15, 0.97%, 0.6%

LAB 47.43, 74.38, -80.79

 

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

CMYK 55 / 0 / 79 / 1

HEX #71FC35

RGB 113 252 53

HSL 101.91, 0.97%, 0.6%

LAB 88.63, -69.37, 76.41

 

CMYK 79 / 39 / 0 / 1

HEX #3599FC

RGB 53 153 252

HSL 209.85, 0.97%, 0.6%

LAB 62.14, 5.24, -57.31

 

CMYK 24 / 79 / 0 / 1

HEX #C035FC

RGB 192 53 252

HSL 281.91, 0.97%, 0.6%

LAB 52.71, 80.34, -71.95

 

CMYK 0 / 40 / 79 / 1

HEX #FD9934

RGB 253 153 52

HSL 30.15, 0.98%, 0.6%

LAB 72.17, 30.25, 65.04

 

CMYK 79 / 0 / 79 / 1

HEX #35FC35

RGB 53 252 53

HSL 120, 0.97%, 0.6%

LAB 87.31, -80.47, 74.69

 

CMYK 79 / 39 / 0 / 1

HEX #3599FC

RGB 53 153 252

HSL 209.85, 0.97%, 0.6%

LAB 62.14, 5.24, -57.31

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

Description

Color code: HEX #FD9934 | qconv.com Color code: HEX #FD9934 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 153 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 153 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 79 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 79% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - BetBuckets
Link: http://www.betbuckets.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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