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Color name
HEX #FD92D2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD92D2 it is the complementary color #026D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD92D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD92D2 shade: #FF92CD, #FFA4E0, #FFB6F3, #FFC8FF and #FFDAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD92D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD92D2 shade: #FD92D2, #EC80BF, #DB6EAC, #CA5C99 and #B94A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD92D2 shade: #FC91D1, #FC91B4, #FC9197 and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD92D2 shade: #FC91D1, #FC91EE, #ED91FC, #D091FC and #B391FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD92D2 shade matches the following richer shades: #FC91D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD92D2 shade: #FC91D1, #F39ACF, #EAA3CD, #E1ACCC and #D8B5CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD92D2 shade: #EE91FC, #FC91EE, #FC91D1, #FC91B4 and #FC9198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD92D2 shade: #FB40AF, #FB68C0, #FC91D1, #FDB9E2 and #FEE1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD92D2 shade: #FD92D2, #FCD191 and #91FCFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD92D2 shade: #FD92D2, #D1FC91 and #91D1FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD92D2 shade: #FD92D2, #FCD191, #91FCBC and #91BCFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD92D2 shade: #FD92D2, #FCF191, #91FCBC and #919BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

Complementary color

CMYK 98 / 0 / 59 / 57

HEX #026D2D

RGB 2 109 45

HSL 144.11, 0.96%, 0.22%

LAB 39.81, -41.86, 28.03

 

CMYK 0 / 43 / 20 / 0

HEX #FF92CD

RGB 255 146 205

HSL 327.52, 1%, 0.79%

LAB 73.69, 48.28, -12.35

 

CMYK 0 / 36 / 12 / 0

HEX #FFA4E0

RGB 255 164 224

HSL 320.44, 1%, 0.82%

LAB 77.99, 42, -16.3

 

CMYK 0 / 29 / 5 / 0

HEX #FFB6F3

RGB 255 182 243

HSL 309.86, 1%, 0.86%

LAB 82.48, 35.8, -19.76

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

CMYK 0 / 46 / 19 / 7

HEX #EC80BF

RGB 236 128 191

HSL 325, 0.74%, 0.71%

LAB 67.3, 49.13, -14.4

 

CMYK 0 / 50 / 21 / 14

HEX #DB6EAC

RGB 219 110 172

HSL 325.87, 0.6%, 0.65%

LAB 60.95, 49.87, -13.42

 

CMYK 0 / 54 / 24 / 21

HEX #CA5C99

RGB 202 92 153

HSL 326.73, 0.51%, 0.58%

LAB 54.56, 50.55, -12.26

 

CMYK 0 / 60 / 28 / 27

HEX #B94A86

RGB 185 74 134

HSL 327.57, 0.44%, 0.51%

LAB 48.18, 51.09, -10.85

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 42 / 29 / 1

HEX #FC91B4

RGB 252 145 180

HSL 340.37, 0.95%, 0.78%

LAB 72.39, 44.34, -0.49

 

CMYK 0 / 42 / 40 / 1

HEX #FC9197

RGB 252 145 151

HSL 356.64, 0.95%, 0.78%

LAB 71.68, 40.89, 14.6

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 42 / 6 / 1

HEX #FC91EE

RGB 252 145 238

HSL 307.85, 0.95%, 0.78%

LAB 74.27, 53.02, -29.62

 

CMYK 6 / 42 / 0 / 1

HEX #ED91FC

RGB 237 145 252

HSL 291.59, 0.95%, 0.78%

LAB 73.08, 51.12, -39.21

 

CMYK 17 / 42 / 0 / 1

HEX #D091FC

RGB 208 145 252

HSL 275.33, 0.95%, 0.78%

LAB 69.96, 42.86, -44.32

 

CMYK 29 / 42 / 0 / 1

HEX #B391FC

RGB 179 145 252

HSL 259.07, 0.95%, 0.78%

LAB 67.17, 34.87, -48.89

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 37 / 15 / 5

HEX #F39ACF

RGB 243 154 207

HSL 324.27, 0.79%, 0.78%

LAB 73.98, 40.55, -13.17

 

CMYK 0 / 30 / 12 / 8

HEX #EAA3CD

RGB 234 163 205

HSL 324.51, 0.63%, 0.78%

LAB 74.88, 32.47, -10.82

 

CMYK 0 / 24 / 9 / 12

HEX #E1ACCC

RGB 225 172 204

HSL 323.77, 0.47%, 0.78%

LAB 75.99, 24.4, -8.72

 

CMYK 0 / 16 / 6 / 15

HEX #D8B5CA

RGB 216 181 202

HSL 324, 0.31%, 0.78%

LAB 77.23, 16.08, -5.89

 

CMYK 6 / 42 / 0 / 1

HEX #EE91FC

RGB 238 145 252

HSL 292.15, 0.95%, 0.78%

LAB 73.19, 51.4, -39.03

 

CMYK 0 / 42 / 6 / 1

HEX #FC91EE

RGB 252 145 238

HSL 307.85, 0.95%, 0.78%

LAB 74.27, 53.02, -29.62

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 42 / 29 / 1

HEX #FC91B4

RGB 252 145 180

HSL 340.37, 0.95%, 0.78%

LAB 72.39, 44.34, -0.49

 

CMYK 0 / 42 / 40 / 1

HEX #FC9198

RGB 252 145 152

HSL 356.07, 0.95%, 0.78%

LAB 71.7, 41, 14.07

 

CMYK 0 / 75 / 30 / 2

HEX #FB40AF

RGB 251 64 175

HSL 324.39, 0.96%, 0.62%

LAB 59.22, 77.64, -17.29

 

CMYK 0 / 59 / 24 / 2

HEX #FB68C0

RGB 251 104 192

HSL 324.08, 0.95%, 0.7%

LAB 65.13, 65.04, -18.05

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 27 / 11 / 1

HEX #FDB9E2

RGB 253 185 226

HSL 323.82, 0.94%, 0.86%

LAB 82.42, 30.7, -10.76

 

CMYK 0 / 11 / 5 / 0

HEX #FEE1F2

RGB 254 225 242

HSL 324.83, 0.94%, 0.94%

LAB 92.28, 12.77, -4.61

 

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

CMYK 0 / 17 / 42 / 1

HEX #FCD191

RGB 252 209 145

HSL 35.89, 0.95%, 0.78%

LAB 86.18, 6.9, 37.37

 

CMYK 42 / 0 / 0 / 1

HEX #91FCFC

RGB 145 252 252

HSL 180, 0.95%, 0.78%

LAB 92.87, -30.89, -9.68

 

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

CMYK 17 / 0 / 42 / 1

HEX #D1FC91

RGB 209 252 145

HSL 84.11, 0.95%, 0.78%

LAB 93.98, -30.8, 46.68

 

CMYK 42 / 17 / 0 / 1

HEX #91D1FC

RGB 145 209 252

HSL 204.11, 0.95%, 0.78%

LAB 81.1, -9.46, -27.43

 

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

CMYK 0 / 17 / 42 / 1

HEX #FCD191

RGB 252 209 145

HSL 35.89, 0.95%, 0.78%

LAB 86.18, 6.9, 37.37

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 42 / 25 / 0 / 1

HEX #91BCFC

RGB 145 188 252

HSL 215.89, 0.95%, 0.78%

LAB 75.46, 1.81, -36.11

 

CMYK 0 / 42 / 17 / 1

HEX #FD92D2

RGB 253 146 210

HSL 324.11, 0.96%, 0.78%

LAB 73.61, 48.37, -15.26

 

CMYK 0 / 4 / 42 / 1

HEX #FCF191

RGB 252 241 145

HSL 53.83, 0.95%, 0.78%

LAB 94.16, -9.31, 47.56

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 42 / 38 / 0 / 1

HEX #919BFC

RGB 145 155 252

HSL 234.39, 0.95%, 0.78%

LAB 66.89, 20.4, -49.51

 

Description

Color code: HEX #FD92D2 | qconv.com Color code: HEX #FD92D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 146 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 146 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 17% 1% C M Y K

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Provide designers and agencies with accurate color values.

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