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Color name
HEX #FDAFAA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDAFAA it is the complementary color #025055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDAFAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDAFAA shade: #FFAFA5, #FFC1B8, #FFD3CB, #FFE5DE and #FFF7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDAFAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDAFAA shade: #FDAFAA, #EC9D97, #DB8B84, #CA7971 and #B9675E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDAFAA shade: #FCAFAA and #FCAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDAFAA shade: #FCAFAA, #FCC5AA, #FCDBAA, #FCF2AA and #F1FCAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDAFAA shade matches the following richer shades: #FCAFAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDAFAA shade: #FCAFAA, #F5B5B1, #EEBBB8, #E7C1BF and #E0C8C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDAFAA shade: #FCAAD2, #FCAABC, #FCAEAA, #FCC4AA and #FCDAAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDAFAA shade: #FA635A, #FB8982, #FCAFAA, #FDD5D2 and #FEFBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDAFAA shade: #FDAFAA, #E8FCAA and #AAC7FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDAFAA shade: #FDAFAA, #AAFCAE and #AEAAFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDAFAA shade: #FDAFAA, #E8FCAA, #AAF8FC and #BFAAFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDAFAA shade: #FDAFAA, #CFFCAA, #AAF8FC and #D7AAFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

Complementary color

CMYK 98 / 6 / 0 / 67

HEX #025055

RGB 2 80 85

HSL 183.61, 0.95%, 0.17%

LAB 30.41, -18.74, -8.97

 

CMYK 0 / 31 / 35 / 0

HEX #FFAFA5

RGB 255 175 165

HSL 6.67, 1%, 0.82%

LAB 78.83, 28.03, 16.99

 

CMYK 0 / 24 / 28 / 0

HEX #FFC1B8

RGB 255 193 184

HSL 7.61, 1%, 0.86%

LAB 83.37, 20.98, 13.17

 

CMYK 0 / 17 / 20 / 0

HEX #FFD3CB

RGB 255 211 203

HSL 9.23, 1%, 0.9%

LAB 88.05, 14.21, 9.74

 

CMYK 0 / 10 / 13 / 0

HEX #FFE5DE

RGB 255 229 222

HSL 12.73, 1%, 0.94%

LAB 92.83, 7.76, 6.64

 

CMYK 0 / 3 / 5 / 0

HEX #FFF7F1

RGB 255 247 241

HSL 25.71, 1%, 0.97%

LAB 97.69, 1.65, 3.82

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 0 / 33 / 36 / 7

HEX #EC9D97

RGB 236 157 151

HSL 4.24, 0.69%, 0.76%

LAB 72.35, 28.74, 15.25

 

CMYK 0 / 37 / 40 / 14

HEX #DB8B84

RGB 219 139 132

HSL 4.83, 0.55%, 0.69%

LAB 65.9, 29.67, 16.53

 

CMYK 0 / 40 / 44 / 21

HEX #CA7971

RGB 202 121 113

HSL 5.39, 0.46%, 0.62%

LAB 59.36, 30.7, 17.95

 

CMYK 0 / 44 / 49 / 27

HEX #B9675E

RGB 185 103 94

HSL 5.93, 0.39%, 0.55%

LAB 52.76, 31.83, 19.58

 

CMYK 0 / 31 / 33 / 1

HEX #FCAFAA

RGB 252 175 170

HSL 3.66, 0.93%, 0.83%

LAB 78.61, 27.52, 13.93

 

CMYK 0 / 33 / 33 / 1

HEX #FCAAAA

RGB 252 170 170

HSL 0, 0.93%, 0.83%

LAB 77.49, 30.14, 12.35

 

CMYK 0 / 31 / 33 / 1

HEX #FCAFAA

RGB 252 175 170

HSL 3.66, 0.93%, 0.83%

LAB 78.61, 27.52, 13.93

 

CMYK 0 / 22 / 33 / 1

HEX #FCC5AA

RGB 252 197 170

HSL 19.76, 0.93%, 0.83%

LAB 83.72, 15.97, 21.06

 

CMYK 0 / 13 / 33 / 1

HEX #FCDBAA

RGB 252 219 170

HSL 35.85, 0.93%, 0.83%

LAB 89.05, 4.55, 28.34

 

CMYK 0 / 4 / 33 / 1

HEX #FCF2AA

RGB 252 242 170

HSL 52.68, 0.93%, 0.83%

LAB 94.78, -7.09, 36.02

 

CMYK 4 / 0 / 33 / 1

HEX #F1FCAA

RGB 241 252 170

HSL 68.05, 0.93%, 0.83%

LAB 96.5, -16.12, 38.13

 

CMYK 0 / 31 / 33 / 1

HEX #FCAFAA

RGB 252 175 170

HSL 3.66, 0.93%, 0.83%

LAB 78.61, 27.52, 13.93

 

CMYK 0 / 31 / 33 / 1

HEX #FCAFAA

RGB 252 175 170

HSL 3.66, 0.93%, 0.83%

LAB 78.61, 27.52, 13.93

 

CMYK 0 / 26 / 28 / 4

HEX #F5B5B1

RGB 245 181 177

HSL 3.53, 0.77%, 0.83%

LAB 79.41, 22.67, 11.17

 

CMYK 0 / 21 / 23 / 7

HEX #EEBBB8

RGB 238 187 184

HSL 3.33, 0.61%, 0.83%

LAB 80.28, 17.89, 8.54

 

CMYK 0 / 16 / 17 / 9

HEX #E7C1BF

RGB 231 193 191

HSL 3, 0.45%, 0.83%

LAB 81.23, 13.2, 6.06

 

CMYK 0 / 11 / 12 / 12

HEX #E0C8C6

RGB 224 200 198

HSL 4.62, 0.3%, 0.83%

LAB 82.5, 8.08, 4.06

 

CMYK 0 / 33 / 17 / 1

HEX #FCAAD2

RGB 252 170 210

HSL 330.73, 0.93%, 0.83%

LAB 78.52, 35.7, -7.93

 

CMYK 0 / 33 / 25 / 1

HEX #FCAABC

RGB 252 170 188

HSL 346.83, 0.93%, 0.83%

LAB 77.92, 32.5, 3.16

 

CMYK 0 / 31 / 33 / 1

HEX #FCAEAA

RGB 252 174 170

HSL 2.93, 0.93%, 0.83%

LAB 78.39, 28.04, 13.61

 

CMYK 0 / 22 / 33 / 1

HEX #FCC4AA

RGB 252 196 170

HSL 19.02, 0.93%, 0.83%

LAB 83.48, 16.49, 20.73

 

CMYK 0 / 13 / 33 / 1

HEX #FCDAAA

RGB 252 218 170

HSL 35.12, 0.93%, 0.83%

LAB 88.8, 5.06, 28.01

 

CMYK 0 / 60 / 64 / 2

HEX #FA635A

RGB 250 99 90

HSL 3.38, 0.94%, 0.67%

LAB 61.64, 57.13, 35.26

 

CMYK 0 / 45 / 48 / 2

HEX #FB8982

RGB 251 137 130

HSL 3.47, 0.94%, 0.75%

LAB 69.48, 42.48, 23.2

 

CMYK 0 / 31 / 33 / 1

HEX #FCAFAA

RGB 252 175 170

HSL 3.66, 0.93%, 0.83%

LAB 78.61, 27.52, 13.93

 

CMYK 0 / 16 / 17 / 1

HEX #FDD5D2

RGB 253 213 210

HSL 4.19, 0.91%, 0.91%

LAB 88.51, 13.49, 6.68

 

CMYK 0 / 1 / 2 / 0

HEX #FEFBFA

RGB 254 251 250

HSL 15, 0.67%, 0.99%

LAB 98.82, 0.82, 0.82

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 8 / 0 / 33 / 1

HEX #E8FCAA

RGB 232 252 170

HSL 74.63, 0.93%, 0.83%

LAB 95.86, -19.42, 37.17

 

CMYK 33 / 21 / 0 / 1

HEX #AAC7FC

RGB 170 199 252

HSL 218.78, 0.93%, 0.83%

LAB 79.85, 2.41, -29.21

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 33 / 0 / 31 / 1

HEX #AAFCAE

RGB 170 252 174

HSL 122.93, 0.93%, 0.83%

LAB 92.23, -39.92, 29.66

 

CMYK 31 / 33 / 0 / 1

HEX #AEAAFC

RGB 174 170 252

HSL 242.93, 0.93%, 0.83%

LAB 72.74, 19.49, -40.18

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 8 / 0 / 33 / 1

HEX #E8FCAA

RGB 232 252 170

HSL 74.63, 0.93%, 0.83%

LAB 95.86, -19.42, 37.17

 

CMYK 33 / 2 / 0 / 1

HEX #AAF8FC

RGB 170 248 252

HSL 182.93, 0.93%, 0.83%

LAB 92.89, -22.77, -9.54

 

CMYK 24 / 33 / 0 / 1

HEX #BFAAFC

RGB 191 170 252

HSL 255.37, 0.93%, 0.83%

LAB 74.1, 24.31, -37.97

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 18 / 0 / 33 / 1

HEX #CFFCAA

RGB 207 252 170

HSL 92.93, 0.93%, 0.83%

LAB 94.22, -28.35, 34.7

 

CMYK 33 / 2 / 0 / 1

HEX #AAF8FC

RGB 170 248 252

HSL 182.93, 0.93%, 0.83%

LAB 92.89, -22.77, -9.54

 

CMYK 15 / 33 / 0 / 1

HEX #D7AAFC

RGB 215 170 252

HSL 272.93, 0.93%, 0.83%

LAB 76.21, 31.4, -34.54

 

Description

Color code: HEX #FDAFAA | qconv.com Color code: HEX #FDAFAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 175 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 175 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 33% 1% C M Y K

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Provide designers and agencies with accurate color values.

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