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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDB8E9 it is the complementary color #024716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDB8E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDB8E9 shade: #FFB8E4, #FFCAF7, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDB8E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDB8E9 shade: #FDB8E9, #ECA6D6, #DB94C3, #CA82B0 and #B9709D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDB8E9 shade: #FDB9E9, #FDB9D7, #FDB9C4 and #FDB9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDB8E9 shade: #FDB9E9, #FDB9FB, #ECB9FD, #D9B9FD and #C7B9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDB8E9 shade matches the following richer shades: #FDB9E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDB8E9 shade: #FDB9E9, #F7BFE7, #F1C4E4, #EBCAE2 and #E6D0DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDB8E9 shade: #ECB9FD, #FDB9FC, #FDB9E9, #FDB9D7 and #FDB9C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDB8E9 shade: #FB68D0, #FC91DD, #FDB9E9 and #FEE1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDB8E9 shade: #FDB8E9, #FDDAB9 and #B9FDF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDB8E9 shade: #FDB8E9, #E9FDB9 and #B9E9FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDB8E9 shade: #FDB8E9, #FDDAB9, #B9FDCC and #B9DCFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDB8E9 shade: #FDB8E9, #FDEEB9, #B9FDCC and #B9C8FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

Complementary color

CMYK 97 / 0 / 69 / 72

HEX #024716

RGB 2 71 22

HSL 137.39, 0.95%, 0.14%

LAB 25.49, -31.7, 23.44

 

CMYK 0 / 28 / 11 / 0

HEX #FFB8E4

RGB 255 184 228

HSL 322.82, 1%, 0.86%

LAB 82.46, 32.23, -11.76

 

CMYK 0 / 21 / 3 / 0

HEX #FFCAF7

RGB 255 202 247

HSL 309.06, 1%, 0.9%

LAB 87.1, 26, -14.93

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

CMYK 0 / 30 / 9 / 7

HEX #ECA6D6

RGB 236 166 214

HSL 318.86, 0.65%, 0.79%

LAB 76.04, 33.04, -13.98

 

CMYK 0 / 32 / 11 / 14

HEX #DB94C3

RGB 219 148 195

HSL 320.28, 0.5%, 0.72%

LAB 69.6, 33.74, -13.39

 

CMYK 0 / 36 / 13 / 21

HEX #CA82B0

RGB 202 130 176

HSL 321.67, 0.4%, 0.65%

LAB 63.06, 34.48, -12.74

 

CMYK 0 / 39 / 15 / 27

HEX #B9709D

RGB 185 112 157

HSL 323.01, 0.34%, 0.58%

LAB 56.42, 35.26, -12.02

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 27 / 15 / 1

HEX #FDB9D7

RGB 253 185 215

HSL 333.53, 0.94%, 0.86%

LAB 82.1, 28.94, -5.32

 

CMYK 0 / 27 / 23 / 1

HEX #FDB9C4

RGB 253 185 196

HSL 350.29, 0.94%, 0.86%

LAB 81.6, 26.1, 4.18

 

CMYK 0 / 27 / 27 / 1

HEX #FDB9B9

RGB 253 185 185

HSL 0, 0.94%, 0.86%

LAB 81.34, 24.57, 9.72

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 27 / 1 / 1

HEX #FDB9FB

RGB 253 185 251

HSL 301.76, 0.94%, 0.86%

LAB 83.2, 34.99, -22.96

 

CMYK 7 / 27 / 0 / 1

HEX #ECB9FD

RGB 236 185 253

HSL 285, 0.94%, 0.86%

LAB 81.63, 29.99, -26.57

 

CMYK 14 / 27 / 0 / 1

HEX #D9B9FD

RGB 217 185 253

HSL 268.24, 0.94%, 0.86%

LAB 79.92, 24.09, -29.34

 

CMYK 21 / 27 / 0 / 1

HEX #C7B9FD

RGB 199 185 253

HSL 252.35, 0.94%, 0.86%

LAB 78.42, 18.64, -31.77

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 23 / 6 / 3

HEX #F7BFE7

RGB 247 191 231

HSL 317.14, 0.78%, 0.86%

LAB 83.34, 26.36, -12.13

 

CMYK 0 / 19 / 5 / 5

HEX #F1C4E4

RGB 241 196 228

HSL 317.33, 0.62%, 0.86%

LAB 83.85, 21.18, -9.82

 

CMYK 0 / 14 / 4 / 8

HEX #EBCAE2

RGB 235 202 226

HSL 316.36, 0.45%, 0.86%

LAB 84.69, 15.62, -7.57

 

CMYK 0 / 10 / 3 / 10

HEX #E6D0DF

RGB 230 208 223

HSL 319.09, 0.31%, 0.86%

LAB 85.64, 10.22, -4.62

 

CMYK 7 / 27 / 0 / 1

HEX #ECB9FD

RGB 236 185 253

HSL 285, 0.94%, 0.86%

LAB 81.63, 29.99, -26.57

 

CMYK 0 / 27 / 0 / 1

HEX #FDB9FC

RGB 253 185 252

HSL 300.88, 0.94%, 0.86%

LAB 83.24, 35.17, -23.44

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 27 / 15 / 1

HEX #FDB9D7

RGB 253 185 215

HSL 333.53, 0.94%, 0.86%

LAB 82.1, 28.94, -5.32

 

CMYK 0 / 27 / 22 / 1

HEX #FDB9C5

RGB 253 185 197

HSL 349.41, 0.94%, 0.86%

LAB 81.63, 26.24, 3.67

 

CMYK 0 / 59 / 17 / 2

HEX #FB68D0

RGB 251 104 208

HSL 317.55, 0.95%, 0.7%

LAB 65.72, 67.22, -26.17

 

CMYK 0 / 42 / 12 / 1

HEX #FC91DD

RGB 252 145 221

HSL 317.38, 0.95%, 0.78%

LAB 73.65, 50.25, -21.25

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 11 / 4 / 0

HEX #FEE1F5

RGB 254 225 245

HSL 318.62, 0.94%, 0.94%

LAB 92.36, 13.29, -6.06

 

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

CMYK 0 / 14 / 27 / 1

HEX #FDDAB9

RGB 253 218 185

HSL 29.12, 0.94%, 0.86%

LAB 89.17, 7.35, 20.74

 

CMYK 27 / 0 / 3 / 1

HEX #B9FDF5

RGB 185 253 245

HSL 172.94, 0.94%, 0.86%

LAB 94.81, -22.63, -3

 

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

CMYK 8 / 0 / 27 / 1

HEX #E9FDB9

RGB 233 253 185

HSL 77.65, 0.94%, 0.86%

LAB 96.44, -17.57, 30.45

 

CMYK 27 / 8 / 0 / 1

HEX #B9E9FD

RGB 185 233 253

HSL 197.65, 0.94%, 0.86%

LAB 89.71, -10.94, -14.71

 

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

CMYK 0 / 14 / 27 / 1

HEX #FDDAB9

RGB 253 218 185

HSL 29.12, 0.94%, 0.86%

LAB 89.17, 7.35, 20.74

 

CMYK 27 / 0 / 19 / 1

HEX #B9FDCC

RGB 185 253 204

HSL 136.76, 0.94%, 0.86%

LAB 93.85, -30.66, 16.75

 

CMYK 27 / 13 / 0 / 1

HEX #B9DCFD

RGB 185 220 253

HSL 209.12, 0.94%, 0.86%

LAB 86.3, -4.24, -19.84

 

CMYK 0 / 27 / 8 / 1

HEX #FDB8E9

RGB 253 184 233

HSL 317.39, 0.95%, 0.86%

LAB 82.4, 32.39, -14.54

 

CMYK 0 / 6 / 27 / 1

HEX #FDEEB9

RGB 253 238 185

HSL 46.76, 0.94%, 0.86%

LAB 94.11, -2.86, 27.54

 

CMYK 27 / 0 / 19 / 1

HEX #B9FDCC

RGB 185 253 204

HSL 136.76, 0.94%, 0.86%

LAB 93.85, -30.66, 16.75

 

CMYK 27 / 21 / 0 / 1

HEX #B9C8FD

RGB 185 200 253

HSL 226.76, 0.94%, 0.86%

LAB 81.13, 6.37, -27.7

 

Description

Color code: HEX #FDB8E9 | qconv.com Color code: HEX #FDB8E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 184 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 184 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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