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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDB959 it is the complementary color #0246A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDB959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDB959 shade: #FFB954, #FFCB67, #FFDD7A, #FFEF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDB959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDB959 shade: #FDB959, #ECA746, #DB9533, #CA8320 and #B9710D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDB959 shade: #FDB858, #FD8C58, #FD5F58 and #FD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDB959 shade: #FDB858, #FDE558, #E8FD58, #BCFD58 and #8FFD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDB959 shade matches the following richer shades: #FDB858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDB959 shade: #FDB858, #EFB665, #E2B473, #D4B181 and #C6AF8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDB959 shade: #FD6058, #FD8C58, #FDB858, #FDE458 and #EAFD58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDB959 shade: #FC9606, #FCA72F, #FDB858, #FDCA81 and #FEDBAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDB959 shade: #FDB959, #7CFD58 and #7658FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDB959 shade: #FDB959, #58FDB8 and #B858FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDB959 shade: #FDB959, #7CFD58, #589DFD and #D958FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDB959 shade: #FDB959, #58FD66, #589DFD and #FD58EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

Complementary color

CMYK 99 / 58 / 0 / 35

HEX #0246A6

RGB 2 70 166

HSL 215.12, 0.98%, 0.33%

LAB 32.14, 21.23, -56.54

 

CMYK 0 / 27 / 67 / 0

HEX #FFB954

RGB 255 185 84

HSL 35.44, 1%, 0.66%

LAB 79.95, 15.78, 59.59

 

CMYK 0 / 20 / 60 / 0

HEX #FFCB67

RGB 255 203 103

HSL 39.47, 1%, 0.7%

LAB 84.46, 7.6, 55.95

 

CMYK 0 / 13 / 52 / 0

HEX #FFDD7A

RGB 255 221 122

HSL 44.66, 1%, 0.74%

LAB 89.1, -0.18, 52.46

 

CMYK 0 / 6 / 45 / 0

HEX #FFEF8D

RGB 255 239 141

HSL 51.58, 1%, 0.78%

LAB 93.85, -7.54, 49.16

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

CMYK 0 / 29 / 70 / 7

HEX #ECA746

RGB 236 167 70

HSL 35.06, 0.81%, 0.6%

LAB 73.49, 16.59, 58.28

 

CMYK 0 / 32 / 77 / 14

HEX #DB9533

RGB 219 149 51

HSL 35, 0.7%, 0.53%

LAB 67.12, 18.14, 59.21

 

CMYK 0 / 35 / 84 / 21

HEX #CA8320

RGB 202 131 32

HSL 34.94, 0.73%, 0.46%

LAB 60.69, 19.93, 59.57

 

CMYK 0 / 39 / 93 / 27

HEX #B9710D

RGB 185 113 13

HSL 34.88, 0.87%, 0.39%

LAB 54.19, 21.97, 58.74

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 45 / 65 / 1

HEX #FD8C58

RGB 253 140 88

HSL 18.91, 0.98%, 0.67%

LAB 69.71, 38.56, 46.13

 

CMYK 0 / 62 / 65 / 1

HEX #FD5F58

RGB 253 95 88

HSL 2.55, 0.98%, 0.67%

LAB 61.46, 59.72, 36.25

 

CMYK 0 / 65 / 65 / 1

HEX #FD5858

RGB 253 88 88

HSL 0, 0.98%, 0.67%

LAB 60.4, 62.58, 34.95

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 9 / 65 / 1

HEX #FDE558

RGB 253 229 88

HSL 51.27, 0.98%, 0.67%

LAB 90.61, -7.37, 69.16

 

CMYK 8 / 0 / 65 / 1

HEX #E8FD58

RGB 232 253 88

HSL 67.64, 0.98%, 0.67%

LAB 95.21, -27.45, 73.42

 

CMYK 26 / 0 / 65 / 1

HEX #BCFD58

RGB 188 253 88

HSL 83.64, 0.98%, 0.67%

LAB 92.42, -44.14, 69.65

 

CMYK 43 / 0 / 65 / 1

HEX #8FFD58

RGB 143 253 88

HSL 100, 0.98%, 0.67%

LAB 90.23, -59.11, 66.66

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 24 / 58 / 6

HEX #EFB665

RGB 239 182 101

HSL 35.22, 0.81%, 0.67%

LAB 77.72, 11.84, 48.65

 

CMYK 0 / 20 / 49 / 11

HEX #E2B473

RGB 226 180 115

HSL 35.14, 0.66%, 0.67%

LAB 76.1, 8.73, 39.33

 

CMYK 0 / 17 / 39 / 17

HEX #D4B181

RGB 212 177 129

HSL 34.7, 0.49%, 0.67%

LAB 74.21, 6.11, 29.3

 

CMYK 0 / 12 / 28 / 22

HEX #C6AF8E

RGB 198 175 142

HSL 35.36, 0.33%, 0.67%

LAB 72.64, 3.25, 19.98

 

CMYK 0 / 62 / 65 / 1

HEX #FD6058

RGB 253 96 88

HSL 2.91, 0.98%, 0.67%

LAB 61.61, 59.3, 36.44

 

CMYK 0 / 45 / 65 / 1

HEX #FD8C58

RGB 253 140 88

HSL 18.91, 0.98%, 0.67%

LAB 69.71, 38.56, 46.13

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 10 / 65 / 1

HEX #FDE458

RGB 253 228 88

HSL 50.91, 0.98%, 0.67%

LAB 90.36, -6.87, 68.89

 

CMYK 8 / 0 / 65 / 1

HEX #EAFD58

RGB 234 253 88

HSL 66.91, 0.98%, 0.67%

LAB 95.35, -26.67, 73.61

 

CMYK 0 / 40 / 98 / 1

HEX #FC9606

RGB 252 150 6

HSL 35.12, 0.98%, 0.51%

LAB 71.23, 30.54, 75.63

 

CMYK 0 / 34 / 81 / 1

HEX #FCA72F

RGB 252 167 47

HSL 35.12, 0.97%, 0.59%

LAB 75.16, 22.39, 69.46

 

CMYK 0 / 27 / 65 / 1

HEX #FDB858

RGB 253 184 88

HSL 34.91, 0.98%, 0.67%

LAB 79.54, 15.7, 57.27

 

CMYK 0 / 20 / 49 / 1

HEX #FDCA81

RGB 253 202 129

HSL 35.32, 0.97%, 0.75%

LAB 84.33, 9.38, 43.13

 

CMYK 0 / 14 / 33 / 0

HEX #FEDBAA

RGB 254 219 170

HSL 35, 0.98%, 0.83%

LAB 89.22, 5.31, 28.61

 

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

CMYK 51 / 0 / 65 / 1

HEX #7CFD58

RGB 124 253 88

HSL 106.91, 0.98%, 0.67%

LAB 89.51, -64.49, 65.67

 

CMYK 53 / 65 / 0 / 1

HEX #7658FD

RGB 118 88 253

HSL 250.91, 0.98%, 0.67%

LAB 49.4, 53.5, -78.26

 

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

CMYK 65 / 0 / 27 / 1

HEX #58FDB8

RGB 88 253 184

HSL 154.91, 0.98%, 0.67%

LAB 89.76, -58.24, 20.73

 

CMYK 27 / 65 / 0 / 1

HEX #B858FD

RGB 184 88 253

HSL 274.91, 0.98%, 0.67%

LAB 56.35, 65.9, -66.67

 

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

CMYK 51 / 0 / 65 / 1

HEX #7CFD58

RGB 124 253 88

HSL 106.91, 0.98%, 0.67%

LAB 89.51, -64.49, 65.67

 

CMYK 65 / 38 / 0 / 1

HEX #589DFD

RGB 88 157 253

HSL 214.91, 0.98%, 0.67%

LAB 64.39, 7.78, -54.22

 

CMYK 14 / 65 / 0 / 1

HEX #D958FD

RGB 217 88 253

HSL 286.91, 0.98%, 0.67%

LAB 60.63, 72.9, -59.58

 

CMYK 0 / 27 / 65 / 1

HEX #FDB959

RGB 253 185 89

HSL 35.12, 0.98%, 0.67%

LAB 79.79, 15.24, 57.09

 

CMYK 65 / 0 / 60 / 1

HEX #58FD66

RGB 88 253 102

HSL 125.09, 0.98%, 0.67%

LAB 88.58, -71.32, 58.63

 

CMYK 65 / 38 / 0 / 1

HEX #589DFD

RGB 88 157 253

HSL 214.91, 0.98%, 0.67%

LAB 64.39, 7.78, -54.22

 

CMYK 0 / 65 / 6 / 1

HEX #FD58EF

RGB 253 88 239

HSL 305.09, 0.98%, 0.67%

LAB 65.04, 78.61, -44.51

 

Description

Color code: HEX #FDB959 | qconv.com Color code: HEX #FDB959 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 185 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 185 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 65% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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