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Color name
HEX #FDBC3A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBC3A it is the complementary color #0243C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBC3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBC3A shade: #FFBC35, #FFCE48, #FFE05B, #FFF26E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBC3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBC3A shade: #FDBC3A, #ECAA27, #DB9814, #CA8601 and #B97400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBC3A shade: #FDBC3A, #FD873A, #FD523A and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBC3A shade: #FDBC3A, #FDF03A, #D4FD3A, #A0FD3A and #6BFD3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBC3A shade matches the following richer shades: #FDBC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBC3A shade: #FDBC3A, #ECB64A, #DCB15A, #CCAB6A and #BCA67A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBC3A shade: #FD543A, #FD883A, #FDBC3A, #FDF03A and #D6FD3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBC3A shade: #E29702, #FCAE11, #FDBC3A, #FDC962 and #FDD78B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBC3A shade: #FDBC3A, #54FD3A and #6E3AFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBC3A shade: #FDBC3A, #3AFDBC and #BC3AFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBC3A shade: #FDBC3A, #54FD3A, #3A7BFD and #E33AFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBC3A shade: #FDBC3A, #3AFD5A, #3A7BFD and #FD3ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

Complementary color

CMYK 99 / 66 / 0 / 23

HEX #0243C5

RGB 2 67 197

HSL 220, 0.98%, 0.39%

LAB 34.1, 35.63, -71.67

 

CMYK 0 / 26 / 79 / 0

HEX #FFBC35

RGB 255 188 53

HSL 40.1, 1%, 0.6%

LAB 80.45, 12.86, 72.28

 

CMYK 0 / 19 / 72 / 0

HEX #FFCE48

RGB 255 206 72

HSL 43.93, 1%, 0.64%

LAB 84.93, 4.3, 69.71

 

CMYK 0 / 12 / 64 / 0

HEX #FFE05B

RGB 255 224 91

HSL 48.66, 1%, 0.68%

LAB 89.55, -3.87, 66.87

 

CMYK 0 / 5 / 57 / 0

HEX #FFF26E

RGB 255 242 110

HSL 54.62, 1%, 0.72%

LAB 94.27, -11.59, 63.94

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 28 / 83 / 7

HEX #ECAA27

RGB 236 170 39

HSL 39.9, 0.84%, 0.54%

LAB 74.02, 13.82, 70.27

 

CMYK 0 / 31 / 91 / 14

HEX #DB9814

RGB 219 152 20

HSL 39.8, 0.83%, 0.47%

LAB 67.7, 15.68, 69.17

 

CMYK 0 / 34 / 100 / 21

HEX #CA8601

RGB 202 134 1

HSL 39.7, 0.99%, 0.4%

LAB 61.32, 17.77, 66.76

 

CMYK 0 / 37 / 100 / 27

HEX #B97400

RGB 185 116 0

HSL 37.62, 1%, 0.36%

LAB 54.87, 20.15, 61.66

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 47 / 77 / 1

HEX #FD873A

RGB 253 135 58

HSL 23.69, 0.98%, 0.61%

LAB 68.4, 39.66, 59.03

 

CMYK 0 / 68 / 77 / 1

HEX #FD523A

RGB 253 82 58

HSL 7.38, 0.98%, 0.61%

LAB 59.18, 63.58, 49.79

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 5 / 77 / 1

HEX #FDF03A

RGB 253 240 58

HSL 56, 0.98%, 0.61%

LAB 93.24, -14.14, 82.13

 

CMYK 16 / 0 / 77 / 1

HEX #D4FD3A

RGB 212 253 58

HSL 72.62, 0.98%, 0.61%

LAB 93.69, -36.76, 81.43

 

CMYK 37 / 0 / 77 / 1

HEX #A0FD3A

RGB 160 253 58

HSL 88.62, 0.98%, 0.61%

LAB 90.79, -55.65, 77.7

 

CMYK 58 / 0 / 77 / 1

HEX #6BFD3A

RGB 107 253 58

HSL 104.92, 0.98%, 0.61%

LAB 88.77, -70.91, 75.07

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 23 / 69 / 7

HEX #ECB64A

RGB 236 182 74

HSL 40, 0.81%, 0.61%

LAB 77.15, 8.88, 60.38

 

CMYK 0 / 20 / 59 / 14

HEX #DCB15A

RGB 220 177 90

HSL 40.15, 0.65%, 0.61%

LAB 74.44, 5.78, 49.66

 

CMYK 0 / 16 / 48 / 20

HEX #CCAB6A

RGB 204 171 106

HSL 39.8, 0.49%, 0.61%

LAB 71.56, 3.63, 37.81

 

CMYK 0 / 12 / 35 / 26

HEX #BCA67A

RGB 188 166 122

HSL 40, 0.33%, 0.61%

LAB 69.02, 1.53, 25.75

 

CMYK 0 / 67 / 77 / 1

HEX #FD543A

RGB 253 84 58

HSL 8, 0.98%, 0.61%

LAB 59.46, 62.82, 50.08

 

CMYK 0 / 46 / 77 / 1

HEX #FD883A

RGB 253 136 58

HSL 24, 0.98%, 0.61%

LAB 68.6, 39.16, 59.23

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 5 / 77 / 1

HEX #FDF03A

RGB 253 240 58

HSL 56, 0.98%, 0.61%

LAB 93.24, -14.14, 82.13

 

CMYK 15 / 0 / 77 / 1

HEX #D6FD3A

RGB 214 253 58

HSL 72, 0.98%, 0.61%

LAB 93.82, -35.98, 81.59

 

CMYK 0 / 33 / 99 / 11

HEX #E29702

RGB 226 151 2

HSL 39.91, 0.98%, 0.45%

LAB 68.25, 19.04, 72.62

 

CMYK 0 / 31 / 93 / 1

HEX #FCAE11

RGB 252 174 17

HSL 40.09, 0.98%, 0.53%

LAB 76.68, 18.12, 77.97

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 0 / 21 / 61 / 1

HEX #FDC962

RGB 253 201 98

HSL 39.87, 0.97%, 0.69%

LAB 83.72, 7.48, 57.37

 

CMYK 0 / 15 / 45 / 1

HEX #FDD78B

RGB 253 215 139

HSL 40, 0.97%, 0.77%

LAB 87.65, 3.61, 42.32

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 67 / 0 / 77 / 1

HEX #54FD3A

RGB 84 253 58

HSL 112, 0.98%, 0.61%

LAB 88.18, -75.78, 74.3

 

CMYK 57 / 77 / 0 / 1

HEX #6E3AFD

RGB 110 58 253

HSL 256, 0.98%, 0.61%

LAB 43.41, 67.14, -88.12

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 77 / 0 / 26 / 1

HEX #3AFDBC

RGB 58 253 188

HSL 160, 0.98%, 0.61%

LAB 89.29, -61.42, 17.94

 

CMYK 26 / 77 / 0 / 1

HEX #BC3AFD

RGB 188 58 253

HSL 280, 0.98%, 0.61%

LAB 52.74, 78.34, -72.48

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 67 / 0 / 77 / 1

HEX #54FD3A

RGB 84 253 58

HSL 112, 0.98%, 0.61%

LAB 88.18, -75.78, 74.3

 

CMYK 77 / 51 / 0 / 1

HEX #3A7BFD

RGB 58 123 253

HSL 220, 0.98%, 0.61%

LAB 54.19, 24.32, -70.63

 

CMYK 10 / 77 / 0 / 1

HEX #E33AFD

RGB 227 58 253

HSL 292, 0.98%, 0.61%

LAB 58.46, 85.14, -62.96

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 77 / 0 / 64 / 1

HEX #3AFD5A

RGB 58 253 90

HSL 129.85, 0.98%, 0.61%

LAB 87.91, -77.27, 62.69

 

CMYK 77 / 51 / 0 / 1

HEX #3A7BFD

RGB 58 123 253

HSL 220, 0.98%, 0.61%

LAB 54.19, 24.32, -70.63

 

CMYK 0 / 77 / 13 / 1

HEX #FD3ADC

RGB 253 58 220

HSL 310.15, 0.98%, 0.61%

LAB 60.85, 85.26, -40.47

 

Description

Color code: HEX #FDBC3A | qconv.com Color code: HEX #FDBC3A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 188 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 188 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 77% 1% C M Y K

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