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Color name
HEX #FDC44B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDC44B it is the complementary color #023BB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDC44B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDC44B shade: #FFC446, #FFD659, #FFE86C, #FFFA7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDC44B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDC44B shade: #FDC44B, #ECB238, #DBA025, #CA8E12 and #B97C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDC44B shade: #FDC349, #FD9349, #FD6249 and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDC44B shade: #FDC349, #FDF449, #D5FD49, #A5FD49 and #74FD49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDC44B shade matches the following richer shades: #FDC349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDC44B shade: #FDC349, #EEBE58, #DFB866, #D0B375 and #C1AE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDC44B shade: #FD6149, #FD9149, #FDC149, #FDF149 and #D9FD49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDC44B shade: #F1A402, #FCB620, #FDC349, #FDD072 and #FDDE9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDC44B shade: #FDC44B, #61FD49 and #7949FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDC44B shade: #FDC44B, #49FDC1 and #C149FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDC44B shade: #FDC44B, #61FD49, #4985FD and #E549FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDC44B shade: #FDC44B, #49FD67, #4985FD and #FD49DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

Complementary color

CMYK 99 / 67 / 0 / 29

HEX #023BB4

RGB 2 59 180

HSL 220.79, 0.98%, 0.36%

LAB 30.49, 34.3, -67.61

 

CMYK 0 / 23 / 73 / 0

HEX #FFC446

RGB 255 196 70

HSL 40.86, 1%, 0.64%

LAB 82.48, 9.36, 68.05

 

CMYK 0 / 16 / 65 / 0

HEX #FFD659

RGB 255 214 89

HSL 45.18, 1%, 0.67%

LAB 87.03, 1.08, 65.02

 

CMYK 0 / 9 / 58 / 0

HEX #FFE86C

RGB 255 232 108

HSL 50.61, 1%, 0.71%

LAB 91.71, -6.78, 61.94

 

CMYK 0 / 2 / 50 / 0

HEX #FFFA7F

RGB 255 250 127

HSL 57.66, 1%, 0.75%

LAB 96.48, -14.2, 58.91

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

CMYK 0 / 25 / 76 / 7

HEX #ECB238

RGB 236 178 56

HSL 40.67, 0.83%, 0.57%

LAB 76.04, 10.16, 66.45

 

CMYK 0 / 27 / 83 / 14

HEX #DBA025

RGB 219 160 37

HSL 40.55, 0.72%, 0.5%

LAB 69.71, 11.77, 66.46

 

CMYK 0 / 30 / 91 / 21

HEX #CA8E12

RGB 202 142 18

HSL 40.43, 0.84%, 0.43%

LAB 63.3, 13.62, 65.39

 

CMYK 0 / 33 / 100 / 27

HEX #B97C00

RGB 185 124 0

HSL 40.22, 1%, 0.36%

LAB 56.81, 15.71, 62.94

 

CMYK 0 / 23 / 71 / 1

HEX #FDC349

RGB 253 195 73

HSL 40.67, 0.98%, 0.64%

LAB 82.05, 9.18, 66.38

 

CMYK 0 / 42 / 71 / 1

HEX #FD9349

RGB 253 147 73

HSL 24.67, 0.98%, 0.64%

LAB 71.03, 34.19, 54.95

 

CMYK 0 / 61 / 71 / 1

HEX #FD6249

RGB 253 98 73

HSL 8.33, 0.98%, 0.64%

LAB 61.74, 57.7, 44.76

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 23 / 71 / 1

HEX #FDC349

RGB 253 195 73

HSL 40.67, 0.98%, 0.64%

LAB 82.05, 9.18, 66.38

 

CMYK 0 / 4 / 71 / 1

HEX #FDF449

RGB 253 244 73

HSL 57, 0.98%, 0.64%

LAB 94.34, -15.5, 78.46

 

CMYK 16 / 0 / 71 / 1

HEX #D5FD49

RGB 213 253 73

HSL 73.33, 0.98%, 0.64%

LAB 93.83, -35.69, 76.97

 

CMYK 35 / 0 / 71 / 1

HEX #A5FD49

RGB 165 253 73

HSL 89.33, 0.98%, 0.64%

LAB 91.11, -53.16, 73.37

 

CMYK 54 / 0 / 71 / 1

HEX #74FD49

RGB 116 253 73

HSL 105.67, 0.98%, 0.64%

LAB 89.13, -67.75, 70.73

 

CMYK 0 / 23 / 71 / 1

HEX #FDC349

RGB 253 195 73

HSL 40.67, 0.98%, 0.64%

LAB 82.05, 9.18, 66.38

 

CMYK 0 / 23 / 71 / 1

HEX #FDC349

RGB 253 195 73

HSL 40.67, 0.98%, 0.64%

LAB 82.05, 9.18, 66.38

 

CMYK 0 / 20 / 63 / 7

HEX #EEBE58

RGB 238 190 88

HSL 40.8, 0.82%, 0.64%

LAB 79.45, 6.34, 56.74

 

CMYK 0 / 17 / 54 / 13

HEX #DFB866

RGB 223 184 102

HSL 40.66, 0.65%, 0.64%

LAB 76.64, 4.26, 46.47

 

CMYK 0 / 14 / 44 / 18

HEX #D0B375

RGB 208 179 117

HSL 40.88, 0.49%, 0.64%

LAB 74.15, 2.12, 35.46

 

CMYK 0 / 10 / 32 / 24

HEX #C1AE84

RGB 193 174 132

HSL 41.31, 0.33%, 0.64%

LAB 71.74, 0.49, 24.09

 

CMYK 0 / 62 / 71 / 1

HEX #FD6149

RGB 253 97 73

HSL 8, 0.98%, 0.64%

LAB 61.58, 58.13, 44.58

 

CMYK 0 / 43 / 71 / 1

HEX #FD9149

RGB 253 145 73

HSL 24, 0.98%, 0.64%

LAB 70.6, 35.21, 54.5

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 5 / 71 / 1

HEX #FDF149

RGB 253 241 73

HSL 56, 0.98%, 0.64%

LAB 93.57, -14.04, 77.72

 

CMYK 14 / 0 / 71 / 1

HEX #D9FD49

RGB 217 253 73

HSL 72, 0.98%, 0.64%

LAB 94.09, -34.14, 77.31

 

CMYK 0 / 32 / 99 / 5

HEX #F1A402

RGB 241 164 2

HSL 40.67, 0.98%, 0.48%

LAB 73.06, 18.57, 76.69

 

CMYK 0 / 28 / 87 / 1

HEX #FCB620

RGB 252 182 32

HSL 40.91, 0.97%, 0.56%

LAB 78.61, 14.17, 76.56

 

CMYK 0 / 23 / 71 / 1

HEX #FDC349

RGB 253 195 73

HSL 40.67, 0.98%, 0.64%

LAB 82.05, 9.18, 66.38

 

CMYK 0 / 18 / 55 / 1

HEX #FDD072

RGB 253 208 114

HSL 40.58, 0.97%, 0.72%

LAB 85.61, 5.02, 52.06

 

CMYK 0 / 12 / 39 / 1

HEX #FDDE9A

RGB 253 222 154

HSL 41.21, 0.96%, 0.8%

LAB 89.61, 1.56, 37.29

 

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

CMYK 62 / 0 / 71 / 1

HEX #61FD49

RGB 97 253 73

HSL 112, 0.98%, 0.64%

LAB 88.58, -72.19, 69.99

 

CMYK 52 / 71 / 0 / 1

HEX #7949FD

RGB 121 73 253

HSL 256, 0.98%, 0.64%

LAB 46.87, 61.68, -82.39

 

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

CMYK 71 / 0 / 24 / 1

HEX #49FDC1

RGB 73 253 193

HSL 160, 0.98%, 0.64%

LAB 89.63, -58.54, 15.89

 

CMYK 24 / 71 / 0 / 1

HEX #C149FD

RGB 193 73 253

HSL 280, 0.98%, 0.64%

LAB 55.27, 73.95, -68.35

 

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

CMYK 62 / 0 / 71 / 1

HEX #61FD49

RGB 97 253 73

HSL 112, 0.98%, 0.64%

LAB 88.58, -72.19, 69.99

 

CMYK 71 / 47 / 0 / 1

HEX #4985FD

RGB 73 133 253

HSL 220, 0.98%, 0.64%

LAB 57.35, 19.92, -65.5

 

CMYK 9 / 71 / 0 / 1

HEX #E549FD

RGB 229 73 253

HSL 292, 0.98%, 0.64%

LAB 60.35, 80.95, -59.92

 

CMYK 0 / 23 / 70 / 1

HEX #FDC44B

RGB 253 196 75

HSL 40.79, 0.98%, 0.64%

LAB 82.31, 8.76, 65.83

 

CMYK 71 / 0 / 59 / 1

HEX #49FD67

RGB 73 253 103

HSL 130, 0.98%, 0.64%

LAB 88.28, -73.78, 57.77

 

CMYK 71 / 47 / 0 / 1

HEX #4985FD

RGB 73 133 253

HSL 220, 0.98%, 0.64%

LAB 57.35, 19.92, -65.5

 

CMYK 0 / 71 / 12 / 1

HEX #FD49DF

RGB 253 73 223

HSL 310, 0.98%, 0.64%

LAB 62.49, 81.38, -39.59

 

Description

Color code: HEX #FDC44B | qconv.com Color code: HEX #FDC44B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 196 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 196 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 70 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 70% 1% C M Y K

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Provide designers and agencies with accurate color values.

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