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Color name
HEX #FDE19A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDE19A it is the complementary color #021E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDE19A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDE19A shade: #FFE195, #FFF3A8, #FFFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDE19A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDE19A shade: #FDE19A, #ECCF87, #DBBD74, #CAAB61 and #B9994E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDE19A shade: #FCE19B, #FCC69B, #FCAC9B and #FC9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDE19A shade: #FCE19B, #FCFB9B, #E3FC9B, #C9FC9B and #AFFC9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDE19A shade matches the following richer shades: #FCE19B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDE19A shade: #FCE19B, #F4DDA3, #ECDAAB, #E4D6B3 and #DBD2BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDE19A shade: #FCAC9B, #FCC79B, #FCE19B, #FCFB9B and #E4FC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDE19A shade: #FBC94A, #FCD572, #FCE19B, #FDEDC3 and #FEF9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDE19A shade: #FDE19A, #A3FC9B and #BA9BFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDE19A shade: #FDE19A, #9BFCE1 and #E19BFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDE19A shade: #FDE19A, #A3FC9B, #9BB6FC and #F49BFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDE19A shade: #FDE19A, #9BFCB0, #9BB6FC and #FC9BE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

Complementary color

CMYK 98 / 70 / 0 / 60

HEX #021E65

RGB 2 30 101

HSL 223.03, 0.96%, 0.2%

LAB 14.85, 22.15, -44.08

 

CMYK 0 / 12 / 42 / 0

HEX #FFE195

RGB 255 225 149

HSL 43.02, 1%, 0.79%

LAB 90.45, 0.29, 40.93

 

CMYK 0 / 5 / 34 / 0

HEX #FFF3A8

RGB 255 243 168

HSL 51.72, 1%, 0.83%

LAB 95.24, -6.69, 37.67

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

CMYK 0 / 12 / 43 / 7

HEX #ECCF87

RGB 236 207 135

HSL 42.77, 0.73%, 0.73%

LAB 84.07, 0.59, 39.45

 

CMYK 0 / 14 / 47 / 14

HEX #DBBD74

RGB 219 189 116

HSL 42.52, 0.59%, 0.66%

LAB 77.71, 1.23, 40.7

 

CMYK 0 / 15 / 52 / 21

HEX #CAAB61

RGB 202 171 97

HSL 42.29, 0.5%, 0.59%

LAB 71.25, 1.97, 41.98

 

CMYK 0 / 17 / 58 / 27

HEX #B9994E

RGB 185 153 78

HSL 42.06, 0.43%, 0.52%

LAB 64.68, 2.85, 43.28

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 21 / 38 / 1

HEX #FCC69B

RGB 252 198 155

HSL 26.6, 0.94%, 0.8%

LAB 83.68, 13.68, 28.9

 

CMYK 0 / 32 / 38 / 1

HEX #FCAC9B

RGB 252 172 155

HSL 10.52, 0.94%, 0.8%

LAB 77.62, 27.32, 20.66

 

CMYK 0 / 38 / 38 / 1

HEX #FC9B9B

RGB 252 155 155

HSL 0, 0.94%, 0.8%

LAB 73.87, 36.19, 15.46

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 0 / 38 / 1

HEX #FCFB9B

RGB 252 251 155

HSL 59.38, 0.94%, 0.8%

LAB 96.84, -13.21, 46.1

 

CMYK 10 / 0 / 38 / 1

HEX #E3FC9B

RGB 227 252 155

HSL 75.46, 0.94%, 0.8%

LAB 95.29, -23.07, 43.75

 

CMYK 20 / 0 / 38 / 1

HEX #C9FC9B

RGB 201 252 155

HSL 91.55, 0.94%, 0.8%

LAB 93.63, -32.43, 41.27

 

CMYK 31 / 0 / 38 / 1

HEX #AFFC9B

RGB 175 252 155

HSL 107.63, 0.94%, 0.8%

LAB 92.18, -41.19, 39.11

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 0 / 8 / 28 / 7

HEX #ECDAAB

RGB 236 218 171

HSL 43.38, 0.63%, 0.8%

LAB 87.44, -0.86, 25.42

 

CMYK 0 / 6 / 21 / 11

HEX #E4D6B3

RGB 228 214 179

HSL 42.86, 0.48%, 0.8%

LAB 85.93, -0.69, 19.05

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BC

RGB 219 210 188

HSL 42.58, 0.3%, 0.8%

LAB 84.37, -0.56, 12.01

 

CMYK 0 / 32 / 38 / 1

HEX #FCAC9B

RGB 252 172 155

HSL 10.52, 0.94%, 0.8%

LAB 77.62, 27.32, 20.66

 

CMYK 0 / 21 / 38 / 1

HEX #FCC79B

RGB 252 199 155

HSL 27.22, 0.94%, 0.8%

LAB 83.92, 13.16, 29.22

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 0 / 38 / 1

HEX #FCFB9B

RGB 252 251 155

HSL 59.38, 0.94%, 0.8%

LAB 96.84, -13.21, 46.1

 

CMYK 10 / 0 / 38 / 1

HEX #E4FC9B

RGB 228 252 155

HSL 74.85, 0.94%, 0.8%

LAB 95.36, -22.7, 43.86

 

CMYK 0 / 20 / 71 / 2

HEX #FBC94A

RGB 251 201 74

HSL 43.05, 0.96%, 0.64%

LAB 83.32, 5.29, 67.2

 

CMYK 0 / 15 / 55 / 1

HEX #FCD572

RGB 252 213 114

HSL 43.04, 0.96%, 0.72%

LAB 86.75, 2.05, 53.39

 

CMYK 0 / 11 / 38 / 1

HEX #FCE19B

RGB 252 225 155

HSL 43.3, 0.94%, 0.8%

LAB 90.28, -0.24, 37.64

 

CMYK 0 / 6 / 23 / 1

HEX #FDEDC3

RGB 253 237 195

HSL 43.45, 0.94%, 0.88%

LAB 94.05, -1.01, 22.33

 

CMYK 0 / 2 / 7 / 0

HEX #FEF9EB

RGB 254 249 235

HSL 44.21, 0.9%, 0.96%

LAB 97.96, -0.69, 7.29

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

CMYK 35 / 0 / 38 / 1

HEX #A3FC9B

RGB 163 252 155

HSL 115.05, 0.94%, 0.8%

LAB 91.58, -44.98, 38.23

 

CMYK 26 / 38 / 0 / 1

HEX #BA9BFC

RGB 186 155 252

HSL 259.18, 0.94%, 0.8%

LAB 70.11, 31.21, -44.22

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

CMYK 38 / 0 / 11 / 1

HEX #9BFCE1

RGB 155 252 225

HSL 163.3, 0.94%, 0.8%

LAB 92.59, -34.6, 3.93

 

CMYK 11 / 38 / 0 / 1

HEX #E19BFC

RGB 225 155 252

HSL 283.3, 0.94%, 0.8%

LAB 73.85, 42.43, -38.1

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

CMYK 35 / 0 / 38 / 1

HEX #A3FC9B

RGB 163 252 155

HSL 115.05, 0.94%, 0.8%

LAB 91.58, -44.98, 38.23

 

CMYK 38 / 28 / 0 / 1

HEX #9BB6FC

RGB 155 182 252

HSL 223.3, 0.94%, 0.8%

LAB 74.48, 7.67, -37.59

 

CMYK 3 / 38 / 0 / 1

HEX #F49BFC

RGB 244 155 252

HSL 295.05, 0.94%, 0.8%

LAB 75.89, 48.04, -34.79

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19A

RGB 253 225 154

HSL 43.03, 0.96%, 0.8%

LAB 90.35, 0.04, 38.26

 

CMYK 38 / 0 / 30 / 1

HEX #9BFCB0

RGB 155 252 176

HSL 132.99, 0.94%, 0.8%

LAB 91.56, -44.05, 27.63

 

CMYK 38 / 28 / 0 / 1

HEX #9BB6FC

RGB 155 182 252

HSL 223.3, 0.94%, 0.8%

LAB 74.48, 7.67, -37.59

 

CMYK 0 / 38 / 8 / 1

HEX #FC9BE7

RGB 252 155 231

HSL 312.99, 0.94%, 0.8%

LAB 76.01, 46.81, -23.13

 

Description

Color code: HEX #FDE19A | qconv.com Color code: HEX #FDE19A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 225 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 225 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 39 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 39% 1% C M Y K

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Provide designers and agencies with accurate color values.

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