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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDE3D3 it is the complementary color #021C2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDE3D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDE3D3 shade: #FFE3CE, #FFF5E1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDE3D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDE3D3 shade: #FDE3D3, #ECD1C0, #DBBFAD, #CAAD9A and #B99B87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDE3D3 shade: #FCE3D3, #FCD7D3 and #FCD3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDE3D3 shade: #FCE3D3, #FCEED3, #FCF9D3, #F4FCD3 and #E9FCD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDE3D3 shade matches the following richer shades: #FCE3D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDE3D3 shade: #FCE3D3, #F9E3D6, #F5E4DA, #F1E5DE and #EEE6E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDE3D3 shade: #FCD3DA, #FCD7D3, #FCE2D3, #FCEDD3 and #FCF8D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDE3D3 shade: #F9B084, #FBC9AB, #FCE3D3 and #FEFCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDE3D3 shade: #FDE3D3, #E5FCD3 and #D3D4FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDE3D3 shade: #FDE3D3, #D3FCE2 and #E2D3FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDE3D3 shade: #FDE3D3, #E5FCD3, #D3EDFC and #EAD3FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDE3D3 shade: #FDE3D3, #D8FCD3, #D3EDFC and #F7D3FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

Complementary color

CMYK 95 / 36 / 0 / 83

HEX #021C2C

RGB 2 28 44

HSL 202.86, 0.91%, 0.09%

LAB 9.2, -3.04, -13.65

 

CMYK 0 / 11 / 19 / 0

HEX #FFE3CE

RGB 255 227 206

HSL 25.71, 1%, 0.9%

LAB 91.98, 6.37, 13.76

 

CMYK 0 / 4 / 12 / 0

HEX #FFF5E1

RGB 255 245 225

HSL 40, 1%, 0.94%

LAB 96.82, 0.07, 10.81

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

CMYK 0 / 11 / 19 / 7

HEX #ECD1C0

RGB 236 209 192

HSL 23.18, 0.54%, 0.84%

LAB 85.62, 6.74, 11.87

 

CMYK 0 / 13 / 21 / 14

HEX #DBBFAD

RGB 219 191 173

HSL 23.48, 0.39%, 0.77%

LAB 79.24, 7.13, 12.73

 

CMYK 0 / 14 / 24 / 21

HEX #CAAD9A

RGB 202 173 154

HSL 23.75, 0.31%, 0.7%

LAB 72.74, 7.56, 13.65

 

CMYK 0 / 16 / 27 / 27

HEX #B99B87

RGB 185 155 135

HSL 24, 0.26%, 0.63%

LAB 66.14, 8.05, 14.63

 

CMYK 0 / 10 / 16 / 1

HEX #FCE3D3

RGB 252 227 211

HSL 23.41, 0.87%, 0.91%

LAB 91.84, 6.04, 10.92

 

CMYK 0 / 15 / 16 / 1

HEX #FCD7D3

RGB 252 215 211

HSL 5.85, 0.87%, 0.91%

LAB 88.92, 12.24, 6.74

 

CMYK 0 / 16 / 16 / 1

HEX #FCD3D3

RGB 252 211 211

HSL 0, 0.87%, 0.91%

LAB 87.96, 14.33, 5.36

 

CMYK 0 / 10 / 16 / 1

HEX #FCE3D3

RGB 252 227 211

HSL 23.41, 0.87%, 0.91%

LAB 91.84, 6.04, 10.92

 

CMYK 0 / 6 / 16 / 1

HEX #FCEED3

RGB 252 238 211

HSL 39.51, 0.87%, 0.91%

LAB 94.55, 0.42, 14.77

 

CMYK 0 / 1 / 16 / 1

HEX #FCF9D3

RGB 252 249 211

HSL 55.61, 0.87%, 0.91%

LAB 97.29, -5.12, 18.63

 

CMYK 3 / 0 / 16 / 1

HEX #F4FCD3

RGB 244 252 211

HSL 71.71, 0.87%, 0.91%

LAB 97.45, -9.43, 18.77

 

CMYK 8 / 0 / 16 / 1

HEX #E9FCD3

RGB 233 252 211

HSL 87.8, 0.87%, 0.91%

LAB 96.68, -13.25, 17.57

 

CMYK 0 / 10 / 16 / 1

HEX #FCE3D3

RGB 252 227 211

HSL 23.41, 0.87%, 0.91%

LAB 91.84, 6.04, 10.92

 

CMYK 0 / 10 / 16 / 1

HEX #FCE3D3

RGB 252 227 211

HSL 23.41, 0.87%, 0.91%

LAB 91.84, 6.04, 10.92

 

CMYK 0 / 9 / 14 / 2

HEX #F9E3D6

RGB 249 227 214

HSL 22.29, 0.74%, 0.91%

LAB 91.65, 5.43, 9.06

 

CMYK 0 / 7 / 11 / 4

HEX #F5E4DA

RGB 245 228 218

HSL 22.22, 0.57%, 0.91%

LAB 91.67, 4.14, 6.95

 

CMYK 0 / 5 / 8 / 5

HEX #F1E5DE

RGB 241 229 222

HSL 22.11, 0.4%, 0.91%

LAB 91.69, 2.89, 4.85

 

CMYK 0 / 3 / 5 / 7

HEX #EEE6E2

RGB 238 230 226

HSL 20, 0.26%, 0.91%

LAB 91.8, 2.02, 2.9

 

CMYK 0 / 16 / 13 / 1

HEX #FCD3DA

RGB 252 211 218

HSL 349.76, 0.87%, 0.91%

LAB 88.13, 15.42, 1.91

 

CMYK 0 / 15 / 16 / 1

HEX #FCD7D3

RGB 252 215 211

HSL 5.85, 0.87%, 0.91%

LAB 88.92, 12.24, 6.74

 

CMYK 0 / 10 / 16 / 1

HEX #FCE2D3

RGB 252 226 211

HSL 21.95, 0.87%, 0.91%

LAB 91.59, 6.55, 10.57

 

CMYK 0 / 6 / 16 / 1

HEX #FCEDD3

RGB 252 237 211

HSL 38.05, 0.87%, 0.91%

LAB 94.3, 0.93, 14.42

 

CMYK 0 / 2 / 16 / 1

HEX #FCF8D3

RGB 252 248 211

HSL 54.15, 0.87%, 0.91%

LAB 97.04, -4.62, 18.28

 

CMYK 0 / 29 / 47 / 2

HEX #F9B084

RGB 249 176 132

HSL 22.56, 0.91%, 0.75%

LAB 77.79, 21.67, 33.12

 

CMYK 0 / 20 / 32 / 2

HEX #FBC9AB

RGB 251 201 171

HSL 22.5, 0.91%, 0.83%

LAB 84.6, 13.62, 21.73

 

CMYK 0 / 10 / 16 / 1

HEX #FCE3D3

RGB 252 227 211

HSL 23.41, 0.87%, 0.91%

LAB 91.84, 6.04, 10.92

 

CMYK 0 / 1 / 2 / 0

HEX #FEFCFA

RGB 254 252 250

HSL 30, 0.67%, 0.99%

LAB 99.06, 0.32, 1.18

 

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

CMYK 9 / 0 / 16 / 1

HEX #E5FCD3

RGB 229 252 211

HSL 93.66, 0.87%, 0.91%

LAB 96.4, -14.62, 17.14

 

CMYK 16 / 16 / 0 / 1

HEX #D3D4FC

RGB 211 212 252

HSL 238.54, 0.87%, 0.91%

LAB 85.99, 7.54, -19.62

 

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

CMYK 16 / 0 / 10 / 1

HEX #D3FCE2

RGB 211 252 226

HSL 141.95, 0.87%, 0.91%

LAB 95.56, -18.02, 8.09

 

CMYK 10 / 16 / 0 / 1

HEX #E2D3FC

RGB 226 211 252

HSL 261.95, 0.87%, 0.91%

LAB 86.89, 12.78, -18.14

 

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

CMYK 9 / 0 / 16 / 1

HEX #E5FCD3

RGB 229 252 211

HSL 93.66, 0.87%, 0.91%

LAB 96.4, -14.62, 17.14

 

CMYK 16 / 6 / 0 / 1

HEX #D3EDFC

RGB 211 237 252

HSL 201.95, 0.87%, 0.91%

LAB 92.33, -5.48, -10.11

 

CMYK 7 / 16 / 0 / 1

HEX #EAD3FC

RGB 234 211 252

HSL 273.66, 0.87%, 0.91%

LAB 87.54, 15.34, -17.1

 

CMYK 0 / 10 / 17 / 1

HEX #FDE3D3

RGB 253 227 211

HSL 22.86, 0.91%, 0.91%

LAB 91.92, 6.39, 11.05

 

CMYK 14 / 0 / 16 / 1

HEX #D8FCD3

RGB 216 252 211

HSL 112.68, 0.87%, 0.91%

LAB 95.55, -19.01, 15.82

 

CMYK 16 / 6 / 0 / 1

HEX #D3EDFC

RGB 211 237 252

HSL 201.95, 0.87%, 0.91%

LAB 92.33, -5.48, -10.11

 

CMYK 2 / 16 / 0 / 1

HEX #F7D3FC

RGB 247 211 252

HSL 292.68, 0.87%, 0.91%

LAB 88.63, 19.54, -15.35

 

Description

Color code: HEX #FDE3D3 | qconv.com Color code: HEX #FDE3D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 227 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 227 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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