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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE669C it is the complementary color #019963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE669C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE669C shade: #FF6697, #FF78AA, #FF8ABD, #FF9CD0 and #FFAEE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE669C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE669C shade: #FE669C, #ED5489, #DC4276, #CB3063 and #BA1E50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE669C shade: #FE669C, #FE6673 and #FE6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE669C shade: #FE669C, #FE66C5, #FE66EE, #E566FE and #BC66FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE669C shade matches the following richer shades: #FE669C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE669C shade: #FE669C, #F173A0, #E57FA3, #D98BA7 and #CC98AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE669C shade: #FE66EF, #FE66C6, #FE669E, #FE6675 and #FE8066

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE669C shade: #FD1467, #FE3D82, #FE669C, #FE8FB7 and #FEB8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE669C shade: #FE669C, #FEE466 and #66DAFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE669C shade: #FE669C, #9EFE66 and #669EFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE669C shade: #FE669C, #FEE466, #66FEC6 and #6680FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE669C shade: #FE669C, #EAFE66, #66FEC6 and #7A66FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

Complementary color

CMYK 99 / 0 / 35 / 40

HEX #019963

RGB 1 153 99

HSL 158.68, 0.99%, 0.3%

LAB 55.78, -47.5, 18.97

 

CMYK 0 / 60 / 41 / 0

HEX #FF6697

RGB 255 102 151

HSL 340.78, 1%, 0.7%

LAB 64.16, 62.32, 3.96

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AA

RGB 255 120 170

HSL 337.78, 1%, 0.74%

LAB 67.72, 56.32, -1.68

 

CMYK 0 / 46 / 26 / 0

HEX #FF8ABD

RGB 255 138 189

HSL 333.85, 1%, 0.77%

LAB 71.63, 50.04, -6.56

 

CMYK 0 / 39 / 18 / 0

HEX #FF9CD0

RGB 255 156 208

HSL 328.48, 1%, 0.81%

LAB 75.82, 43.65, -10.82

 

CMYK 0 / 32 / 11 / 0

HEX #FFAEE3

RGB 255 174 227

HSL 320.74, 1%, 0.84%

LAB 80.22, 37.29, -14.56

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 65 / 42 / 7

HEX #ED5489

RGB 237 84 137

HSL 339.22, 0.81%, 0.63%

LAB 58.18, 62.93, 3.08

 

CMYK 0 / 70 / 46 / 14

HEX #DC4276

RGB 220 66 118

HSL 339.74, 0.69%, 0.56%

LAB 52.31, 63.04, 5.52

 

CMYK 0 / 76 / 51 / 20

HEX #CB3063

RGB 203 48 99

HSL 340.26, 0.62%, 0.49%

LAB 46.59, 62.65, 8.53

 

CMYK 0 / 84 / 57 / 27

HEX #BA1E50

RGB 186 30 80

HSL 340.77, 0.72%, 0.42%

LAB 41.13, 61.49, 12.27

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 60 / 55 / 0

HEX #FE6673

RGB 254 102 115

HSL 354.87, 0.99%, 0.7%

LAB 63.19, 58.83, 23.23

 

CMYK 0 / 60 / 60 / 0

HEX #FE6666

RGB 254 102 102

HSL 0, 0.99%, 0.7%

LAB 62.95, 57.91, 30.31

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 60 / 22 / 0

HEX #FE66C5

RGB 254 102 197

HSL 322.5, 0.99%, 0.7%

LAB 65.44, 67.39, -20.37

 

CMYK 0 / 60 / 6 / 0

HEX #FE66EE

RGB 254 102 238

HSL 306.32, 0.99%, 0.7%

LAB 67.09, 73.29, -40.73

 

CMYK 10 / 60 / 0 / 0

HEX #E566FE

RGB 229 102 254

HSL 290.13, 0.99%, 0.7%

LAB 64.42, 69.92, -53.99

 

CMYK 26 / 60 / 0 / 0

HEX #BC66FE

RGB 188 102 254

HSL 273.95, 0.99%, 0.7%

LAB 59.3, 60.41, -62.46

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 52 / 34 / 5

HEX #F173A0

RGB 241 115 160

HSL 338.57, 0.82%, 0.7%

LAB 64.56, 52.98, -0.86

 

CMYK 0 / 45 / 29 / 10

HEX #E57FA3

RGB 229 127 163

HSL 338.82, 0.66%, 0.7%

LAB 65.34, 43.4, -1.61

 

CMYK 0 / 36 / 23 / 15

HEX #D98BA7

RGB 217 139 167

HSL 338.46, 0.51%, 0.7%

LAB 66.53, 33.47, -2.31

 

CMYK 0 / 25 / 17 / 20

HEX #CC98AA

RGB 204 152 170

HSL 339.23, 0.34%, 0.7%

LAB 68.16, 22.2, -1.75

 

CMYK 0 / 60 / 6 / 0

HEX #FE66EF

RGB 254 102 239

HSL 305.92, 0.99%, 0.7%

LAB 67.13, 73.45, -41.21

 

CMYK 0 / 60 / 22 / 0

HEX #FE66C6

RGB 254 102 198

HSL 322.11, 0.99%, 0.7%

LAB 65.48, 67.52, -20.88

 

CMYK 0 / 60 / 38 / 0

HEX #FE669E

RGB 254 102 158

HSL 337.89, 0.99%, 0.7%

LAB 64.2, 62.73, -0.02

 

CMYK 0 / 60 / 54 / 0

HEX #FE6675

RGB 254 102 117

HSL 354.08, 0.99%, 0.7%

LAB 63.23, 58.98, 22.14

 

CMYK 0 / 50 / 60 / 0

HEX #FE8066

RGB 254 128 102

HSL 10.26, 0.99%, 0.7%

LAB 67.63, 45.81, 36.25

 

CMYK 0 / 92 / 59 / 1

HEX #FD1467

RGB 253 20 103

HSL 338.63, 0.98%, 0.54%

LAB 54.41, 80.96, 18.4

 

CMYK 0 / 76 / 49 / 0

HEX #FE3D82

RGB 254 61 130

HSL 338.55, 0.99%, 0.62%

LAB 58.06, 74.97, 7.4

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 44 / 28 / 0

HEX #FE8FB7

RGB 254 143 183

HSL 338.38, 0.98%, 0.78%

LAB 72.32, 46.42, -2.23

 

CMYK 0 / 28 / 18 / 0

HEX #FEB8D1

RGB 254 184 209

HSL 338.57, 0.97%, 0.86%

LAB 81.81, 28.89, -2.5

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 10 / 60 / 0

HEX #FEE466

RGB 254 228 102

HSL 49.74, 0.99%, 0.7%

LAB 90.56, -5.6, 63.26

 

CMYK 60 / 14 / 0 / 0

HEX #66DAFE

RGB 102 218 254

HSL 194.21, 0.99%, 0.7%

LAB 81.91, -22.62, -27.41

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 38 / 0 / 60 / 0

HEX #9EFE66

RGB 158 254 102

HSL 97.89, 0.99%, 0.7%

LAB 91.28, -53.65, 62.34

 

CMYK 60 / 38 / 0 / 0

HEX #669EFE

RGB 102 158 254

HSL 217.89, 0.99%, 0.7%

LAB 65.31, 9.95, -53.27

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 0 / 10 / 60 / 0

HEX #FEE466

RGB 254 228 102

HSL 49.74, 0.99%, 0.7%

LAB 90.56, -5.6, 63.26

 

CMYK 60 / 0 / 22 / 0

HEX #66FEC6

RGB 102 254 198

HSL 157.89, 0.99%, 0.7%

LAB 90.68, -53.23, 14.89

 

CMYK 60 / 50 / 0 / 0

HEX #6680FE

RGB 102 128 254

HSL 229.74, 0.99%, 0.7%

LAB 57.48, 27.77, -65.77

 

CMYK 0 / 60 / 39 / 0

HEX #FE669C

RGB 254 102 156

HSL 338.68, 0.99%, 0.7%

LAB 64.14, 62.52, 1.04

 

CMYK 8 / 0 / 60 / 0

HEX #EAFE66

RGB 234 254 102

HSL 67.89, 0.99%, 0.7%

LAB 95.72, -26.24, 68.49

 

CMYK 60 / 0 / 22 / 0

HEX #66FEC6

RGB 102 254 198

HSL 157.89, 0.99%, 0.7%

LAB 90.68, -53.23, 14.89

 

CMYK 52 / 60 / 0 / 0

HEX #7A66FE

RGB 122 102 254

HSL 247.89, 0.99%, 0.7%

LAB 52.73, 46.71, -73.4

 

Description

Color code: HEX #FE669C | qconv.com Color code: HEX #FE669C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 102 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 102 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 39 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 39% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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