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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE63CF it is the complementary color #019C30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE63CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE63CF shade: #FF63CA, #FF75DD, #FF87F0, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE63CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE63CF shade: #FE63CF, #ED51BC, #DC3FA9, #CB2D96 and #BA1B83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE63CF shade: #FE61CE, #FE61A4, #FE617A and #FE6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE63CF shade: #FE61CE, #FE61F8, #D961FE, #AF61FE and #8461FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE63CF shade matches the following richer shades: #FE61CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE63CF shade: #FE61CE, #F16EC9, #E47BC4, #D788BF and #CB94BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE63CF shade: #D961FE, #FE61F8, #FE61CF, #FE61A5 and #FE617B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE63CF shade: #FD0FB5, #FE38C2, #FE61CE, #FE8ADB and #FEB3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE63CF shade: #FE63CF, #FEAF61 and #61FEEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE63CF shade: #FE63CF, #CFFE61 and #61CFFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE63CF shade: #FE63CF, #FEAF61, #61FE90 and #61AFFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE63CF shade: #FE63CF, #FEDE61, #61FE90 and #6180FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

Complementary color

CMYK 99 / 0 / 69 / 39

HEX #019C30

RGB 1 156 48

HSL 138.19, 0.99%, 0.31%

LAB 56.08, -56.89, 45.04

 

CMYK 0 / 61 / 21 / 0

HEX #FF63CA

RGB 255 99 202

HSL 320.38, 1%, 0.69%

LAB 65.32, 69.57, -23.36

 

CMYK 0 / 54 / 13 / 0

HEX #FF75DD

RGB 255 117 221

HSL 314.78, 1%, 0.73%

LAB 68.9, 64.53, -28.49

 

CMYK 0 / 47 / 6 / 0

HEX #FF87F0

RGB 255 135 240

HSL 307.5, 1%, 0.76%

LAB 72.81, 59.13, -32.92

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

CMYK 0 / 66 / 21 / 7

HEX #ED51BC

RGB 237 81 188

HSL 318.85, 0.81%, 0.62%

LAB 59.45, 70, -24.63

 

CMYK 0 / 71 / 23 / 14

HEX #DC3FA9

RGB 220 63 169

HSL 319.49, 0.69%, 0.55%

LAB 53.64, 69.64, -22.8

 

CMYK 0 / 78 / 26 / 20

HEX #CB2D96

RGB 203 45 150

HSL 320.13, 0.64%, 0.49%

LAB 47.98, 68.68, -20.49

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B83

RGB 186 27 131

HSL 320.75, 0.75%, 0.42%

LAB 42.55, 66.85, -17.55

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CE

RGB 254 97 206

HSL 318.34, 0.99%, 0.69%

LAB 65.02, 70.65, -26.08

 

CMYK 0 / 62 / 35 / 0

HEX #FE61A4

RGB 254 97 164

HSL 334.39, 0.99%, 0.69%

LAB 63.59, 65.48, -4.35

 

CMYK 0 / 62 / 52 / 0

HEX #FE617A

RGB 254 97 122

HSL 350.45, 0.99%, 0.69%

LAB 62.53, 61.5, 18.33

 

CMYK 0 / 62 / 62 / 0

HEX #FE6161

RGB 254 97 97

HSL 0, 0.99%, 0.69%

LAB 62.07, 59.74, 32

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CE

RGB 254 97 206

HSL 318.34, 0.99%, 0.69%

LAB 65.02, 70.65, -26.08

 

CMYK 0 / 62 / 2 / 0

HEX #FE61F8

RGB 254 97 248

HSL 302.29, 0.99%, 0.69%

LAB 66.82, 76.85, -46.66

 

CMYK 15 / 62 / 0 / 0

HEX #D961FE

RGB 217 97 254

HSL 285.86, 0.99%, 0.69%

LAB 62.05, 69.31, -57.86

 

CMYK 31 / 62 / 0 / 0

HEX #AF61FE

RGB 175 97 254

HSL 269.81, 0.99%, 0.69%

LAB 56.9, 59.99, -66.39

 

CMYK 48 / 62 / 0 / 0

HEX #8461FE

RGB 132 97 254

HSL 253.38, 0.99%, 0.69%

LAB 52.52, 51.32, -73.69

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CE

RGB 254 97 206

HSL 318.34, 0.99%, 0.69%

LAB 65.02, 70.65, -26.08

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CE

RGB 254 97 206

HSL 318.34, 0.99%, 0.69%

LAB 65.02, 70.65, -26.08

 

CMYK 0 / 54 / 17 / 5

HEX #F16EC9

RGB 241 110 201

HSL 318.32, 0.82%, 0.69%

LAB 65.02, 60.75, -23.43

 

CMYK 0 / 46 / 14 / 11

HEX #E47BC4

RGB 228 123 196

HSL 318.29, 0.66%, 0.69%

LAB 65.47, 49.86, -20.08

 

CMYK 0 / 37 / 11 / 16

HEX #D788BF

RGB 215 136 191

HSL 318.23, 0.5%, 0.69%

LAB 66.38, 38.14, -16.05

 

CMYK 0 / 27 / 8 / 20

HEX #CB94BA

RGB 203 148 186

HSL 318.55, 0.35%, 0.69%

LAB 67.59, 26.72, -11.56

 

CMYK 15 / 62 / 0 / 0

HEX #D961FE

RGB 217 97 254

HSL 285.86, 0.99%, 0.69%

LAB 62.05, 69.31, -57.86

 

CMYK 0 / 62 / 2 / 0

HEX #FE61F8

RGB 254 97 248

HSL 302.29, 0.99%, 0.69%

LAB 66.82, 76.85, -46.66

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CF

RGB 254 97 207

HSL 317.96, 0.99%, 0.69%

LAB 65.06, 70.78, -26.58

 

CMYK 0 / 62 / 35 / 0

HEX #FE61A5

RGB 254 97 165

HSL 334.01, 0.99%, 0.69%

LAB 63.62, 65.59, -4.88

 

CMYK 0 / 62 / 52 / 0

HEX #FE617B

RGB 254 97 123

HSL 350.06, 0.99%, 0.69%

LAB 62.55, 61.58, 17.78

 

CMYK 0 / 94 / 28 / 1

HEX #FD0FB5

RGB 253 15 181

HSL 318.15, 0.98%, 0.53%

LAB 56.64, 87.85, -24.68

 

CMYK 0 / 78 / 24 / 0

HEX #FE38C2

RGB 254 56 194

HSL 318.18, 0.99%, 0.61%

LAB 59.7, 82.7, -27.46

 

CMYK 0 / 62 / 19 / 0

HEX #FE61CE

RGB 254 97 206

HSL 318.34, 0.99%, 0.69%

LAB 65.02, 70.65, -26.08

 

CMYK 0 / 46 / 14 / 0

HEX #FE8ADB

RGB 254 138 219

HSL 318.1, 0.98%, 0.77%

LAB 72.47, 54.03, -21.93

 

CMYK 0 / 30 / 9 / 0

HEX #FEB3E7

RGB 254 179 231

HSL 318.4, 0.97%, 0.85%

LAB 81.34, 35.01, -15.06

 

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 62 / 0 / 6 / 0

HEX #61FEEE

RGB 97 254 238

HSL 173.89, 0.99%, 0.69%

LAB 91.5, -44.7, -4.62

 

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

CMYK 19 / 0 / 62 / 0

HEX #CFFE61

RGB 207 254 97

HSL 77.96, 0.99%, 0.69%

LAB 93.89, -36.94, 68.01

 

CMYK 62 / 19 / 0 / 0

HEX #61CFFE

RGB 97 207 254

HSL 197.96, 0.99%, 0.69%

LAB 78.65, -17.89, -32.42

 

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 62 / 0 / 43 / 0

HEX #61FE90

RGB 97 254 144

HSL 137.96, 0.99%, 0.69%

LAB 89.6, -64.3, 40.57

 

CMYK 62 / 31 / 0 / 0

HEX #61AFFE

RGB 97 175 254

HSL 210.19, 0.99%, 0.69%

LAB 69.72, -0.67, -46.31

 

CMYK 0 / 61 / 19 / 0

HEX #FE63CF

RGB 254 99 207

HSL 318.19, 0.99%, 0.69%

LAB 65.36, 69.97, -26.13

 

CMYK 0 / 13 / 62 / 0

HEX #FEDE61

RGB 254 222 97

HSL 47.77, 0.99%, 0.69%

LAB 89.01, -2.91, 63.72

 

CMYK 62 / 0 / 43 / 0

HEX #61FE90

RGB 97 254 144

HSL 137.96, 0.99%, 0.69%

LAB 89.6, -64.3, 40.57

 

CMYK 62 / 50 / 0 / 0

HEX #6180FE

RGB 97 128 254

HSL 228.15, 0.99%, 0.69%

LAB 57.21, 26.91, -66.23

 

Description

Color code: HEX #FE63CF | qconv.com Color code: HEX #FE63CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 99 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 99 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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