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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE6B7B it is the complementary color #019484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE6B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE6B7B shade: #FF6B76, #FF7D89, #FF8F9C, #FFA1AF and #FFB3C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE6B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE6B7B shade: #FE6B7B, #ED5968, #DC4755, #CB3542 and #BA232F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE6B7B shade: #FE6B7B and #FE6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE6B7B shade: #FE6B7B, #FE6BA3, #FE6BCA, #FE6BF2 and #E26BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE6B7B shade matches the following richer shades: #FE6B7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE6B7B shade: #FE6B7B, #F27785, #E6838E, #DA8F97 and #CE9BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE6B7B shade: #FE6BCB, #FE6BA3, #FE6B7C, #FE816B and #FEA86B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE6B7B shade: #FD1932, #FE4257, #FE6B7B, #FE94A0 and #FEBDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE6B7B shade: #FE6B7B, #F2FE6B and #6BB7FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE6B7B shade: #FE6B7B, #7CFE6B and #6B7CFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE6B7B shade: #FE6B7B, #F2FE6B, #6BFEED and #786BFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE6B7B shade: #FE6B7B, #C6FE6B, #6BFEED and #A36BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

Complementary color

CMYK 99 / 0 / 11 / 42

HEX #019484

RGB 1 148 132

HSL 173.47, 0.99%, 0.29%

LAB 54.92, -36.89, -0.94

 

CMYK 0 / 58 / 54 / 0

HEX #FF6B76

RGB 255 107 118

HSL 355.54, 1%, 0.71%

LAB 64.23, 57.19, 22.95

 

CMYK 0 / 51 / 46 / 0

HEX #FF7D89

RGB 255 125 137

HSL 354.46, 1%, 0.75%

LAB 67.82, 50.46, 17.11

 

CMYK 0 / 44 / 39 / 0

HEX #FF8F9C

RGB 255 143 156

HSL 353.04, 1%, 0.78%

LAB 71.76, 43.52, 12

 

CMYK 0 / 37 / 31 / 0

HEX #FFA1AF

RGB 255 161 175

HSL 351.06, 1%, 0.82%

LAB 75.97, 36.54, 7.51

 

CMYK 0 / 30 / 24 / 0

HEX #FFB3C2

RGB 255 179 194

HSL 348.16, 1%, 0.85%

LAB 80.4, 29.68, 3.54

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 62 / 56 / 7

HEX #ED5968

RGB 237 89 104

HSL 353.92, 0.8%, 0.64%

LAB 58.18, 58.05, 22.39

 

CMYK 0 / 68 / 61 / 14

HEX #DC4755

RGB 220 71 85

HSL 354.36, 0.68%, 0.57%

LAB 52.26, 58.63, 25.21

 

CMYK 0 / 74 / 67 / 20

HEX #CB3542

RGB 203 53 66

HSL 354.8, 0.59%, 0.5%

LAB 46.49, 58.85, 28.57

 

CMYK 0 / 81 / 75 / 27

HEX #BA232F

RGB 186 35 47

HSL 355.23, 0.68%, 0.43%

LAB 40.97, 58.44, 32.58

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 58 / 58 / 0

HEX #FE6B6B

RGB 254 107 107

HSL 0, 0.99%, 0.71%

LAB 63.87, 56.04, 28.69

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 58 / 36 / 0

HEX #FE6BA3

RGB 254 107 163

HSL 337.14, 0.99%, 0.71%

LAB 65.15, 61.11, -1.49

 

CMYK 0 / 58 / 20 / 0

HEX #FE6BCA

RGB 254 107 202

HSL 321.22, 0.99%, 0.71%

LAB 66.41, 65.94, -21.71

 

CMYK 0 / 58 / 5 / 0

HEX #FE6BF2

RGB 254 107 242

HSL 304.9, 0.99%, 0.71%

LAB 68.02, 71.85, -41.48

 

CMYK 11 / 58 / 0 / 0

HEX #E26BFE

RGB 226 107 254

HSL 288.57, 0.99%, 0.71%

LAB 64.84, 66.99, -53.35

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 51 / 45 / 5

HEX #F27785

RGB 242 119 133

HSL 353.17, 0.83%, 0.71%

LAB 64.78, 48.47, 14.86

 

CMYK 0 / 43 / 38 / 10

HEX #E6838E

RGB 230 131 142

HSL 353.33, 0.66%, 0.71%

LAB 65.76, 39.12, 10.9

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 0 / 25 / 22 / 19

HEX #CE9BA1

RGB 206 155 161

HSL 352.94, 0.34%, 0.71%

LAB 68.85, 19.9, 4.29

 

CMYK 0 / 58 / 20 / 0

HEX #FE6BCB

RGB 254 107 203

HSL 320.82, 0.99%, 0.71%

LAB 66.44, 66.07, -22.22

 

CMYK 0 / 58 / 36 / 0

HEX #FE6BA3

RGB 254 107 163

HSL 337.14, 0.99%, 0.71%

LAB 65.15, 61.11, -1.49

 

CMYK 0 / 58 / 51 / 0

HEX #FE6B7C

RGB 254 107 124

HSL 353.06, 0.99%, 0.71%

LAB 64.19, 57.34, 19.46

 

CMYK 0 / 49 / 58 / 0

HEX #FE816B

RGB 254 129 107

HSL 8.98, 0.99%, 0.71%

LAB 67.9, 45.67, 33.87

 

CMYK 0 / 34 / 58 / 0

HEX #FEA86B

RGB 254 168 107

HSL 24.9, 0.99%, 0.71%

LAB 76.15, 25.73, 44.15

 

CMYK 0 / 90 / 80 / 1

HEX #FD1932

RGB 253 25 50

HSL 353.42, 0.98%, 0.55%

LAB 53.82, 78.15, 48.56

 

CMYK 0 / 74 / 66 / 0

HEX #FE4257

RGB 254 66 87

HSL 353.3, 0.99%, 0.63%

LAB 57.71, 70.66, 32.21

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 0 / 42 / 37 / 0

HEX #FE94A0

RGB 254 148 160

HSL 353.21, 0.98%, 0.79%

LAB 72.75, 41.08, 11.16

 

CMYK 0 / 26 / 23 / 0

HEX #FEBDC4

RGB 254 189 196

HSL 353.54, 0.97%, 0.87%

LAB 82.62, 24.36, 5.66

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 5 / 0 / 58 / 0

HEX #F2FE6B

RGB 242 254 107

HSL 64.9, 0.99%, 0.71%

LAB 96.34, -22.76, 67.26

 

CMYK 58 / 28 / 0 / 0

HEX #6BB7FE

RGB 107 183 254

HSL 208.98, 0.99%, 0.71%

LAB 72.33, -3.28, -42.2

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 51 / 0 / 58 / 0

HEX #7CFE6B

RGB 124 254 107

HSL 113.06, 0.99%, 0.71%

LAB 89.97, -63.03, 58.34

 

CMYK 58 / 51 / 0 / 0

HEX #6B7CFE

RGB 107 124 254

HSL 233.06, 0.99%, 0.71%

LAB 56.78, 31.06, -66.89

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 5 / 0 / 58 / 0

HEX #F2FE6B

RGB 242 254 107

HSL 64.9, 0.99%, 0.71%

LAB 96.34, -22.76, 67.26

 

CMYK 58 / 0 / 7 / 0

HEX #6BFEED

RGB 107 254 237

HSL 173.06, 0.99%, 0.71%

LAB 91.74, -43.27, -3.72

 

CMYK 53 / 58 / 0 / 0

HEX #786BFE

RGB 120 107 254

HSL 245.31, 0.99%, 0.71%

LAB 53.67, 43.48, -71.87

 

CMYK 0 / 58 / 52 / 0

HEX #FE6B7B

RGB 254 107 123

HSL 353.47, 0.99%, 0.71%

LAB 64.17, 57.26, 20

 

CMYK 22 / 0 / 58 / 0

HEX #C6FE6B

RGB 198 254 107

HSL 82.86, 0.99%, 0.71%

LAB 93.43, -39.49, 63.21

 

CMYK 58 / 0 / 7 / 0

HEX #6BFEED

RGB 107 254 237

HSL 173.06, 0.99%, 0.71%

LAB 91.74, -43.27, -3.72

 

CMYK 36 / 58 / 0 / 0

HEX #A36BFE

RGB 163 107 254

HSL 262.86, 0.99%, 0.71%

LAB 57.52, 52.26, -65.46

 

Description

Color code: HEX #FE6B7B | qconv.com Color code: HEX #FE6B7B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 107 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 107 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 52 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 52% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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