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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7638 it is the complementary color #0189C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7638. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7638 shade: #FF7633, #FF8846, #FF9A59, #FFAC6C and #FFBE7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7638. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7638 shade: #FE7638, #ED6425, #DC5212, #CB4000 and #BA2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7638 shade: #FE7639, #FE4139 and #FE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7638 shade: #FE7639, #FEAB39, #FEE039, #E5FE39 and #B0FE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7638 shade matches the following richer shades: #FE7639

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7638 shade: #FE7639, #ED7C49, #DD8259, #CD8869 and #BD8E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7638 shade: #FE3967, #FE3F39, #FE7439, #FEA839 and #FEDD39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7638 shade: #E34801, #FD5A10, #FE7639, #FE9362 and #FEAF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7638 shade: #FE7638, #9BFE39 and #394CFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7638 shade: #FE7638, #39FE74 and #7439FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7638 shade: #FE7638, #9BFE39, #39C2FE and #9B39FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7638 shade: #FE7638, #60FE39, #39C2FE and #D639FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

Complementary color

CMYK 99 / 31 / 0 / 22

HEX #0189C7

RGB 1 137 199

HSL 198.79, 0.99%, 0.39%

LAB 54.05, -8.22, -40.67

 

CMYK 0 / 54 / 80 / 0

HEX #FF7633

RGB 255 118 51

HSL 19.71, 1%, 0.6%

LAB 65.32, 48.51, 59.2

 

CMYK 0 / 47 / 73 / 0

HEX #FF8846

RGB 255 136 70

HSL 21.41, 1%, 0.64%

LAB 68.98, 40.42, 54.26

 

CMYK 0 / 40 / 65 / 0

HEX #FF9A59

RGB 255 154 89

HSL 23.49, 1%, 0.67%

LAB 72.95, 32.22, 49.44

 

CMYK 0 / 33 / 58 / 0

HEX #FFAC6C

RGB 255 172 108

HSL 26.12, 1%, 0.71%

LAB 77.19, 24.12, 44.93

 

CMYK 0 / 25 / 50 / 0

HEX #FFBE7F

RGB 255 190 127

HSL 29.53, 1%, 0.75%

LAB 81.63, 16.24, 40.78

 

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

CMYK 0 / 58 / 84 / 7

HEX #ED6425

RGB 237 100 37

HSL 18.9, 0.85%, 0.54%

LAB 59.21, 49.95, 58.47

 

CMYK 0 / 63 / 92 / 14

HEX #DC5212

RGB 220 82 18

HSL 19.01, 0.85%, 0.47%

LAB 53.27, 51.57, 59.28

 

CMYK 0 / 68 / 100 / 20

HEX #CB4000

RGB 203 64 0

HSL 18.92, 1%, 0.4%

LAB 47.45, 53.01, 58.79

 

CMYK 0 / 75 / 100 / 27

HEX #BA2E00

RGB 186 46 0

HSL 14.84, 1%, 0.36%

LAB 41.83, 54.07, 54.32

 

CMYK 0 / 54 / 78 / 0

HEX #FE7639

RGB 254 118 57

HSL 18.58, 0.99%, 0.61%

LAB 65.22, 48.34, 56.4

 

CMYK 0 / 74 / 78 / 0

HEX #FE4139

RGB 254 65 57

HSL 2.44, 0.99%, 0.61%

LAB 57.22, 69.73, 48.35

 

CMYK 0 / 78 / 78 / 0

HEX #FE3939

RGB 254 57 57

HSL 0, 0.99%, 0.61%

LAB 56.38, 72.08, 47.48

 

CMYK 0 / 54 / 78 / 0

HEX #FE7639

RGB 254 118 57

HSL 18.58, 0.99%, 0.61%

LAB 65.22, 48.34, 56.4

 

CMYK 0 / 33 / 78 / 0

HEX #FEAB39

RGB 254 171 57

HSL 34.72, 0.99%, 0.61%

LAB 76.37, 21.45, 67.09

 

CMYK 0 / 12 / 78 / 0

HEX #FEE039

RGB 254 224 57

HSL 50.86, 0.99%, 0.61%

LAB 89.24, -5.85, 78.88

 

CMYK 10 / 0 / 78 / 0

HEX #E5FE39

RGB 229 254 57

HSL 67.61, 0.99%, 0.61%

LAB 95.09, -30.58, 83.39

 

CMYK 31 / 0 / 78 / 0

HEX #B0FE39

RGB 176 254 57

HSL 83.76, 0.99%, 0.61%

LAB 91.87, -50.62, 79.26

 

CMYK 0 / 54 / 78 / 0

HEX #FE7639

RGB 254 118 57

HSL 18.58, 0.99%, 0.61%

LAB 65.22, 48.34, 56.4

 

CMYK 0 / 54 / 78 / 0

HEX #FE7639

RGB 254 118 57

HSL 18.58, 0.99%, 0.61%

LAB 65.22, 48.34, 56.4

 

CMYK 0 / 48 / 69 / 7

HEX #ED7C49

RGB 237 124 73

HSL 18.66, 0.82%, 0.61%

LAB 64.08, 39.66, 46.74

 

CMYK 0 / 41 / 60 / 13

HEX #DD8259

RGB 221 130 89

HSL 18.64, 0.66%, 0.61%

LAB 63.39, 31.25, 37.03

 

CMYK 0 / 34 / 49 / 20

HEX #CD8869

RGB 205 136 105

HSL 18.6, 0.5%, 0.61%

LAB 63.02, 22.94, 27.41

 

CMYK 0 / 25 / 36 / 26

HEX #BD8E79

RGB 189 142 121

HSL 18.53, 0.34%, 0.61%

LAB 62.97, 14.95, 18.12

 

CMYK 0 / 78 / 59 / 0

HEX #FE3967

RGB 254 57 103

HSL 345.99, 0.99%, 0.61%

LAB 57.05, 74.19, 21.99

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 54 / 78 / 0

HEX #FE7439

RGB 254 116 57

HSL 17.97, 0.99%, 0.61%

LAB 64.85, 49.29, 56.04

 

CMYK 0 / 34 / 78 / 0

HEX #FEA839

RGB 254 168 57

HSL 33.81, 0.99%, 0.61%

LAB 75.68, 23.02, 66.45

 

CMYK 0 / 13 / 78 / 0

HEX #FEDD39

RGB 254 221 57

HSL 49.95, 0.99%, 0.61%

LAB 88.49, -4.35, 78.2

 

CMYK 0 / 68 / 100 / 11

HEX #E34801

RGB 227 72 1

HSL 18.85, 0.99%, 0.45%

LAB 52.91, 57.9, 63.66

 

CMYK 0 / 64 / 94 / 1

HEX #FD5A10

RGB 253 90 16

HSL 18.73, 0.98%, 0.53%

LAB 60.1, 59.53, 66.97

 

CMYK 0 / 54 / 78 / 0

HEX #FE7639

RGB 254 118 57

HSL 18.58, 0.99%, 0.61%

LAB 65.22, 48.34, 56.4

 

CMYK 0 / 42 / 61 / 0

HEX #FE9362

RGB 254 147 98

HSL 18.85, 0.99%, 0.69%

LAB 71.43, 36, 43.05

 

CMYK 0 / 31 / 45 / 0

HEX #FEAF8B

RGB 254 175 139

HSL 18.78, 0.98%, 0.77%

LAB 78.22, 24.82, 30.09

 

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

CMYK 39 / 0 / 78 / 0

HEX #9BFE39

RGB 155 254 57

HSL 90.15, 0.99%, 0.61%

LAB 90.85, -57.74, 77.95

 

CMYK 78 / 70 / 0 / 0

HEX #394CFE

RGB 57 76 254

HSL 234.21, 0.99%, 0.61%

LAB 43.05, 53.2, -89.39

 

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

CMYK 78 / 0 / 54 / 0

HEX #39FE74

RGB 57 254 116

HSL 137.97, 0.99%, 0.61%

LAB 88.45, -74.66, 52.17

 

CMYK 54 / 78 / 0 / 0

HEX #7439FE

RGB 116 57 254

HSL 257.97, 0.99%, 0.61%

LAB 43.94, 68.52, -87.79

 

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

CMYK 39 / 0 / 78 / 0

HEX #9BFE39

RGB 155 254 57

HSL 90.15, 0.99%, 0.61%

LAB 90.85, -57.74, 77.95

 

CMYK 78 / 24 / 0 / 0

HEX #39C2FE

RGB 57 194 254

HSL 198.27, 0.99%, 0.61%

LAB 73.94, -16.54, -39.8

 

CMYK 39 / 78 / 0 / 0

HEX #9B39FE

RGB 155 57 254

HSL 269.85, 0.99%, 0.61%

LAB 48.32, 73.7, -80.42

 

CMYK 0 / 54 / 78 / 0

HEX #FE7638

RGB 254 118 56

HSL 18.79, 0.99%, 0.61%

LAB 65.21, 48.31, 56.84

 

CMYK 62 / 0 / 78 / 0

HEX #60FE39

RGB 96 254 57

HSL 108.12, 0.99%, 0.61%

LAB 88.76, -73.77, 75.25

 

CMYK 78 / 24 / 0 / 0

HEX #39C2FE

RGB 57 194 254

HSL 198.27, 0.99%, 0.61%

LAB 73.94, -16.54, -39.8

 

CMYK 16 / 78 / 0 / 0

HEX #D639FE

RGB 214 57 254

HSL 287.82, 0.99%, 0.61%

LAB 56.46, 83.28, -66.83

 

Description

Color code: HEX #FE7638 | qconv.com Color code: HEX #FE7638 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 118 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 118 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 78% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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