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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7B8D it is the complementary color #018472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7B8D shade: #FF7B88, #FF8D9B, #FF9FAE, #FFB1C1 and #FFC3D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7B8D shade: #FE7B8D, #ED697A, #DC5767, #CB4554 and #BA3341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7B8D shade: #FD7B8D and #FD7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7B8D shade: #FD7B8D, #FD7BB0, #FD7BD3, #FD7BF6 and #E17BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7B8D shade matches the following richer shades: #FD7B8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7B8D shade: #FD7B8D, #F28695, #E8919D, #DD9BA4 and #D2A6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7B8D shade: #FD7BD4, #FD7BB1, #FD7B8F, #FD8A7B and #FDAD7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7B8D shade: #FC2A46, #FD526A, #FD7B8D, #FEA4B0 and #FECDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7B8D shade: #FE7B8D, #F7FD7B and #7BC3FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7B8D shade: #FE7B8D, #8FFD7B and #7B8FFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7B8D shade: #FE7B8D, #F7FD7B, #7BFDEA and #827BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7B8D shade: #FE7B8D, #D0FD7B, #7BFDEA and #A97BFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

Complementary color

CMYK 99 / 0 / 14 / 48

HEX #018472

RGB 1 132 114

HSL 171.76, 0.98%, 0.26%

LAB 49.16, -34.99, 1.08

 

CMYK 0 / 52 / 47 / 0

HEX #FF7B88

RGB 255 123 136

HSL 354.09, 1%, 0.74%

LAB 67.43, 51.33, 17.13

 

CMYK 0 / 45 / 39 / 0

HEX #FF8D9B

RGB 255 141 155

HSL 352.63, 1%, 0.78%

LAB 71.33, 44.42, 11.95

 

CMYK 0 / 38 / 32 / 0

HEX #FF9FAE

RGB 255 159 174

HSL 350.63, 1%, 0.81%

LAB 75.52, 37.45, 7.4

 

CMYK 0 / 31 / 24 / 0

HEX #FFB1C1

RGB 255 177 193

HSL 347.69, 1%, 0.85%

LAB 79.93, 30.59, 3.4

 

CMYK 0 / 24 / 17 / 0

HEX #FFC3D4

RGB 255 195 212

HSL 343, 1%, 0.88%

LAB 84.51, 23.92, -0.16

 

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

CMYK 0 / 56 / 49 / 7

HEX #ED697A

RGB 237 105 122

HSL 352.27, 0.79%, 0.67%

LAB 61.23, 52.39, 16.13

 

CMYK 0 / 60 / 53 / 14

HEX #DC5767

RGB 220 87 103

HSL 352.78, 0.66%, 0.6%

LAB 55.08, 53.25, 18.33

 

CMYK 0 / 66 / 59 / 20

HEX #CB4554

RGB 203 69 84

HSL 353.28, 0.56%, 0.53%

LAB 49, 53.93, 20.97

 

CMYK 0 / 73 / 65 / 27

HEX #BA3341

RGB 186 51 65

HSL 353.78, 0.57%, 0.46%

LAB 43.05, 54.28, 24.18

 

CMYK 0 / 51 / 44 / 1

HEX #FD7B8D

RGB 253 123 141

HSL 351.69, 0.97%, 0.74%

LAB 67.26, 51.12, 14.02

 

CMYK 0 / 51 / 51 / 1

HEX #FD7B7B

RGB 253 123 123

HSL 0, 0.97%, 0.74%

LAB 66.88, 49.48, 23.65

 

CMYK 0 / 51 / 44 / 1

HEX #FD7B8D

RGB 253 123 141

HSL 351.69, 0.97%, 0.74%

LAB 67.26, 51.12, 14.02

 

CMYK 0 / 51 / 30 / 1

HEX #FD7BB0

RGB 253 123 176

HSL 335.54, 0.97%, 0.74%

LAB 68.16, 54.99, -4.45

 

CMYK 0 / 51 / 17 / 1

HEX #FD7BD3

RGB 253 123 211

HSL 319.38, 0.97%, 0.74%

LAB 69.29, 59.72, -22.35

 

CMYK 0 / 51 / 3 / 1

HEX #FD7BF6

RGB 253 123 246

HSL 303.23, 0.97%, 0.74%

LAB 70.67, 65.2, -39.55

 

CMYK 11 / 51 / 0 / 1

HEX #E17BFD

RGB 225 123 253

HSL 287.08, 0.97%, 0.74%

LAB 67.48, 59.02, -48.64

 

CMYK 0 / 51 / 44 / 1

HEX #FD7B8D

RGB 253 123 141

HSL 351.69, 0.97%, 0.74%

LAB 67.26, 51.12, 14.02

 

CMYK 0 / 51 / 44 / 1

HEX #FD7B8D

RGB 253 123 141

HSL 351.69, 0.97%, 0.74%

LAB 67.26, 51.12, 14.02

 

CMYK 0 / 45 / 38 / 5

HEX #F28695

RGB 242 134 149

HSL 351.67, 0.81%, 0.74%

LAB 68.09, 42.68, 10.48

 

CMYK 0 / 38 / 32 / 9

HEX #E8919D

RGB 232 145 157

HSL 351.72, 0.65%, 0.74%

LAB 69.36, 34.34, 7.63

 

CMYK 0 / 30 / 26 / 13

HEX #DD9BA4

RGB 221 155 164

HSL 351.82, 0.49%, 0.74%

LAB 70.52, 25.9, 5.24

 

CMYK 0 / 21 / 18 / 18

HEX #D2A6AC

RGB 210 166 172

HSL 351.82, 0.33%, 0.74%

LAB 72.2, 17.07, 3.09

 

CMYK 0 / 51 / 16 / 1

HEX #FD7BD4

RGB 253 123 212

HSL 318.92, 0.97%, 0.74%

LAB 69.33, 59.87, -22.85

 

CMYK 0 / 51 / 30 / 1

HEX #FD7BB1

RGB 253 123 177

HSL 335.08, 0.97%, 0.74%

LAB 68.18, 55.12, -4.98

 

CMYK 0 / 51 / 43 / 1

HEX #FD7B8F

RGB 253 123 143

HSL 350.77, 0.97%, 0.74%

LAB 67.3, 51.32, 12.95

 

CMYK 0 / 45 / 51 / 1

HEX #FD8A7B

RGB 253 138 123

HSL 6.92, 0.97%, 0.74%

LAB 69.82, 42.09, 27.57

 

CMYK 0 / 32 / 51 / 1

HEX #FDAD7B

RGB 253 173 123

HSL 23.08, 0.97%, 0.74%

LAB 77.4, 24, 37.43

 

CMYK 0 / 83 / 72 / 1

HEX #FC2A46

RGB 252 42 70

HSL 352, 0.97%, 0.58%

LAB 54.86, 75.65, 38.49

 

CMYK 0 / 68 / 58 / 1

HEX #FD526A

RGB 253 82 106

HSL 351.58, 0.98%, 0.66%

LAB 59.85, 65.98, 23.93

 

CMYK 0 / 51 / 44 / 1

HEX #FD7B8D

RGB 253 123 141

HSL 351.69, 0.97%, 0.74%

LAB 67.26, 51.12, 14.02

 

CMYK 0 / 35 / 31 / 0

HEX #FEA4B0

RGB 254 164 176

HSL 352, 0.98%, 0.82%

LAB 76.53, 34.76, 7.74

 

CMYK 0 / 19 / 17 / 0

HEX #FECDD4

RGB 254 205 212

HSL 351.43, 0.96%, 0.9%

LAB 86.74, 18.33, 3.09

 

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

CMYK 2 / 0 / 51 / 1

HEX #F7FD7B

RGB 247 253 123

HSL 62.77, 0.97%, 0.74%

LAB 96.6, -19.11, 60.71

 

CMYK 51 / 23 / 0 / 1

HEX #7BC3FD

RGB 123 195 253

HSL 206.77, 0.97%, 0.74%

LAB 76.27, -6.84, -35.48

 

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

CMYK 43 / 0 / 51 / 1

HEX #8FFD7B

RGB 143 253 123

HSL 110.77, 0.97%, 0.74%

LAB 90.56, -55.61, 52.06

 

CMYK 51 / 43 / 0 / 1

HEX #7B8FFD

RGB 123 143 253

HSL 230.77, 0.97%, 0.74%

LAB 62.46, 22.62, -57.17

 

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

CMYK 2 / 0 / 51 / 1

HEX #F7FD7B

RGB 247 253 123

HSL 62.77, 0.97%, 0.74%

LAB 96.6, -19.11, 60.71

 

CMYK 51 / 0 / 8 / 1

HEX #7BFDEA

RGB 123 253 234

HSL 171.23, 0.97%, 0.74%

LAB 91.86, -40.48, -1.93

 

CMYK 49 / 51 / 0 / 1

HEX #827BFD

RGB 130 123 253

HSL 243.23, 0.97%, 0.74%

LAB 58.04, 35.86, -64.23

 

CMYK 0 / 52 / 44 / 0

HEX #FE7B8D

RGB 254 123 141

HSL 351.76, 0.98%, 0.74%

LAB 67.4, 51.46, 14.24

 

CMYK 18 / 0 / 51 / 1

HEX #D0FD7B

RGB 208 253 123

HSL 80.77, 0.97%, 0.74%

LAB 93.92, -33.94, 56.89

 

CMYK 51 / 0 / 8 / 1

HEX #7BFDEA

RGB 123 253 234

HSL 171.23, 0.97%, 0.74%

LAB 91.86, -40.48, -1.93

 

CMYK 33 / 51 / 0 / 1

HEX #A97BFD

RGB 169 123 253

HSL 261.23, 0.97%, 0.74%

LAB 61.39, 44.76, -58.68

 

Description

Color code: HEX #FE7B8D | qconv.com Color code: HEX #FE7B8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 123 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 123 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 44 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 44% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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