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Color name
HEX #FEB899

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEB899 it is the complementary color #014766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEB899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEB899 shade: #FFB894, #FFCAA7, #FFDCBA, #FFEECD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEB899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEB899 shade: #FEB899, #EDA686, #DC9473, #CB8260 and #BA704D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEB899 shade: #FDB89A, #FD9D9A and #FD9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEB899 shade: #FDB89A, #FDD39A, #FDEE9A, #F2FD9A and #D7FD9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEB899 shade matches the following richer shades: #FDB89A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEB899 shade: #FDB89A, #F5BBA2, #EDBFAA, #E5C2B2 and #DCC5BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEB899 shade: #FD9AB1, #FD9D9A, #FDB89A, #FDD29A and #FDED9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEB899 shade: #FD7F48, #FD9C71, #FDB89A, #FED5C2 and #FEF1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEB899 shade: #FEB899, #CCFD9A and #9AA4FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEB899 shade: #FEB899, #9AFDB8 and #B89AFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEB899 shade: #FEB899, #CCFD9A, #9ADFFD and #CC9AFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEB899 shade: #FEB899, #AEFD9A, #9ADFFD and #E99AFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

Complementary color

CMYK 99 / 30 / 0 / 60

HEX #014766

RGB 1 71 102

HSL 198.42, 0.98%, 0.2%

LAB 28.04, -6.77, -23.5

 

CMYK 0 / 28 / 42 / 0

HEX #FFB894

RGB 255 184 148

HSL 20.19, 1%, 0.79%

LAB 80.56, 21.41, 28.45

 

CMYK 0 / 21 / 35 / 0

HEX #FFCAA7

RGB 255 202 167

HSL 23.86, 1%, 0.83%

LAB 85.14, 14.13, 24.64

 

CMYK 0 / 14 / 27 / 0

HEX #FFDCBA

RGB 255 220 186

HSL 29.57, 1%, 0.86%

LAB 89.86, 7.19, 21.2

 

CMYK 0 / 7 / 20 / 0

HEX #FFEECD

RGB 255 238 205

HSL 39.6, 1%, 0.9%

LAB 94.66, 0.61, 18.06

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

CMYK 0 / 30 / 43 / 7

HEX #EDA686

RGB 237 166 134

HSL 18.64, 0.74%, 0.73%

LAB 74.19, 22.45, 27.06

 

CMYK 0 / 33 / 48 / 14

HEX #DC9473

RGB 220 148 115

HSL 18.86, 0.6%, 0.66%

LAB 67.75, 23.44, 28.46

 

CMYK 0 / 36 / 53 / 20

HEX #CB8260

RGB 203 130 96

HSL 19.07, 0.51%, 0.59%

LAB 61.23, 24.56, 30.01

 

CMYK 0 / 40 / 59 / 27

HEX #BA704D

RGB 186 112 77

HSL 19.27, 0.44%, 0.52%

LAB 54.62, 25.84, 31.72

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 38 / 39 / 1

HEX #FD9D9A

RGB 253 157 154

HSL 1.82, 0.96%, 0.8%

LAB 74.4, 35.41, 16.76

 

CMYK 0 / 39 / 39 / 1

HEX #FD9A9A

RGB 253 154 154

HSL 0, 0.96%, 0.8%

LAB 73.76, 36.96, 15.87

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 17 / 39 / 1

HEX #FDD39A

RGB 253 211 154

HSL 34.55, 0.96%, 0.8%

LAB 86.9, 7.21, 33.73

 

CMYK 0 / 6 / 39 / 1

HEX #FDEE9A

RGB 253 238 154

HSL 50.91, 0.96%, 0.8%

LAB 93.61, -6.51, 42.47

 

CMYK 4 / 0 / 39 / 1

HEX #F2FD9A

RGB 242 253 154

HSL 66.67, 0.96%, 0.8%

LAB 96.6, -18.07, 46.12

 

CMYK 15 / 0 / 39 / 1

HEX #D7FD9A

RGB 215 253 154

HSL 83.03, 0.96%, 0.8%

LAB 94.75, -28.04, 43.38

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 24 / 34 / 4

HEX #F5BBA2

RGB 245 187 162

HSL 18.07, 0.81%, 0.8%

LAB 80.49, 17.59, 20.75

 

CMYK 0 / 19 / 28 / 7

HEX #EDBFAA

RGB 237 191 170

HSL 18.81, 0.65%, 0.8%

LAB 80.83, 13.46, 16.82

 

CMYK 0 / 15 / 22 / 10

HEX #E5C2B2

RGB 229 194 178

HSL 18.82, 0.5%, 0.8%

LAB 80.99, 9.99, 12.66

 

CMYK 0 / 10 / 15 / 14

HEX #DCC5BB

RGB 220 197 187

HSL 18.18, 0.32%, 0.8%

LAB 81.15, 6.46, 7.95

 

CMYK 0 / 39 / 30 / 1

HEX #FD9AB1

RGB 253 154 177

HSL 346.06, 0.96%, 0.8%

LAB 74.3, 39.7, 3.96

 

CMYK 0 / 38 / 39 / 1

HEX #FD9D9A

RGB 253 157 154

HSL 1.82, 0.96%, 0.8%

LAB 74.4, 35.41, 16.76

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 17 / 39 / 1

HEX #FDD29A

RGB 253 210 154

HSL 33.94, 0.96%, 0.8%

LAB 86.66, 7.73, 33.41

 

CMYK 0 / 6 / 39 / 1

HEX #FDED9A

RGB 253 237 154

HSL 50.3, 0.96%, 0.8%

LAB 93.36, -6.01, 42.15

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F48

RGB 253 127 72

HSL 18.23, 0.98%, 0.64%

LAB 66.92, 44.22, 51.01

 

CMYK 0 / 38 / 55 / 1

HEX #FD9C71

RGB 253 156 113

HSL 18.43, 0.97%, 0.72%

LAB 73.45, 32.05, 37.66

 

CMYK 0 / 27 / 39 / 1

HEX #FDB89A

RGB 253 184 154

HSL 18.18, 0.96%, 0.8%

LAB 80.46, 21.29, 25.1

 

CMYK 0 / 16 / 24 / 0

HEX #FED5C2

RGB 254 213 194

HSL 19, 0.97%, 0.88%

LAB 88.23, 11.52, 14.73

 

CMYK 0 / 5 / 7 / 0

HEX #FEF1EB

RGB 254 241 235

HSL 18.95, 0.9%, 0.96%

LAB 95.99, 3.36, 4.44

 

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

CMYK 19 / 0 / 39 / 1

HEX #CCFD9A

RGB 204 253 154

HSL 89.7, 0.96%, 0.8%

LAB 94.06, -31.96, 42.36

 

CMYK 39 / 35 / 0 / 1

HEX #9AA4FD

RGB 154 164 253

HSL 233.94, 0.96%, 0.8%

LAB 69.83, 17.79, -45.38

 

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

CMYK 39 / 0 / 27 / 1

HEX #9AFDB8

RGB 154 253 184

HSL 138.18, 0.96%, 0.8%

LAB 91.95, -43.38, 24.09

 

CMYK 27 / 39 / 0 / 1

HEX #B89AFD

RGB 184 154 253

HSL 258.18, 0.96%, 0.8%

LAB 69.75, 31.45, -45.35

 

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

CMYK 19 / 0 / 39 / 1

HEX #CCFD9A

RGB 204 253 154

HSL 89.7, 0.96%, 0.8%

LAB 94.06, -31.96, 42.36

 

CMYK 39 / 12 / 0 / 1

HEX #9ADFFD

RGB 154 223 253

HSL 198.18, 0.96%, 0.8%

LAB 85.37, -14.21, -21.42

 

CMYK 19 / 39 / 0 / 1

HEX #CC9AFD

RGB 204 154 253

HSL 270.3, 0.96%, 0.8%

LAB 71.58, 37.08, -42.35

 

CMYK 0 / 28 / 40 / 0

HEX #FEB899

RGB 254 184 153

HSL 18.42, 0.98%, 0.8%

LAB 80.54, 21.56, 25.76

 

CMYK 31 / 0 / 39 / 1

HEX #AEFD9A

RGB 174 253 154

HSL 107.88, 0.96%, 0.8%

LAB 92.39, -42.1, 39.87

 

CMYK 39 / 12 / 0 / 1

HEX #9ADFFD

RGB 154 223 253

HSL 198.18, 0.96%, 0.8%

LAB 85.37, -14.21, -21.42

 

CMYK 8 / 39 / 0 / 1

HEX #E99AFD

RGB 233 154 253

HSL 287.88, 0.96%, 0.8%

LAB 74.53, 45.5, -37.54

 

Description

Color code: HEX #FEB899 | qconv.com Color code: HEX #FEB899 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 184 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 184 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 40 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 40% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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