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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC570 it is the complementary color #013A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC570 shade: #FFC56B, #FFD77E, #FFE991, #FFFBA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC570 shade: #FEC570, #EDB35D, #DCA14A, #CB8F37 and #BA7D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC570 shade: #FEC570, #FE9F70, #FE7970 and #FE7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC570 shade: #FEC570, #FEEB70, #EAFE70, #C4FE70 and #9EFE70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC570 shade matches the following richer shades: #FEC570

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC570 shade: #FEC570, #F2C37C, #E7C088, #DBBE93 and #D0BC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC570 shade: #FE7770, #FE9D70, #FEC370, #FEE970 and #EDFE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC570 shade: #FDA41E, #FEB447, #FEC570, #FED699 and #FEE6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC570 shade: #FEC570, #8FFE70 and #8A70FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC570 shade: #FEC570, #70FEC3 and #C370FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC570 shade: #FEC570, #8FFE70, #70ABFE and #DF70FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC570 shade: #FEC570, #70FE7C, #70ABFE and #FE70F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

Complementary color

CMYK 99 / 59 / 0 / 44

HEX #013A8F

RGB 1 58 143

HSL 215.92, 0.99%, 0.28%

LAB 26.78, 19.9, -51.29

 

CMYK 0 / 23 / 58 / 0

HEX #FFC56B

RGB 255 197 107

HSL 36.49, 1%, 0.71%

LAB 83.05, 10.99, 52.43

 

CMYK 0 / 16 / 51 / 0

HEX #FFD77E

RGB 255 215 126

HSL 41.4, 1%, 0.75%

LAB 87.66, 3.21, 48.79

 

CMYK 0 / 9 / 43 / 0

HEX #FFE991

RGB 255 233 145

HSL 48, 1%, 0.78%

LAB 92.39, -4.16, 45.38

 

CMYK 0 / 2 / 36 / 0

HEX #FFFBA4

RGB 255 251 164

HSL 57.36, 1%, 0.82%

LAB 97.2, -11.1, 42.21

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 24 / 61 / 7

HEX #EDB35D

RGB 237 179 93

HSL 35.83, 0.8%, 0.65%

LAB 76.7, 12.03, 51.27

 

CMYK 0 / 27 / 66 / 14

HEX #DCA14A

RGB 220 161 74

HSL 35.75, 0.68%, 0.58%

LAB 70.32, 13.26, 52.56

 

CMYK 0 / 30 / 73 / 20

HEX #CB8F37

RGB 203 143 55

HSL 35.68, 0.59%, 0.51%

LAB 63.85, 14.68, 53.7

 

CMYK 0 / 33 / 81 / 27

HEX #BA7D24

RGB 186 125 36

HSL 35.6, 0.68%, 0.44%

LAB 57.3, 16.34, 54.44

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 37 / 56 / 0

HEX #FE9F70

RGB 254 159 112

HSL 19.86, 0.99%, 0.72%

LAB 74.21, 30.8, 39.17

 

CMYK 0 / 52 / 56 / 0

HEX #FE7970

RGB 254 121 112

HSL 3.8, 0.99%, 0.72%

LAB 66.46, 49.92, 29.25

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 7 / 56 / 0

HEX #FEEB70

RGB 254 235 112

HSL 51.97, 0.99%, 0.72%

LAB 92.42, -8.39, 60.95

 

CMYK 8 / 0 / 56 / 0

HEX #EAFE70

RGB 234 254 112

HSL 68.45, 0.99%, 0.72%

LAB 95.81, -25.51, 64.39

 

CMYK 23 / 0 / 56 / 0

HEX #C4FE70

RGB 196 254 112

HSL 84.51, 0.99%, 0.72%

LAB 93.36, -39.78, 60.94

 

CMYK 38 / 0 / 56 / 0

HEX #9EFE70

RGB 158 254 112

HSL 100.56, 0.99%, 0.72%

LAB 91.38, -52.69, 58.14

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 19 / 49 / 5

HEX #F2C37C

RGB 242 195 124

HSL 36.1, 0.82%, 0.72%

LAB 81.49, 8.15, 41.85

 

CMYK 0 / 17 / 41 / 9

HEX #E7C088

RGB 231 192 136

HSL 35.37, 0.66%, 0.72%

LAB 79.88, 6.52, 33.41

 

CMYK 0 / 13 / 33 / 14

HEX #DBBE93

RGB 219 190 147

HSL 35.83, 0.5%, 0.72%

LAB 78.46, 4.12, 25.55

 

CMYK 0 / 10 / 24 / 18

HEX #D0BC9F

RGB 208 188 159

HSL 35.51, 0.34%, 0.72%

LAB 77.21, 2.55, 17.27

 

CMYK 0 / 53 / 56 / 0

HEX #FE7770

RGB 254 119 112

HSL 2.96, 0.99%, 0.72%

LAB 66.09, 50.87, 28.77

 

CMYK 0 / 38 / 56 / 0

HEX #FE9D70

RGB 254 157 112

HSL 19.01, 0.99%, 0.72%

LAB 73.78, 31.84, 38.62

 

CMYK 0 / 23 / 56 / 0

HEX #FEC370

RGB 254 195 112

HSL 35.07, 0.99%, 0.72%

LAB 82.52, 12, 49.36

 

CMYK 0 / 8 / 56 / 0

HEX #FEE970

RGB 254 233 112

HSL 51.13, 0.99%, 0.72%

LAB 91.92, -7.4, 60.37

 

CMYK 7 / 0 / 56 / 0

HEX #EDFE70

RGB 237 254 112

HSL 67.18, 0.99%, 0.72%

LAB 96.02, -24.35, 64.68

 

CMYK 0 / 35 / 88 / 1

HEX #FDA41E

RGB 253 164 30

HSL 36.05, 0.98%, 0.55%

LAB 74.53, 23.96, 73.9

 

CMYK 0 / 29 / 72 / 0

HEX #FEB447

RGB 254 180 71

HSL 35.74, 0.99%, 0.64%

LAB 78.56, 17.32, 63.69

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 0 / 16 / 40 / 0

HEX #FED699

RGB 254 214 153

HSL 36.24, 0.98%, 0.8%

LAB 87.71, 5.94, 35.32

 

CMYK 0 / 9 / 23 / 0

HEX #FEE6C3

RGB 254 230 195

HSL 35.59, 0.97%, 0.88%

LAB 92.4, 2.91, 20.05

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 44 / 0 / 56 / 0

HEX #8FFE70

RGB 143 254 112

HSL 106.9, 0.99%, 0.72%

LAB 90.73, -57.25, 57.22

 

CMYK 46 / 56 / 0 / 0

HEX #8A70FE

RGB 138 112 254

HSL 250.99, 0.99%, 0.72%

LAB 56.24, 44.15, -67.65

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 56 / 0 / 23 / 0

HEX #70FEC3

RGB 112 254 195

HSL 155.07, 0.99%, 0.72%

LAB 90.9, -51.91, 16.78

 

CMYK 23 / 56 / 0 / 0

HEX #C370FE

RGB 195 112 254

HSL 275.07, 0.99%, 0.72%

LAB 61.95, 57.1, -58.17

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 44 / 0 / 56 / 0

HEX #8FFE70

RGB 143 254 112

HSL 106.9, 0.99%, 0.72%

LAB 90.73, -57.25, 57.22

 

CMYK 56 / 33 / 0 / 0

HEX #70ABFE

RGB 112 171 254

HSL 215.07, 0.99%, 0.72%

LAB 69.27, 4.41, -46.97

 

CMYK 12 / 56 / 0 / 0

HEX #DF70FE

RGB 223 112 254

HSL 286.9, 0.99%, 0.72%

LAB 65.3, 63.96, -52.63

 

CMYK 0 / 22 / 56 / 0

HEX #FEC570

RGB 254 197 112

HSL 35.92, 0.99%, 0.72%

LAB 83.01, 10.96, 49.94

 

CMYK 56 / 0 / 51 / 0

HEX #70FE7C

RGB 112 254 124

HSL 125.07, 0.99%, 0.72%

LAB 89.76, -63.97, 50.37

 

CMYK 56 / 33 / 0 / 0

HEX #70ABFE

RGB 112 171 254

HSL 215.07, 0.99%, 0.72%

LAB 69.27, 4.41, -46.97

 

CMYK 0 / 56 / 5 / 0

HEX #FE70F2

RGB 254 112 242

HSL 305.07, 0.99%, 0.72%

LAB 68.8, 69.72, -40.26

 

Description

Color code: HEX #FEC570 | qconv.com Color code: HEX #FEC570 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 197 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 197 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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