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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC03D it is the complementary color #013FC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC03D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC03D shade: #FFC038, #FFD24B, #FFE45E, #FFF671 and #FFFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC03D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC03D shade: #FEC03D, #EDAE2A, #DC9C17, #CB8A04 and #BA7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC03D shade: #FEC03E, #FE8C3E, #FE583E and #FE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC03D shade: #FEC03E, #FEF43E, #D4FE3E, #A0FE3E and #6CFE3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC03D shade matches the following richer shades: #FEC03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC03D shade: #FEC03E, #EEBA4D, #DEB55D, #CEAF6D and #BFA97C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC03D shade: #FE573E, #FE8A3E, #FEBE3E, #FEF13E and #D7FE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC03D shade: #E89E01, #FDB315, #FEC03E, #FECD67 and #FEDB90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC03D shade: #FEC03D, #57FE3E and #713EFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC03D shade: #FEC03D, #3EFEBE and #BE3EFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC03D shade: #FEC03D, #57FE3E, #3E7EFE and #E43EFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC03D shade: #FEC03D, #3EFE5E, #3E7EFE and #FE3EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

Complementary color

CMYK 99 / 68 / 0 / 24

HEX #013FC2

RGB 1 63 194

HSL 220.73, 0.99%, 0.38%

LAB 32.82, 37.05, -72.02

 

CMYK 0 / 25 / 78 / 0

HEX #FFC038

RGB 255 192 56

HSL 41.01, 1%, 0.61%

LAB 81.43, 10.88, 72.16

 

CMYK 0 / 18 / 71 / 0

HEX #FFD24B

RGB 255 210 75

HSL 45, 1%, 0.65%

LAB 85.94, 2.39, 69.56

 

CMYK 0 / 11 / 63 / 0

HEX #FFE45E

RGB 255 228 94

HSL 49.94, 1%, 0.68%

LAB 90.58, -5.7, 66.72

 

CMYK 0 / 4 / 56 / 0

HEX #FFF671

RGB 255 246 113

HSL 56.2, 1%, 0.72%

LAB 95.31, -13.34, 63.82

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

CMYK 0 / 27 / 82 / 7

HEX #EDAE2A

RGB 237 174 42

HSL 40.62, 0.84%, 0.55%

LAB 75.1, 12.22, 70.34

 

CMYK 0 / 29 / 90 / 14

HEX #DC9C17

RGB 220 156 23

HSL 40.51, 0.81%, 0.48%

LAB 68.79, 14.02, 69.42

 

CMYK 0 / 32 / 98 / 20

HEX #CB8A04

RGB 203 138 4

HSL 40.4, 0.96%, 0.41%

LAB 62.41, 16.06, 67.09

 

CMYK 0 / 35 / 100 / 27

HEX #BA7800

RGB 186 120 0

HSL 38.71, 1%, 0.36%

LAB 55.96, 18.38, 62.43

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03E

RGB 254 192 62

HSL 40.63, 0.99%, 0.62%

LAB 81.36, 10.69, 69.95

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 65 / 76 / 0

HEX #FE583E

RGB 254 88 62

HSL 8.13, 0.99%, 0.62%

LAB 60.25, 61.72, 48.92

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03E

RGB 254 192 62

HSL 40.63, 0.99%, 0.62%

LAB 81.36, 10.69, 69.95

 

CMYK 0 / 4 / 76 / 0

HEX #FEF43E

RGB 254 244 62

HSL 56.88, 0.99%, 0.62%

LAB 94.36, -15.54, 82.01

 

CMYK 17 / 0 / 76 / 0

HEX #D4FE3E

RGB 212 254 62

HSL 73.13, 0.99%, 0.62%

LAB 93.98, -37.04, 80.55

 

CMYK 37 / 0 / 76 / 0

HEX #A0FE3E

RGB 160 254 62

HSL 89.38, 0.99%, 0.62%

LAB 91.1, -55.85, 76.81

 

CMYK 57 / 0 / 76 / 0

HEX #6CFE3E

RGB 108 254 62

HSL 105.63, 0.99%, 0.62%

LAB 89.12, -70.77, 74.22

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03E

RGB 254 192 62

HSL 40.63, 0.99%, 0.62%

LAB 81.36, 10.69, 69.95

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03E

RGB 254 192 62

HSL 40.63, 0.99%, 0.62%

LAB 81.36, 10.69, 69.95

 

CMYK 0 / 22 / 68 / 7

HEX #EEBA4D

RGB 238 186 77

HSL 40.62, 0.83%, 0.62%

LAB 78.36, 7.78, 60.43

 

CMYK 0 / 18 / 58 / 13

HEX #DEB55D

RGB 222 181 93

HSL 40.93, 0.66%, 0.62%

LAB 75.68, 4.72, 49.7

 

CMYK 0 / 15 / 47 / 19

HEX #CEAF6D

RGB 206 175 109

HSL 40.82, 0.5%, 0.62%

LAB 72.82, 2.62, 37.88

 

CMYK 0 / 12 / 35 / 25

HEX #BFA97C

RGB 191 169 124

HSL 40.3, 0.34%, 0.62%

LAB 70.11, 1.36, 26.17

 

CMYK 0 / 66 / 76 / 0

HEX #FE573E

RGB 254 87 62

HSL 7.81, 0.99%, 0.62%

LAB 60.1, 62.11, 48.76

 

CMYK 0 / 46 / 76 / 0

HEX #FE8A3E

RGB 254 138 62

HSL 23.75, 0.99%, 0.62%

LAB 69.18, 38.69, 58.09

 

CMYK 0 / 25 / 76 / 0

HEX #FEBE3E

RGB 254 190 62

HSL 40, 0.99%, 0.62%

LAB 80.88, 11.72, 69.49

 

CMYK 0 / 5 / 76 / 0

HEX #FEF13E

RGB 254 241 62

HSL 55.94, 0.99%, 0.62%

LAB 93.59, -14.08, 81.31

 

CMYK 15 / 0 / 76 / 0

HEX #D7FE3E

RGB 215 254 62

HSL 72.19, 0.99%, 0.62%

LAB 94.17, -35.88, 80.8

 

CMYK 0 / 32 / 100 / 9

HEX #E89E01

RGB 232 158 1

HSL 40.78, 0.99%, 0.46%

LAB 70.6, 17.88, 74.66

 

CMYK 0 / 29 / 92 / 1

HEX #FDB315

RGB 253 179 21

HSL 40.86, 0.98%, 0.54%

LAB 77.98, 15.98, 78.33

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03E

RGB 254 192 62

HSL 40.63, 0.99%, 0.62%

LAB 81.36, 10.69, 69.95

 

CMYK 0 / 19 / 59 / 0

HEX #FECD67

RGB 254 205 103

HSL 40.53, 0.99%, 0.7%

LAB 84.85, 6.16, 56.37

 

CMYK 0 / 14 / 43 / 0

HEX #FEDB90

RGB 254 219 144

HSL 40.91, 0.98%, 0.78%

LAB 88.8, 2.44, 41.3

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

CMYK 66 / 0 / 76 / 0

HEX #57FE3E

RGB 87 254 62

HSL 112.19, 0.99%, 0.62%

LAB 88.57, -75.29, 73.5

 

CMYK 56 / 76 / 0 / 0

HEX #713EFE

RGB 113 62 254

HSL 255.94, 0.99%, 0.62%

LAB 44.39, 66.01, -87.05

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

CMYK 76 / 0 / 25 / 0

HEX #3EFEBE

RGB 62 254 190

HSL 160, 0.99%, 0.62%

LAB 89.69, -60.93, 17.48

 

CMYK 25 / 76 / 0 / 0

HEX #BE3EFE

RGB 190 62 254

HSL 280, 0.99%, 0.62%

LAB 53.54, 77.56, -71.72

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

CMYK 66 / 0 / 76 / 0

HEX #57FE3E

RGB 87 254 62

HSL 112.19, 0.99%, 0.62%

LAB 88.57, -75.29, 73.5

 

CMYK 76 / 50 / 0 / 0

HEX #3E7EFE

RGB 62 126 254

HSL 220, 0.99%, 0.62%

LAB 55.18, 23.25, -69.58

 

CMYK 10 / 76 / 0 / 0

HEX #E43EFE

RGB 228 62 254

HSL 291.88, 0.99%, 0.62%

LAB 59.06, 84.36, -62.54

 

CMYK 0 / 24 / 76 / 0

HEX #FEC03D

RGB 254 192 61

HSL 40.73, 0.99%, 0.62%

LAB 81.35, 10.65, 70.3

 

CMYK 76 / 0 / 63 / 0

HEX #3EFE5E

RGB 62 254 94

HSL 130, 0.99%, 0.62%

LAB 88.31, -76.66, 61.53

 

CMYK 76 / 50 / 0 / 0

HEX #3E7EFE

RGB 62 126 254

HSL 220, 0.99%, 0.62%

LAB 55.18, 23.25, -69.58

 

CMYK 0 / 76 / 13 / 0

HEX #FE3EDE

RGB 254 62 222

HSL 310, 0.99%, 0.62%

LAB 61.47, 84.68, -40.6

 

Description

Color code: HEX #FEC03D | qconv.com Color code: HEX #FEC03D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 192 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 192 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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