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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEDE94 it is the complementary color #01216B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEDE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEDE94 shade: #FFDE8F, #FFF0A2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEDE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEDE94 shade: #FEDE94, #EDCC81, #DCBA6E, #CBA85B and #BA9648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEDE94 shade: #FDDE94, #FDC194, #FDA594 and #FD9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEDE94 shade: #FDDE94, #FDFA94, #E5FD94, #C8FD94 and #ACFD94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEDE94 shade matches the following richer shades: #FDDE94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEDE94 shade: #FDDE94, #F5DA9D, #ECD7A6, #E3D3AE and #DBD0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEDE94 shade: #FDA494, #FDC094, #FDDC94, #FDF894 and #E7FD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEDE94 shade: #FDC543, #FDD16C, #FDDE94, #FEEABD and #FEF7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEDE94 shade: #FEDE94, #A1FD94 and #B294FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEDE94 shade: #FEDE94, #94FDDC and #DC94FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEDE94 shade: #FEDE94, #A1FD94, #94B6FD and #F194FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEDE94 shade: #FEDE94, #94FDA8, #94B6FD and #FD94EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

Complementary color

CMYK 99 / 69 / 0 / 58

HEX #01216B

RGB 1 33 107

HSL 221.89, 0.98%, 0.21%

LAB 16.28, 22.47, -45.66

 

CMYK 0 / 13 / 44 / 0

HEX #FFDE8F

RGB 255 222 143

HSL 42.32, 1%, 0.78%

LAB 89.62, 1.21, 42.86

 

CMYK 0 / 6 / 36 / 0

HEX #FFF0A2

RGB 255 240 162

HSL 50.32, 1%, 0.82%

LAB 94.39, -5.88, 39.55

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

CMYK 0 / 14 / 46 / 7

HEX #EDCC81

RGB 237 204 129

HSL 41.67, 0.75%, 0.72%

LAB 83.32, 1.94, 41.54

 

CMYK 0 / 15 / 50 / 14

HEX #DCBA6E

RGB 220 186 110

HSL 41.45, 0.61%, 0.65%

LAB 76.96, 2.65, 42.81

 

CMYK 0 / 17 / 55 / 20

HEX #CBA85B

RGB 203 168 91

HSL 41.25, 0.52%, 0.58%

LAB 70.49, 3.49, 44.11

 

CMYK 0 / 19 / 61 / 27

HEX #BA9648

RGB 186 150 72

HSL 41.05, 0.45%, 0.51%

LAB 63.93, 4.47, 45.4

 

CMYK 0 / 12 / 42 / 1

HEX #FDDE94

RGB 253 222 148

HSL 42.29, 0.96%, 0.79%

LAB 89.52, 0.93, 40.19

 

CMYK 0 / 24 / 42 / 1

HEX #FDC194

RGB 253 193 148

HSL 25.71, 0.96%, 0.79%

LAB 82.47, 15.92, 30.96

 

CMYK 0 / 35 / 42 / 1

HEX #FDA594

RGB 253 165 148

HSL 9.71, 0.96%, 0.79%

LAB 76.03, 30.6, 22.28

 

CMYK 0 / 42 / 42 / 1

HEX #FD9494

RGB 253 148 148

HSL 0, 0.96%, 0.79%

LAB 72.36, 39.4, 17.23

 

CMYK 0 / 12 / 42 / 1

HEX #FDDE94

RGB 253 222 148

HSL 42.29, 0.96%, 0.79%

LAB 89.52, 0.93, 40.19

 

CMYK 0 / 1 / 42 / 1

HEX #FDFA94

RGB 253 250 148

HSL 58.29, 0.96%, 0.79%

LAB 96.57, -13.06, 49.15

 

CMYK 9 / 0 / 42 / 1

HEX #E5FD94

RGB 229 253 148

HSL 73.71, 0.96%, 0.79%

LAB 95.6, -23.59, 47.56

 

CMYK 21 / 0 / 42 / 1

HEX #C8FD94

RGB 200 253 148

HSL 90.29, 0.96%, 0.79%

LAB 93.74, -34.11, 44.82

 

CMYK 32 / 0 / 42 / 1

HEX #ACFD94

RGB 172 253 148

HSL 106.29, 0.96%, 0.79%

LAB 92.2, -43.55, 42.54

 

CMYK 0 / 12 / 42 / 1

HEX #FDDE94

RGB 253 222 148

HSL 42.29, 0.96%, 0.79%

LAB 89.52, 0.93, 40.19

 

CMYK 0 / 12 / 42 / 1

HEX #FDDE94

RGB 253 222 148

HSL 42.29, 0.96%, 0.79%

LAB 89.52, 0.93, 40.19

 

CMYK 0 / 11 / 36 / 4

HEX #F5DA9D

RGB 245 218 157

HSL 41.59, 0.81%, 0.79%

LAB 87.96, 0.85, 33.47

 

CMYK 0 / 9 / 30 / 7

HEX #ECD7A6

RGB 236 215 166

HSL 42, 0.65%, 0.79%

LAB 86.6, 0.03, 26.86

 

CMYK 0 / 7 / 23 / 11

HEX #E3D3AE

RGB 227 211 174

HSL 41.89, 0.49%, 0.79%

LAB 84.98, -0.22, 20.35

 

CMYK 0 / 5 / 16 / 14

HEX #DBD0B7

RGB 219 208 183

HSL 41.67, 0.33%, 0.79%

LAB 83.75, -0.3, 13.78

 

CMYK 0 / 35 / 42 / 1

HEX #FDA494

RGB 253 164 148

HSL 9.14, 0.96%, 0.79%

LAB 75.81, 31.12, 21.98

 

CMYK 0 / 24 / 42 / 1

HEX #FDC094

RGB 253 192 148

HSL 25.14, 0.96%, 0.79%

LAB 82.23, 16.45, 30.64

 

CMYK 0 / 13 / 42 / 1

HEX #FDDC94

RGB 253 220 148

HSL 41.14, 0.96%, 0.79%

LAB 89.02, 1.95, 39.55

 

CMYK 0 / 2 / 42 / 1

HEX #FDF894

RGB 253 248 148

HSL 57.14, 0.96%, 0.79%

LAB 96.06, -12.08, 48.51

 

CMYK 9 / 0 / 42 / 1

HEX #E7FD94

RGB 231 253 148

HSL 72.57, 0.96%, 0.79%

LAB 95.74, -22.85, 47.76

 

CMYK 0 / 22 / 74 / 1

HEX #FDC543

RGB 253 197 67

HSL 41.94, 0.98%, 0.63%

LAB 82.5, 7.88, 69.15

 

CMYK 0 / 17 / 57 / 1

HEX #FDD16C

RGB 253 209 108

HSL 41.79, 0.97%, 0.71%

LAB 85.79, 4.05, 55.11

 

CMYK 0 / 12 / 42 / 1

HEX #FDDE94

RGB 253 222 148

HSL 42.29, 0.96%, 0.79%

LAB 89.52, 0.93, 40.19

 

CMYK 0 / 8 / 26 / 0

HEX #FEEABD

RGB 254 234 189

HSL 41.54, 0.97%, 0.87%

LAB 93.27, 0.06, 24.35

 

CMYK 0 / 3 / 9 / 0

HEX #FEF7E6

RGB 254 247 230

HSL 42.5, 0.92%, 0.95%

LAB 97.35, -0.49, 8.99

 

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 30 / 42 / 0 / 1

HEX #B294FD

RGB 178 148 253

HSL 257.14, 0.96%, 0.79%

LAB 67.83, 33.17, -48.41

 

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

CMYK 42 / 0 / 13 / 1

HEX #94FDDC

RGB 148 253 220

HSL 161.14, 0.96%, 0.79%

LAB 92.45, -37.92, 6.28

 

CMYK 13 / 42 / 0 / 1

HEX #DC94FD

RGB 220 148 253

HSL 281.14, 0.96%, 0.79%

LAB 71.88, 44.88, -41.76

 

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

CMYK 36 / 0 / 42 / 1

HEX #A1FD94

RGB 161 253 148

HSL 112.57, 0.96%, 0.79%

LAB 91.67, -47.01, 41.75

 

CMYK 42 / 28 / 0 / 1

HEX #94B6FD

RGB 148 182 253

HSL 220.57, 0.96%, 0.79%

LAB 74.09, 6.14, -38.76

 

CMYK 5 / 42 / 0 / 1

HEX #F194FD

RGB 241 148 253

HSL 293.14, 0.96%, 0.79%

LAB 74.17, 50.93, -38.02

 

CMYK 0 / 13 / 42 / 0

HEX #FEDE94

RGB 254 222 148

HSL 41.89, 0.98%, 0.79%

LAB 89.6, 1.32, 40.32

 

CMYK 42 / 0 / 34 / 1

HEX #94FDA8

RGB 148 253 168

HSL 131.43, 0.96%, 0.79%

LAB 91.4, -47.79, 31.39

 

CMYK 42 / 28 / 0 / 1

HEX #94B6FD

RGB 148 182 253

HSL 220.57, 0.96%, 0.79%

LAB 74.09, 6.14, -38.76

 

CMYK 0 / 42 / 8 / 1

HEX #FD94EA

RGB 253 148 234

HSL 310.86, 0.96%, 0.79%

LAB 74.83, 51.16, -26.56

 

Description

Color code: HEX #FEDE94 | qconv.com Color code: HEX #FEDE94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 222 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 222 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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