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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEE871 it is the complementary color #01178E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEE871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEE871 shade: #FFE86C, #FFFA7F, #FFFF92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEE871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEE871 shade: #FEE871, #EDD65E, #DCC44B, #CBB238 and #BAA025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEE871 shade: #FEE870, #FEC270, #FE9B70, #FE7570 and #FE7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEE871 shade: #FEE870, #EEFE70, #C8FE70, #A1FE70 and #7BFE70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEE871 shade matches the following richer shades: #FEE870

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEE871 shade: #FEE870, #F2E07C, #E7D888, #DBD093 and #D0C89F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEE871 shade: #FE9B70, #FEC170, #FEE670, #F0FE70 and #CAFE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEE871 shade: #FDDB1E, #FEE147, #FEE870, #FEEE99 and #FEF5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEE871 shade: #FEE871, #70FE75 and #AE70FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEE871 shade: #FEE871, #70FEE6 and #E670FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEE871 shade: #FEE871, #70FE75, #7088FE and #FE70F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEE871 shade: #FEE871, #70FEA0, #7088FE and #FE70CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

Complementary color

CMYK 99 / 84 / 0 / 44

HEX #01178E

RGB 1 23 142

HSL 230.64, 0.99%, 0.28%

LAB 18.24, 42.23, -64.74

 

CMYK 0 / 9 / 58 / 0

HEX #FFE86C

RGB 255 232 108

HSL 50.61, 1%, 0.71%

LAB 91.71, -6.78, 61.94

 

CMYK 0 / 2 / 50 / 0

HEX #FFFA7F

RGB 255 250 127

HSL 57.66, 1%, 0.75%

LAB 96.48, -14.2, 58.91

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

CMYK 0 / 10 / 60 / 7

HEX #EDD65E

RGB 237 214 94

HSL 50.35, 0.8%, 0.65%

LAB 85.46, -6.04, 60.69

 

CMYK 0 / 11 / 66 / 14

HEX #DCC44B

RGB 220 196 75

HSL 50.07, 0.67%, 0.58%

LAB 79.16, -5.13, 61.58

 

CMYK 0 / 12 / 72 / 20

HEX #CBB238

RGB 203 178 56

HSL 49.8, 0.59%, 0.51%

LAB 72.78, -4.05, 62.17

 

CMYK 0 / 14 / 80 / 27

HEX #BAA025

RGB 186 160 37

HSL 49.53, 0.67%, 0.44%

LAB 66.3, -2.78, 62.18

 

CMYK 0 / 9 / 56 / 0

HEX #FEE870

RGB 254 232 112

HSL 50.7, 0.99%, 0.72%

LAB 91.66, -6.9, 60.08

 

CMYK 0 / 24 / 56 / 0

HEX #FEC270

RGB 254 194 112

HSL 34.65, 0.99%, 0.72%

LAB 82.28, 12.52, 49.07

 

CMYK 0 / 39 / 56 / 0

HEX #FE9B70

RGB 254 155 112

HSL 18.17, 0.99%, 0.72%

LAB 73.34, 32.88, 38.08

 

CMYK 0 / 54 / 56 / 0

HEX #FE7570

RGB 254 117 112

HSL 2.11, 0.99%, 0.72%

LAB 65.72, 51.81, 28.29

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 9 / 56 / 0

HEX #FEE870

RGB 254 232 112

HSL 50.7, 0.99%, 0.72%

LAB 91.66, -6.9, 60.08

 

CMYK 6 / 0 / 56 / 0

HEX #EEFE70

RGB 238 254 112

HSL 66.76, 0.99%, 0.72%

LAB 96.09, -23.96, 64.78

 

CMYK 21 / 0 / 56 / 0

HEX #C8FE70

RGB 200 254 112

HSL 82.82, 0.99%, 0.72%

LAB 93.59, -38.33, 61.28

 

CMYK 37 / 0 / 56 / 0

HEX #A1FE70

RGB 161 254 112

HSL 99.3, 0.99%, 0.72%

LAB 91.52, -51.73, 58.34

 

CMYK 52 / 0 / 56 / 0

HEX #7BFE70

RGB 123 254 112

HSL 115.35, 0.99%, 0.72%

LAB 89.98, -62.74, 56.16

 

CMYK 0 / 9 / 56 / 0

HEX #FEE870

RGB 254 232 112

HSL 50.7, 0.99%, 0.72%

LAB 91.66, -6.9, 60.08

 

CMYK 0 / 9 / 56 / 0

HEX #FEE870

RGB 254 232 112

HSL 50.7, 0.99%, 0.72%

LAB 91.66, -6.9, 60.08

 

CMYK 0 / 7 / 49 / 5

HEX #F2E07C

RGB 242 224 124

HSL 50.85, 0.82%, 0.72%

LAB 88.75, -6.73, 50.82

 

CMYK 0 / 6 / 41 / 9

HEX #E7D888

RGB 231 216 136

HSL 50.53, 0.66%, 0.72%

LAB 85.95, -5.89, 41.25

 

CMYK 0 / 5 / 33 / 14

HEX #DBD093

RGB 219 208 147

HSL 50.83, 0.5%, 0.72%

LAB 83.06, -5.25, 31.71

 

CMYK 0 / 4 / 24 / 18

HEX #D0C89F

RGB 208 200 159

HSL 50.2, 0.34%, 0.72%

LAB 80.3, -3.76, 21.55

 

CMYK 0 / 39 / 56 / 0

HEX #FE9B70

RGB 254 155 112

HSL 18.17, 0.99%, 0.72%

LAB 73.34, 32.88, 38.08

 

CMYK 0 / 24 / 56 / 0

HEX #FEC170

RGB 254 193 112

HSL 34.23, 0.99%, 0.72%

LAB 82.04, 13.04, 48.79

 

CMYK 0 / 9 / 56 / 0

HEX #FEE670

RGB 254 230 112

HSL 49.86, 0.99%, 0.72%

LAB 91.16, -5.9, 59.5

 

CMYK 6 / 0 / 56 / 0

HEX #F0FE70

RGB 240 254 112

HSL 65.92, 0.99%, 0.72%

LAB 96.24, -23.18, 64.98

 

CMYK 20 / 0 / 56 / 0

HEX #CAFE70

RGB 202 254 112

HSL 81.97, 0.99%, 0.72%

LAB 93.71, -37.6, 61.45

 

CMYK 0 / 13 / 88 / 1

HEX #FDDB1E

RGB 253 219 30

HSL 50.85, 0.98%, 0.55%

LAB 87.79, -4.46, 84.22

 

CMYK 0 / 11 / 72 / 0

HEX #FEE147

RGB 254 225 71

HSL 50.49, 0.99%, 0.64%

LAB 89.57, -5.81, 74.58

 

CMYK 0 / 9 / 56 / 0

HEX #FEE870

RGB 254 232 112

HSL 50.7, 0.99%, 0.72%

LAB 91.66, -6.9, 60.08

 

CMYK 0 / 6 / 40 / 0

HEX #FEEE99

RGB 254 238 153

HSL 50.5, 0.98%, 0.8%

LAB 93.68, -6.23, 43.07

 

CMYK 0 / 4 / 23 / 0

HEX #FEF5C3

RGB 254 245 195

HSL 50.85, 0.97%, 0.88%

LAB 96.13, -4.67, 25.21

 

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

CMYK 56 / 0 / 54 / 0

HEX #70FE75

RGB 112 254 117

HSL 122.11, 0.99%, 0.72%

LAB 89.68, -64.85, 53.47

 

CMYK 31 / 56 / 0 / 0

HEX #AE70FE

RGB 174 112 254

HSL 266.2, 0.99%, 0.72%

LAB 59.66, 52.12, -61.97

 

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

CMYK 56 / 0 / 9 / 0

HEX #70FEE6

RGB 112 254 230

HSL 169.86, 0.99%, 0.72%

LAB 91.7, -44.06, -0.13

 

CMYK 9 / 56 / 0 / 0

HEX #E670FE

RGB 230 112 254

HSL 289.86, 0.99%, 0.72%

LAB 66.19, 65.7, -51.18

 

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

CMYK 56 / 0 / 54 / 0

HEX #70FE75

RGB 112 254 117

HSL 122.11, 0.99%, 0.72%

LAB 89.68, -64.85, 53.47

 

CMYK 56 / 46 / 0 / 0

HEX #7088FE

RGB 112 136 254

HSL 229.86, 0.99%, 0.72%

LAB 60.08, 24.83, -61.57

 

CMYK 0 / 56 / 2 / 0

HEX #FE70F9

RGB 254 112 249

HSL 302.11, 0.99%, 0.72%

LAB 69.11, 70.85, -43.62

 

CMYK 0 / 9 / 56 / 0

HEX #FEE871

RGB 254 232 113

HSL 50.64, 0.99%, 0.72%

LAB 91.67, -6.83, 59.64

 

CMYK 56 / 0 / 37 / 0

HEX #70FEA0

RGB 112 254 160

HSL 140.28, 0.99%, 0.72%

LAB 90.26, -58.55, 33.64

 

CMYK 56 / 46 / 0 / 0

HEX #7088FE

RGB 112 136 254

HSL 229.86, 0.99%, 0.72%

LAB 60.08, 24.83, -61.57

 

CMYK 0 / 56 / 19 / 0

HEX #FE70CF

RGB 254 112 207

HSL 319.86, 0.99%, 0.72%

LAB 67.4, 64.44, -23

 

Description

Color code: HEX #FEE871 | qconv.com Color code: HEX #FEE871 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 232 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 232 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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