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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF099E it is the complementary color #00F661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF099E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF099E shade: #FF0999, #FF1BAC, #FF2DBF, #FF3FD2 and #FF51E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF099E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF099E shade: #FF099E, #EE008B, #DD0078, #CC0065 and #BB0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF099E shade: #FF0A9E, #FF0A5C, #FF0A1A and #FF0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF099E shade: #FF0A9E, #FF0AE0, #DB0AFF, #990AFF and #570AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF099E shade matches the following richer shades: #FF0A9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF099E shade: #FF0A9E, #EB1E9A, #D73196, #C34591 and #AF598D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF099E shade: #DA0AFF, #FF0AE2, #FF0AA1, #FF0A5F and #FF0A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF099E shade: #B6006E, #DF0087, #FF0A9E, #FF33AE and #FF5CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF099E shade: #FF099E, #FF990A and #0AFFFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF099E shade: #FF099E, #A1FF0A and #0AA1FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF099E shade: #FF099E, #FF990A, #0AFF68 and #0A70FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF099E shade: #FF099E, #FFE20A, #0AFF68 and #0A26FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

Complementary color

CMYK 100 / 0 / 61 / 4

HEX #00F661

RGB 0 246 97

HSL 143.66, 1%, 0.48%

LAB 85.39, -78.26, 56.84

 

CMYK 0 / 96 / 40 / 0

HEX #FF0999

RGB 255 9 153

HSL 324.88, 1%, 0.52%

LAB 55.84, 85.97, -9.44

 

CMYK 0 / 89 / 33 / 0

HEX #FF1BAC

RGB 255 27 172

HSL 321.84, 1%, 0.55%

LAB 57.1, 86.06, -18.71

 

CMYK 0 / 82 / 25 / 0

HEX #FF2DBF

RGB 255 45 191

HSL 318.29, 1%, 0.59%

LAB 58.88, 85.08, -26.99

 

CMYK 0 / 75 / 18 / 0

HEX #FF3FD2

RGB 255 63 210

HSL 314.06, 1%, 0.62%

LAB 61.19, 83.04, -34.25

 

CMYK 0 / 68 / 10 / 0

HEX #FF51E5

RGB 255 81 229

HSL 308.97, 1%, 0.66%

LAB 64, 80.06, -40.55

 

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

CMYK 0 / 100 / 42 / 7

HEX #EE008B

RGB 238 0 139

HSL 324.96, 1%, 0.47%

LAB 51.88, 81.84, -7.34

 

CMYK 0 / 100 / 46 / 13

HEX #DD0078

RGB 221 0 120

HSL 327.42, 1%, 0.43%

LAB 47.92, 76.66, -2.05

 

CMYK 0 / 100 / 50 / 20

HEX #CC0065

RGB 204 0 101

HSL 330.29, 1%, 0.4%

LAB 43.91, 71.46, 3.48

 

CMYK 0 / 100 / 56 / 27

HEX #BB0052

RGB 187 0 82

HSL 333.69, 1%, 0.37%

LAB 39.87, 66.24, 9.28

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 96 / 90 / 0

HEX #FF0A1A

RGB 255 10 26

HSL 356.08, 1%, 0.52%

LAB 53.55, 79.65, 59.85

 

CMYK 0 / 96 / 96 / 0

HEX #FF0A0A

RGB 255 10 10

HSL 0, 1%, 0.52%

LAB 53.49, 79.49, 64.89

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 96 / 12 / 0

HEX #FF0AE0

RGB 255 10 224

HSL 307.59, 1%, 0.52%

LAB 58.84, 93.56, -45.86

 

CMYK 14 / 96 / 0 / 0

HEX #DB0AFF

RGB 219 10 255

HSL 291.18, 1%, 0.52%

LAB 54.55, 92.33, -70.44

 

CMYK 40 / 96 / 0 / 0

HEX #990AFF

RGB 153 10 255

HSL 275.02, 1%, 0.52%

LAB 44.53, 84.35, -87.21

 

CMYK 66 / 96 / 0 / 0

HEX #570AFF

RGB 87 10 255

HSL 258.86, 1%, 0.52%

LAB 36.86, 79.56, -100.15

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 87 / 34 / 8

HEX #EB1E9A

RGB 235 30 154

HSL 323.71, 0.84%, 0.52%

LAB 52.87, 79.59, -14.89

 

CMYK 0 / 77 / 30 / 16

HEX #D73196

RGB 215 49 150

HSL 323.49, 0.67%, 0.52%

LAB 50.51, 70.44, -16.43

 

CMYK 0 / 65 / 26 / 24

HEX #C34591

RGB 195 69 145

HSL 323.81, 0.51%, 0.52%

LAB 49.38, 57.66, -15.48

 

CMYK 0 / 49 / 19 / 31

HEX #AF598D

RGB 175 89 141

HSL 323.72, 0.35%, 0.52%

LAB 49.72, 41.56, -12.87

 

CMYK 15 / 96 / 0 / 0

HEX #DA0AFF

RGB 218 10 255

HSL 290.94, 1%, 0.52%

LAB 54.39, 92.19, -70.71

 

CMYK 0 / 96 / 11 / 0

HEX #FF0AE2

RGB 255 10 226

HSL 307.1, 1%, 0.52%

LAB 58.94, 93.81, -46.83

 

CMYK 0 / 96 / 37 / 0

HEX #FF0AA1

RGB 255 10 161

HSL 323.02, 1%, 0.52%

LAB 56.14, 86.63, -13.72

 

CMYK 0 / 96 / 63 / 0

HEX #FF0A5F

RGB 255 10 95

HSL 339.18, 1%, 0.52%

LAB 54.35, 81.84, 23.2

 

CMYK 0 / 96 / 88 / 0

HEX #FF0A1E

RGB 255 10 30

HSL 355.1, 1%, 0.52%

LAB 53.57, 79.71, 58.22

 

CMYK 0 / 100 / 40 / 29

HEX #B6006E

RGB 182 0 110

HSL 323.74, 1%, 0.36%

LAB 39.7, 67.4, -8.89

 

CMYK 0 / 100 / 39 / 13

HEX #DF0087

RGB 223 0 135

HSL 323.68, 1%, 0.44%

LAB 48.81, 78.38, -9.83

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 80 / 32 / 0

HEX #FF33AE

RGB 255 51 174

HSL 323.82, 1%, 0.6%

LAB 58.68, 81.9, -17.47

 

CMYK 0 / 64 / 25 / 0

HEX #FF5CBF

RGB 255 92 191

HSL 323.56, 1%, 0.68%

LAB 63.9, 70.93, -19.3

 

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

CMYK 0 / 40 / 96 / 0

HEX #FF990A

RGB 255 153 10

HSL 35.02, 1%, 0.52%

LAB 72.27, 30.25, 76.02

 

CMYK 96 / 0 / 2 / 0

HEX #0AFFFA

RGB 10 255 250

HSL 178.78, 1%, 0.52%

LAB 91, -49.31, -11.71

 

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

CMYK 37 / 0 / 96 / 0

HEX #A1FF0A

RGB 161 255 10

HSL 83.02, 1%, 0.52%

LAB 91.29, -57.45, 86.76

 

CMYK 96 / 37 / 0 / 0

HEX #0AA1FF

RGB 10 161 255

HSL 203.02, 1%, 0.52%

LAB 63.98, -0.85, -56.06

 

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

CMYK 0 / 40 / 96 / 0

HEX #FF990A

RGB 255 153 10

HSL 35.02, 1%, 0.52%

LAB 72.27, 30.25, 76.02

 

CMYK 96 / 0 / 59 / 0

HEX #0AFF68

RGB 10 255 104

HSL 143.02, 1%, 0.52%

LAB 88.25, -79.77, 57.13

 

CMYK 96 / 56 / 0 / 0

HEX #0A70FF

RGB 10 112 255

HSL 215.02, 1%, 0.52%

LAB 50.54, 29.09, -77.71

 

CMYK 0 / 96 / 38 / 0

HEX #FF099E

RGB 255 9 158

HSL 323.66, 1%, 0.52%

LAB 56.01, 86.42, -12.14

 

CMYK 0 / 11 / 96 / 0

HEX #FFE20A

RGB 255 226 10

HSL 52.9, 1%, 0.52%

LAB 89.71, -7.37, 88.31

 

CMYK 96 / 0 / 59 / 0

HEX #0AFF68

RGB 10 255 104

HSL 143.02, 1%, 0.52%

LAB 88.25, -79.77, 57.13

 

CMYK 96 / 85 / 0 / 0

HEX #0A26FF

RGB 10 38 255

HSL 233.14, 1%, 0.52%

LAB 35.34, 70.37, -102.78

 

Description

Color code: HEX #FF099E | qconv.com Color code: HEX #FF099E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 9 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 9 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 38 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 38% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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