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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF0B5D it is the complementary color #00F4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF0B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF0B5D shade: #FF0B58, #FF1D6B, #FF2F7E, #FF4191 and #FF53A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF0B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF0B5D shade: #FF0B5D, #EE004A, #DD0037, #CC0024 and #BB0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF0B5D shade: #FF0A5C, #FF0A1A and #FF0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF0B5D shade: #FF0A5C, #FF0A9E, #FF0AE0, #DB0AFF and #990AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF0B5D shade matches the following richer shades: #FF0A5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF0B5D shade: #FF0A5C, #EB1E62, #D73169, #C3456F and #AF5976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF0B5D shade: #FF0AE2, #FF0AA1, #FF0A5F, #FF0A1E and #FF370A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF0B5D shade: #B6003D, #DF004B, #FF0A5C, #FF3377 and #FF5C93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF0B5D shade: #FF0B5D, #FFDA0A and #0AC1FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF0B5D shade: #FF0B5D, #5FFF0A and #0A5FFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF0B5D shade: #FF0B5D, #FFDA0A, #0AFFA9 and #0A2EFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF0B5D shade: #FF0B5D, #DAFF0A, #0AFFA9 and #2E0AFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

Complementary color

CMYK 100 / 0 / 34 / 4

HEX #00F4A2

RGB 0 244 162

HSL 159.84, 1%, 0.48%

LAB 85.66, -67.05, 26.16

 

CMYK 0 / 96 / 65 / 0

HEX #FF0B58

RGB 255 11 88

HSL 341.07, 1%, 0.52%

LAB 54.24, 81.43, 27.27

 

CMYK 0 / 89 / 58 / 0

HEX #FF1D6B

RGB 255 29 107

HSL 339.29, 1%, 0.56%

LAB 55.28, 80.53, 17.24

 

CMYK 0 / 82 / 51 / 0

HEX #FF2F7E

RGB 255 47 126

HSL 337.21, 1%, 0.59%

LAB 56.88, 78.49, 8.12

 

CMYK 0 / 75 / 43 / 0

HEX #FF4191

RGB 255 65 145

HSL 334.74, 1%, 0.63%

LAB 59.05, 75.33, 0.03

 

CMYK 0 / 67 / 36 / 0

HEX #FF53A4

RGB 255 83 164

HSL 331.74, 1%, 0.66%

LAB 61.76, 71.2, -7.04

 

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

CMYK 0 / 100 / 69 / 7

HEX #EE004A

RGB 238 0 74

HSL 341.34, 1%, 0.47%

LAB 50.3, 77.64, 29.99

 

CMYK 0 / 100 / 75 / 13

HEX #DD0037

RGB 221 0 55

HSL 345.07, 1%, 0.43%

LAB 46.51, 72.91, 36.03

 

CMYK 0 / 100 / 82 / 20

HEX #CC0024

RGB 204 0 36

HSL 349.41, 1%, 0.4%

LAB 42.71, 68.24, 41.9

 

CMYK 0 / 100 / 91 / 27

HEX #BB0011

RGB 187 0 17

HSL 354.55, 1%, 0.37%

LAB 38.91, 63.64, 46.81

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 96 / 90 / 0

HEX #FF0A1A

RGB 255 10 26

HSL 356.08, 1%, 0.52%

LAB 53.55, 79.65, 59.85

 

CMYK 0 / 96 / 96 / 0

HEX #FF0A0A

RGB 255 10 10

HSL 0, 1%, 0.52%

LAB 53.49, 79.49, 64.89

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 96 / 38 / 0

HEX #FF0A9E

RGB 255 10 158

HSL 323.76, 1%, 0.52%

LAB 56.03, 86.35, -12.11

 

CMYK 0 / 96 / 12 / 0

HEX #FF0AE0

RGB 255 10 224

HSL 307.59, 1%, 0.52%

LAB 58.84, 93.56, -45.86

 

CMYK 14 / 96 / 0 / 0

HEX #DB0AFF

RGB 219 10 255

HSL 291.18, 1%, 0.52%

LAB 54.55, 92.33, -70.44

 

CMYK 40 / 96 / 0 / 0

HEX #990AFF

RGB 153 10 255

HSL 275.02, 1%, 0.52%

LAB 44.53, 84.35, -87.21

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 87 / 58 / 8

HEX #EB1E62

RGB 235 30 98

HSL 340.1, 0.84%, 0.52%

LAB 51.24, 75.04, 16.52

 

CMYK 0 / 77 / 51 / 16

HEX #D73169

RGB 215 49 105

HSL 339.76, 0.67%, 0.52%

LAB 49.09, 66.1, 8.68

 

CMYK 0 / 65 / 43 / 24

HEX #C3456F

RGB 195 69 111

HSL 340, 0.51%, 0.52%

LAB 48.27, 53.7, 3.38

 

CMYK 0 / 49 / 33 / 31

HEX #AF5976

RGB 175 89 118

HSL 339.77, 0.35%, 0.52%

LAB 48.97, 38.28, -0.22

 

CMYK 0 / 96 / 11 / 0

HEX #FF0AE2

RGB 255 10 226

HSL 307.1, 1%, 0.52%

LAB 58.94, 93.81, -46.83

 

CMYK 0 / 96 / 37 / 0

HEX #FF0AA1

RGB 255 10 161

HSL 323.02, 1%, 0.52%

LAB 56.14, 86.63, -13.72

 

CMYK 0 / 96 / 63 / 0

HEX #FF0A5F

RGB 255 10 95

HSL 339.18, 1%, 0.52%

LAB 54.35, 81.84, 23.2

 

CMYK 0 / 96 / 88 / 0

HEX #FF0A1E

RGB 255 10 30

HSL 355.1, 1%, 0.52%

LAB 53.57, 79.71, 58.22

 

CMYK 0 / 78 / 96 / 0

HEX #FF370A

RGB 255 55 10

HSL 11.02, 1%, 0.52%

LAB 56.1, 72.04, 66.18

 

CMYK 0 / 100 / 66 / 29

HEX #B6003D

RGB 182 0 61

HSL 339.89, 1%, 0.36%

LAB 38.34, 63.82, 20.5

 

CMYK 0 / 100 / 66 / 13

HEX #DF004B

RGB 223 0 75

HSL 339.82, 1%, 0.44%

LAB 47.23, 74.2, 24.86

 

CMYK 0 / 96 / 64 / 0

HEX #FF0A5C

RGB 255 10 92

HSL 339.92, 1%, 0.52%

LAB 54.29, 81.69, 24.93

 

CMYK 0 / 80 / 53 / 0

HEX #FF3377

RGB 255 51 119

HSL 340, 1%, 0.6%

LAB 57.04, 77.05, 12.5

 

CMYK 0 / 64 / 42 / 0

HEX #FF5C93

RGB 255 92 147

HSL 339.75, 1%, 0.68%

LAB 62.53, 66.05, 3.9

 

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

CMYK 0 / 15 / 96 / 0

HEX #FFDA0A

RGB 255 218 10

HSL 50.94, 1%, 0.52%

LAB 87.69, -3.36, 86.84

 

CMYK 96 / 24 / 0 / 0

HEX #0AC1FF

RGB 10 193 255

HSL 195.18, 1%, 0.52%

LAB 73.17, -18.47, -41.57

 

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

CMYK 63 / 0 / 96 / 0

HEX #5FFF0A

RGB 95 255 10

HSL 99.18, 1%, 0.52%

LAB 88.91, -75.85, 83.86

 

CMYK 96 / 63 / 0 / 0

HEX #0A5FFF

RGB 10 95 255

HSL 219.18, 1%, 0.52%

LAB 46.27, 39.83, -84.7

 

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

CMYK 0 / 15 / 96 / 0

HEX #FFDA0A

RGB 255 218 10

HSL 50.94, 1%, 0.52%

LAB 87.69, -3.36, 86.84

 

CMYK 96 / 0 / 34 / 0

HEX #0AFFA9

RGB 10 255 169

HSL 158.94, 1%, 0.52%

LAB 89.13, -69.19, 27.34

 

CMYK 96 / 82 / 0 / 0

HEX #0A2EFF

RGB 10 46 255

HSL 231.18, 1%, 0.52%

LAB 36.44, 67.1, -100.95

 

CMYK 0 / 96 / 64 / 0

HEX #FF0B5D

RGB 255 11 93

HSL 339.84, 1%, 0.52%

LAB 54.33, 81.67, 24.39

 

CMYK 15 / 0 / 96 / 0

HEX #DAFF0A

RGB 218 255 10

HSL 69.06, 1%, 0.52%

LAB 94.5, -36.41, 90.64

 

CMYK 96 / 0 / 34 / 0

HEX #0AFFA9

RGB 10 255 169

HSL 158.94, 1%, 0.52%

LAB 89.13, -69.19, 27.34

 

CMYK 82 / 96 / 0 / 0

HEX #2E0AFF

RGB 46 10 255

HSL 248.82, 1%, 0.52%

LAB 34.02, 78.21, -104.96

 

Description

Color code: HEX #FF0B5D | qconv.com Color code: HEX #FF0B5D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 11 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 11 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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