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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF0E49 it is the complementary color #00F1B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF0E49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF0E49 shade: #FF0E44, #FF2057, #FF326A, #FF447D and #FF5690

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF0E49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF0E49 shade: #FF0E49, #EE0036, #DD0023, #CC0010 and #BB0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF0E49 shade: #FF0F49 and #FF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF0E49 shade: #FF0F49, #FF0F8A, #FF0FCB, #F20FFF and #B10FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF0E49 shade matches the following richer shades: #FF0F49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF0E49 shade: #FF0F49, #EB2253, #D8365D, #C44967 and #B15C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF0E49 shade: #FF0FCB, #FF0F8B, #FF0F4B, #FF130F and #FF530F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF0E49 shade: #BB002D, #E50038, #FF0F49, #FF3869 and #FF6188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF0E49 shade: #FF0E49, #FFF30F and #0FABFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF0E49 shade: #FF0E49, #4BFF0F and #0F4BFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF0E49 shade: #FF0E49, #FFF30F, #0FFFC3 and #0F1BFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF0E49 shade: #FF0E49, #C3FF0F, #0FFFC3 and #4B0FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

Complementary color

CMYK 100 / 0 / 24 / 5

HEX #00F1B6

RGB 0 241 182

HSL 165.31, 1%, 0.47%

LAB 85.14, -61.58, 15.15

 

CMYK 0 / 95 / 73 / 0

HEX #FF0E44

RGB 255 14 68

HSL 346.56, 1%, 0.53%

LAB 54.02, 80.36, 38.82

 

CMYK 0 / 87 / 66 / 0

HEX #FF2057

RGB 255 32 87

HSL 345.2, 1%, 0.56%

LAB 55.05, 78.99, 28.9

 

CMYK 0 / 80 / 58 / 0

HEX #FF326A

RGB 255 50 106

HSL 343.61, 1%, 0.6%

LAB 56.67, 76.43, 19.72

 

CMYK 0 / 73 / 51 / 0

HEX #FF447D

RGB 255 68 125

HSL 341.71, 1%, 0.63%

LAB 58.86, 72.75, 11.51

 

CMYK 0 / 66 / 44 / 0

HEX #FF5690

RGB 255 86 144

HSL 339.41, 1%, 0.67%

LAB 61.59, 68.1, 4.3

 

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

CMYK 0 / 100 / 77 / 7

HEX #EE0036

RGB 238 0 54

HSL 346.39, 1%, 0.47%

LAB 50.03, 76.9, 41.48

 

CMYK 0 / 100 / 84 / 13

HEX #DD0023

RGB 221 0 35

HSL 350.5, 1%, 0.43%

LAB 46.3, 72.35, 47.06

 

CMYK 0 / 100 / 92 / 20

HEX #CC0010

RGB 204 0 16

HSL 355.29, 1%, 0.4%

LAB 42.57, 67.87, 51.42

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F49

RGB 255 15 73

HSL 345.5, 1%, 0.53%

LAB 54.11, 80.46, 36.02

 

CMYK 0 / 94 / 94 / 0

HEX #FF0F0F

RGB 255 15 15

HSL 0, 1%, 0.53%

LAB 53.64, 79.14, 63.67

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F49

RGB 255 15 73

HSL 345.5, 1%, 0.53%

LAB 54.11, 80.46, 36.02

 

CMYK 0 / 94 / 46 / 0

HEX #FF0F8A

RGB 255 15 138

HSL 329.25, 1%, 0.53%

LAB 55.52, 84.29, -1

 

CMYK 0 / 94 / 20 / 0

HEX #FF0FCB

RGB 255 15 203

HSL 313, 1%, 0.53%

LAB 57.95, 90.67, -35.31

 

CMYK 5 / 94 / 0 / 0

HEX #F20FFF

RGB 242 15 255

HSL 296.75, 1%, 0.53%

LAB 58.45, 95.34, -63.96

 

CMYK 31 / 94 / 0 / 0

HEX #B10FFF

RGB 177 15 255

HSL 280.5, 1%, 0.53%

LAB 48.14, 86.45, -81.15

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F49

RGB 255 15 73

HSL 345.5, 1%, 0.53%

LAB 54.11, 80.46, 36.02

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F49

RGB 255 15 73

HSL 345.5, 1%, 0.53%

LAB 54.11, 80.46, 36.02

 

CMYK 0 / 86 / 65 / 8

HEX #EB2253

RGB 235 34 83

HSL 345.37, 0.83%, 0.53%

LAB 51.19, 73.48, 25.56

 

CMYK 0 / 75 / 57 / 15

HEX #D8365D

RGB 216 54 93

HSL 345.56, 0.68%, 0.53%

LAB 49.53, 63.98, 16.64

 

CMYK 0 / 63 / 47 / 23

HEX #C44967

RGB 196 73 103

HSL 345.37, 0.51%, 0.53%

LAB 48.86, 51.52, 9.11

 

CMYK 0 / 48 / 36 / 31

HEX #B15C71

RGB 177 92 113

HSL 345.18, 0.35%, 0.53%

LAB 49.73, 36.78, 3.93

 

CMYK 0 / 94 / 20 / 0

HEX #FF0FCB

RGB 255 15 203

HSL 313, 1%, 0.53%

LAB 57.95, 90.67, -35.31

 

CMYK 0 / 94 / 45 / 0

HEX #FF0F8B

RGB 255 15 139

HSL 329, 1%, 0.53%

LAB 55.55, 84.37, -1.55

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F4B

RGB 255 15 75

HSL 345, 1%, 0.53%

LAB 54.14, 80.54, 34.88

 

CMYK 0 / 93 / 94 / 0

HEX #FF130F

RGB 255 19 15

HSL 1, 1%, 0.53%

LAB 53.77, 78.76, 63.74

 

CMYK 0 / 67 / 94 / 0

HEX #FF530F

RGB 255 83 15

HSL 17, 1%, 0.53%

LAB 59.42, 62.94, 66.96

 

CMYK 0 / 100 / 76 / 27

HEX #BB002D

RGB 187 0 45

HSL 345.56, 1%, 0.37%

LAB 39.16, 64.34, 31.8

 

CMYK 0 / 100 / 76 / 10

HEX #E50038

RGB 229 0 56

HSL 345.33, 1%, 0.45%

LAB 48.19, 74.84, 37.78

 

CMYK 0 / 94 / 71 / 0

HEX #FF0F49

RGB 255 15 73

HSL 345.5, 1%, 0.53%

LAB 54.11, 80.46, 36.02

 

CMYK 0 / 78 / 59 / 0

HEX #FF3869

RGB 255 56 105

HSL 345.23, 1%, 0.61%

LAB 57.18, 74.85, 21.01

 

CMYK 0 / 62 / 47 / 0

HEX #FF6188

RGB 255 97 136

HSL 345.19, 1%, 0.69%

LAB 63, 63, 10.94

 

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

CMYK 0 / 5 / 94 / 0

HEX #FFF30F

RGB 255 243 15

HSL 57, 1%, 0.53%

LAB 94.05, -15.69, 91.09

 

CMYK 94 / 33 / 0 / 0

HEX #0FABFF

RGB 15 171 255

HSL 201, 1%, 0.53%

LAB 66.86, -6.41, -51.49

 

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

CMYK 71 / 0 / 94 / 0

HEX #4BFF0F

RGB 75 255 15

HSL 105, 1%, 0.53%

LAB 88.47, -79.57, 82.9

 

CMYK 94 / 71 / 0 / 0

HEX #0F4BFF

RGB 15 75 255

HSL 225, 1%, 0.53%

LAB 41.77, 52.11, -92.1

 

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

CMYK 0 / 5 / 94 / 0

HEX #FFF30F

RGB 255 243 15

HSL 57, 1%, 0.53%

LAB 94.05, -15.69, 91.09

 

CMYK 94 / 0 / 24 / 0

HEX #0FFFC3

RGB 15 255 195

HSL 165, 1%, 0.53%

LAB 89.66, -63.4, 14.8

 

CMYK 94 / 89 / 0 / 0

HEX #0F1BFF

RGB 15 27 255

HSL 237, 1%, 0.53%

LAB 34.2, 74.1, -104.68

 

CMYK 0 / 95 / 71 / 0

HEX #FF0E49

RGB 255 14 73

HSL 345.31, 1%, 0.53%

LAB 54.09, 80.55, 35.98

 

CMYK 24 / 0 / 94 / 0

HEX #C3FF0F

RGB 195 255 15

HSL 75, 1%, 0.53%

LAB 93.08, -45.23, 88.52

 

CMYK 94 / 0 / 24 / 0

HEX #0FFFC3

RGB 15 255 195

HSL 165, 1%, 0.53%

LAB 89.66, -63.4, 14.8

 

CMYK 71 / 94 / 0 / 0

HEX #4B0FFF

RGB 75 15 255

HSL 255, 1%, 0.53%

LAB 36.09, 78.31, -101.45

 

Description

Color code: HEX #FF0E49 | qconv.com Color code: HEX #FF0E49 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 14 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 14 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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