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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1886 it is the complementary color #00E779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1886 shade: #FF1881, #FF2A94, #FF3CA7, #FF4EBA and #FF60CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1886 shade: #FF1886, #EE0673, #DD0060, #CC004D and #BB003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1886 shade: #FF1986, #FF1948 and #FF1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1886 shade: #FF1986, #FF19C4, #FB19FF, #BD19FF and #7F19FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1886 shade matches the following richer shades: #FF1986

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1886 shade: #FF1986, #EC2C87, #D93E88, #C75189 and #B4638A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1886 shade: #FB19FF, #FF19C5, #FF1988, #FF194B and #FF2419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1886 shade: #C5005E, #EF0071, #FF1986, #FF429C and #FF6CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1886 shade: #FF1886, #FFBD19 and #19E4FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1886 shade: #FF1886, #88FF19 and #1988FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1886 shade: #FF1886, #FFBD19, #19FF90 and #195AFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1886 shade: #FF1886, #FBFF19, #19FF90 and #1D19FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

Complementary color

CMYK 100 / 0 / 48 / 9

HEX #00E779

RGB 0 231 121

HSL 151.43, 1%, 0.45%

LAB 81.03, -70.32, 40.57

 

CMYK 0 / 91 / 49 / 0

HEX #FF1881

RGB 255 24 129

HSL 332.73, 1%, 0.55%

LAB 55.58, 82.68, 4.47

 

CMYK 0 / 84 / 42 / 0

HEX #FF2A94

RGB 255 42 148

HSL 330.14, 1%, 0.58%

LAB 57.13, 81.34, -4.57

 

CMYK 0 / 76 / 35 / 0

HEX #FF3CA7

RGB 255 60 167

HSL 327.08, 1%, 0.62%

LAB 59.23, 78.89, -12.56

 

CMYK 0 / 69 / 27 / 0

HEX #FF4EBA

RGB 255 78 186

HSL 323.39, 1%, 0.65%

LAB 61.87, 75.44, -19.53

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CD

RGB 255 96 205

HSL 318.87, 1%, 0.69%

LAB 64.99, 71.18, -25.55

 

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

CMYK 0 / 97 / 52 / 7

HEX #EE0673

RGB 238 6 115

HSL 331.81, 0.95%, 0.48%

LAB 51.32, 79.52, 6.37

 

CMYK 0 / 100 / 57 / 13

HEX #DD0060

RGB 221 0 96

HSL 333.94, 1%, 0.43%

LAB 47.26, 74.92, 11.83

 

CMYK 0 / 100 / 62 / 20

HEX #CC004D

RGB 204 0 77

HSL 337.35, 1%, 0.4%

LAB 43.32, 69.89, 17.75

 

CMYK 0 / 100 / 69 / 27

HEX #BB003A

RGB 187 0 58

HSL 341.39, 1%, 0.37%

LAB 39.36, 64.87, 23.92

 

CMYK 0 / 90 / 47 / 0

HEX #FF1986

RGB 255 25 134

HSL 331.57, 1%, 0.55%

LAB 55.76, 82.93, 1.74

 

CMYK 0 / 90 / 72 / 0

HEX #FF1948

RGB 255 25 72

HSL 347.74, 1%, 0.55%

LAB 54.47, 79.35, 37.03

 

CMYK 0 / 90 / 90 / 0

HEX #FF1919

RGB 255 25 25

HSL 0, 1%, 0.55%

LAB 54.05, 78.16, 60.58

 

CMYK 0 / 90 / 47 / 0

HEX #FF1986

RGB 255 25 134

HSL 331.57, 1%, 0.55%

LAB 55.76, 82.93, 1.74

 

CMYK 0 / 90 / 23 / 0

HEX #FF19C4

RGB 255 25 196

HSL 315.39, 1%, 0.55%

LAB 57.98, 88.88, -31.26

 

CMYK 2 / 90 / 0 / 0

HEX #FB19FF

RGB 251 25 255

HSL 298.96, 1%, 0.55%

LAB 60.27, 95.79, -60.96

 

CMYK 26 / 90 / 0 / 0

HEX #BD19FF

RGB 189 25 255

HSL 282.78, 1%, 0.55%

LAB 50.37, 86.66, -77.44

 

CMYK 50 / 90 / 0 / 0

HEX #7F19FF

RGB 127 25 255

HSL 266.61, 1%, 0.55%

LAB 41.89, 79.78, -91.69

 

CMYK 0 / 90 / 47 / 0

HEX #FF1986

RGB 255 25 134

HSL 331.57, 1%, 0.55%

LAB 55.76, 82.93, 1.74

 

CMYK 0 / 90 / 47 / 0

HEX #FF1986

RGB 255 25 134

HSL 331.57, 1%, 0.55%

LAB 55.76, 82.93, 1.74

 

CMYK 0 / 81 / 43 / 7

HEX #EC2C87

RGB 236 44 135

HSL 331.56, 0.83%, 0.55%

LAB 53.37, 75.28, -2.79

 

CMYK 0 / 71 / 37 / 15

HEX #D93E88

RGB 217 62 136

HSL 331.35, 0.67%, 0.55%

LAB 51.81, 65.36, -6.07

 

CMYK 0 / 59 / 31 / 22

HEX #C75189

RGB 199 81 137

HSL 331.53, 0.51%, 0.55%

LAB 51.65, 52.63, -7.22

 

CMYK 0 / 45 / 23 / 29

HEX #B4638A

RGB 180 99 138

HSL 331.11, 0.35%, 0.55%

LAB 52.36, 37.55, -7.06

 

CMYK 2 / 90 / 0 / 0

HEX #FB19FF

RGB 251 25 255

HSL 298.96, 1%, 0.55%

LAB 60.27, 95.79, -60.96

 

CMYK 0 / 90 / 23 / 0

HEX #FF19C5

RGB 255 25 197

HSL 315.13, 1%, 0.55%

LAB 58.02, 88.99, -31.77

 

CMYK 0 / 90 / 47 / 0

HEX #FF1988

RGB 255 25 136

HSL 331.04, 1%, 0.55%

LAB 55.82, 83.09, 0.63

 

CMYK 0 / 90 / 71 / 0

HEX #FF194B

RGB 255 25 75

HSL 346.96, 1%, 0.55%

LAB 54.52, 79.47, 35.32

 

CMYK 0 / 86 / 90 / 0

HEX #FF2419

RGB 255 36 25

HSL 2.87, 1%, 0.55%

LAB 54.65, 76.45, 60.97

 

CMYK 0 / 100 / 52 / 23

HEX #C5005E

RGB 197 0 94

HSL 331.37, 1%, 0.39%

LAB 42.27, 69.37, 5.34

 

CMYK 0 / 100 / 53 / 6

HEX #EF0071

RGB 239 0 113

HSL 331.63, 1%, 0.47%

LAB 51.32, 80.04, 7.61

 

CMYK 0 / 90 / 47 / 0

HEX #FF1986

RGB 255 25 134

HSL 331.57, 1%, 0.55%

LAB 55.76, 82.93, 1.74

 

CMYK 0 / 74 / 39 / 0

HEX #FF429C

RGB 255 66 156

HSL 331.43, 1%, 0.63%

LAB 59.49, 76.06, -5.78

 

CMYK 0 / 58 / 30 / 0

HEX #FF6CB2

RGB 255 108 178

HSL 331.43, 1%, 0.71%

LAB 65.9, 62.71, -8.89

 

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

CMYK 0 / 26 / 90 / 0

HEX #FFBD19

RGB 255 189 25

HSL 42.78, 1%, 0.55%

LAB 80.59, 11.68, 79.67

 

CMYK 90 / 11 / 0 / 0

HEX #19E4FF

RGB 25 228 255

HSL 187.04, 1%, 0.55%

LAB 83.4, -35.32, -25.79

 

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

CMYK 47 / 0 / 90 / 0

HEX #88FF19

RGB 136 255 25

HSL 91.04, 1%, 0.55%

LAB 90.24, -65.12, 83.89

 

CMYK 90 / 47 / 0 / 0

HEX #1988FF

RGB 25 136 255

HSL 211.04, 1%, 0.55%

LAB 57.11, 14.59, -67.05

 

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

CMYK 0 / 26 / 90 / 0

HEX #FFBD19

RGB 255 189 25

HSL 42.78, 1%, 0.55%

LAB 80.59, 11.68, 79.67

 

CMYK 90 / 0 / 44 / 0

HEX #19FF90

RGB 25 255 144

HSL 151.04, 1%, 0.55%

LAB 88.8, -73.33, 39.33

 

CMYK 90 / 65 / 0 / 0

HEX #195AFF

RGB 25 90 255

HSL 223.04, 1%, 0.55%

LAB 45.27, 43.38, -86.32

 

CMYK 0 / 91 / 47 / 0

HEX #FF1886

RGB 255 24 134

HSL 331.43, 1%, 0.55%

LAB 55.72, 83.05, 1.68

 

CMYK 2 / 0 / 90 / 0

HEX #FBFF19

RGB 251 255 25

HSL 61.04, 1%, 0.55%

LAB 96.86, -22.96, 91.97

 

CMYK 90 / 0 / 44 / 0

HEX #19FF90

RGB 25 255 144

HSL 151.04, 1%, 0.55%

LAB 88.8, -73.33, 39.33

 

CMYK 89 / 90 / 0 / 0

HEX #1D19FF

RGB 29 25 255

HSL 241.04, 1%, 0.55%

LAB 34.35, 74.85, -104.43

 

Description

Color code: HEX #FF1886 | qconv.com Color code: HEX #FF1886 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 24 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 24 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 47 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 47% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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