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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1CAC it is the complementary color #00E353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1CAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1CAC shade: #FF1CA7, #FF2EBA, #FF40CD, #FF52E0 and #FF64F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1CAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1CAC shade: #FF1CAC, #EE0A99, #DD0086, #CC0073 and #BB0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1CAC shade: #FF19AB, #FF196D, #FF192F and #FF1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1CAC shade: #FF19AB, #FF19E8, #D719FF, #9919FF and #5B19FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1CAC shade matches the following richer shades: #FF19AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1CAC shade: #FF19AB, #EC2CA6, #D93EA1, #C7519C and #B46397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1CAC shade: #D419FF, #FF19EB, #FF19AE, #FF1971 and #FF1934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1CAC shade: #C5007D, #EF0097, #FF19AB, #FF42BA and #FF6CC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1CAC shade: #FF1CAC, #FF9719 and #19FFF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1CAC shade: #FF1CAC, #AEFF19 and #19AEFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1CAC shade: #FF1CAC, #FF9719, #19FF69 and #1980FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1CAC shade: #FF1CAC, #FFDC19, #19FF69 and #193BFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

Complementary color

CMYK 100 / 0 / 63 / 11

HEX #00E353

RGB 0 227 83

HSL 141.94, 1%, 0.45%

LAB 79.36, -74.33, 55.93

 

CMYK 0 / 89 / 35 / 0

HEX #FF1CA7

RGB 255 28 167

HSL 323.26, 1%, 0.55%

LAB 56.96, 85.43, -16

 

CMYK 0 / 82 / 27 / 0

HEX #FF2EBA

RGB 255 46 186

HSL 319.81, 1%, 0.59%

LAB 58.75, 84.31, -24.31

 

CMYK 0 / 75 / 20 / 0

HEX #FF40CD

RGB 255 64 205

HSL 315.71, 1%, 0.63%

LAB 61.08, 82.13, -31.6

 

CMYK 0 / 68 / 12 / 0

HEX #FF52E0

RGB 255 82 224

HSL 310.75, 1%, 0.66%

LAB 63.9, 79.01, -37.92

 

CMYK 0 / 61 / 5 / 0

HEX #FF64F3

RGB 255 100 243

HSL 304.65, 1%, 0.7%

LAB 67.16, 75.12, -43.37

 

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

CMYK 0 / 96 / 36 / 7

HEX #EE0A99

RGB 238 10 153

HSL 322.37, 0.92%, 0.49%

LAB 52.61, 82.41, -14.62

 

CMYK 0 / 100 / 39 / 13

HEX #DD0086

RGB 221 0 134

HSL 323.62, 1%, 0.43%

LAB 48.38, 77.87, -9.91

 

CMYK 0 / 100 / 44 / 20

HEX #CC0073

RGB 204 0 115

HSL 326.18, 1%, 0.4%

LAB 44.34, 72.59, -4.62

 

CMYK 0 / 100 / 49 / 27

HEX #BB0060

RGB 187 0 96

HSL 329.2, 1%, 0.37%

LAB 40.26, 67.28, 0.91

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AB

RGB 255 25 171

HSL 321.91, 1%, 0.55%

LAB 56.97, 86.21, -18.32

 

CMYK 0 / 90 / 57 / 0

HEX #FF196D

RGB 255 25 109

HSL 338.09, 1%, 0.55%

LAB 55.13, 81.2, 15.84

 

CMYK 0 / 90 / 82 / 0

HEX #FF192F

RGB 255 25 47

HSL 354.26, 1%, 0.55%

LAB 54.2, 78.57, 50.63

 

CMYK 0 / 90 / 90 / 0

HEX #FF1919

RGB 255 25 25

HSL 0, 1%, 0.55%

LAB 54.05, 78.16, 60.58

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AB

RGB 255 25 171

HSL 321.91, 1%, 0.55%

LAB 56.97, 86.21, -18.32

 

CMYK 0 / 90 / 9 / 0

HEX #FF19E8

RGB 255 25 232

HSL 306, 1%, 0.55%

LAB 59.69, 93.29, -49.02

 

CMYK 16 / 90 / 0 / 0

HEX #D719FF

RGB 215 25 255

HSL 289.57, 1%, 0.55%

LAB 54.41, 90.27, -70.7

 

CMYK 40 / 90 / 0 / 0

HEX #9919FF

RGB 153 25 255

HSL 273.39, 1%, 0.55%

LAB 45.2, 82.33, -86.11

 

CMYK 64 / 90 / 0 / 0

HEX #5B19FF

RGB 91 25 255

HSL 257.22, 1%, 0.55%

LAB 38.09, 77.12, -98.1

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AB

RGB 255 25 171

HSL 321.91, 1%, 0.55%

LAB 56.97, 86.21, -18.32

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AB

RGB 255 25 171

HSL 321.91, 1%, 0.55%

LAB 56.97, 86.21, -18.32

 

CMYK 0 / 81 / 30 / 7

HEX #EC2CA6

RGB 236 44 166

HSL 321.88, 0.83%, 0.55%

LAB 54.44, 78.37, -19.57

 

CMYK 0 / 71 / 26 / 15

HEX #D93EA1

RGB 217 62 161

HSL 321.68, 0.67%, 0.55%

LAB 52.7, 68.22, -19.58

 

CMYK 0 / 59 / 22 / 22

HEX #C7519C

RGB 199 81 156

HSL 321.86, 0.51%, 0.55%

LAB 52.32, 55.16, -17.48

 

CMYK 0 / 45 / 16 / 29

HEX #B46397

RGB 180 99 151

HSL 321.48, 0.35%, 0.55%

LAB 52.8, 39.56, -14.05

 

CMYK 17 / 90 / 0 / 0

HEX #D419FF

RGB 212 25 255

HSL 288.78, 1%, 0.55%

LAB 53.93, 89.84, -71.49

 

CMYK 0 / 90 / 8 / 0

HEX #FF19EB

RGB 255 25 235

HSL 305.22, 1%, 0.55%

LAB 59.85, 93.69, -50.46

 

CMYK 0 / 90 / 32 / 0

HEX #FF19AE

RGB 255 25 174

HSL 321.13, 1%, 0.55%

LAB 57.09, 86.51, -19.9

 

CMYK 0 / 90 / 56 / 0

HEX #FF1971

RGB 255 25 113

HSL 337.04, 1%, 0.55%

LAB 55.22, 81.45, 13.56

 

CMYK 0 / 90 / 80 / 0

HEX #FF1934

RGB 255 25 52

HSL 352.96, 1%, 0.55%

LAB 54.24, 78.7, 48.04

 

CMYK 0 / 100 / 37 / 23

HEX #C5007D

RGB 197 0 125

HSL 321.93, 1%, 0.39%

LAB 43.29, 72.03, -12.54

 

CMYK 0 / 100 / 37 / 6

HEX #EF0097

RGB 239 0 151

HSL 322.09, 1%, 0.47%

LAB 52.49, 83.13, -13.6

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AB

RGB 255 25 171

HSL 321.91, 1%, 0.55%

LAB 56.97, 86.21, -18.32

 

CMYK 0 / 74 / 27 / 0

HEX #FF42BA

RGB 255 66 186

HSL 321.9, 1%, 0.63%

LAB 60.52, 79.26, -21.6

 

CMYK 0 / 58 / 21 / 0

HEX #FF6CC9

RGB 255 108 201

HSL 322.04, 1%, 0.71%

LAB 66.67, 65.65, -20.73

 

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

CMYK 0 / 41 / 90 / 0

HEX #FF9719

RGB 255 151 25

HSL 32.87, 1%, 0.55%

LAB 71.87, 31.46, 73.16

 

CMYK 90 / 0 / 5 / 0

HEX #19FFF3

RGB 25 255 243

HSL 176.87, 1%, 0.55%

LAB 90.87, -50.82, -8.27

 

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

CMYK 32 / 0 / 90 / 0

HEX #AEFF19

RGB 174 255 25

HSL 81.13, 1%, 0.55%

LAB 91.95, -52.74, 85.99

 

CMYK 90 / 32 / 0 / 0

HEX #19AEFF

RGB 25 174 255

HSL 201.13, 1%, 0.55%

LAB 67.8, -7.71, -50

 

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

CMYK 0 / 41 / 90 / 0

HEX #FF9719

RGB 255 151 25

HSL 32.87, 1%, 0.55%

LAB 71.87, 31.46, 73.16

 

CMYK 90 / 0 / 59 / 0

HEX #19FF69

RGB 25 255 105

HSL 140.87, 1%, 0.55%

LAB 88.33, -79.06, 56.81

 

CMYK 90 / 50 / 0 / 0

HEX #1980FF

RGB 25 128 255

HSL 213.13, 1%, 0.55%

LAB 54.93, 19.54, -70.57

 

CMYK 0 / 89 / 33 / 0

HEX #FF1CAC

RGB 255 28 172

HSL 321.94, 1%, 0.55%

LAB 57.14, 85.93, -18.64

 

CMYK 0 / 14 / 90 / 0

HEX #FFDC19

RGB 255 220 25

HSL 50.87, 1%, 0.55%

LAB 88.22, -4.2, 85.46

 

CMYK 90 / 0 / 59 / 0

HEX #19FF69

RGB 25 255 105

HSL 140.87, 1%, 0.55%

LAB 88.33, -79.06, 56.81

 

CMYK 90 / 77 / 0 / 0

HEX #193BFF

RGB 25 59 255

HSL 231.13, 1%, 0.55%

LAB 38.82, 61.18, -96.99

 

Description

Color code: HEX #FF1CAC | qconv.com Color code: HEX #FF1CAC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 28 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 28 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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