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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF358B it is the complementary color #00CA74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF358B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF358B shade: #FF3586, #FF4799, #FF59AC, #FF6BBF and #FF7DD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF358B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF358B shade: #FF358B, #EE2378, #DD1165, #CC0052 and #BB003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF358B shade: #FF3289, #FF3252 and #FF3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF358B shade: #FF3289, #FF32C0, #FF32F7, #CF32FF and #9832FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF358B shade matches the following richer shades: #FF3289

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF358B shade: #FF3289, #EE438C, #DD548E, #CD6491 and #BC7593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF358B shade: #FF32F8, #FF32C1, #FF328B, #FF3255 and #FF4732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF358B shade: #DF005F, #FF0972, #FF3289, #FF5CA1 and #FF85B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF358B shade: #FF358B, #FFCF32 and #32DDFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF358B shade: #FF358B, #8BFF32 and #328BFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF358B shade: #FF358B, #FFCF32, #32FFA6 and #3262FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF358B shade: #FF358B, #F1FF32, #32FFA6 and #4032FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

Complementary color

CMYK 100 / 0 / 43 / 21

HEX #00CA74

RGB 0 202 116

HSL 154.46, 1%, 0.4%

LAB 71.89, -61.63, 31.34

 

CMYK 0 / 79 / 47 / 0

HEX #FF3586

RGB 255 53 134

HSL 335.94, 1%, 0.6%

LAB 57.59, 77.69, 4.38

 

CMYK 0 / 72 / 40 / 0

HEX #FF4799

RGB 255 71 153

HSL 333.26, 1%, 0.64%

LAB 59.95, 74.22, -3.34

 

CMYK 0 / 65 / 33 / 0

HEX #FF59AC

RGB 255 89 172

HSL 330, 1%, 0.67%

LAB 62.83, 69.83, -10.06

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BBF

RGB 255 107 191

HSL 325.95, 1%, 0.71%

LAB 66.16, 64.76, -15.86

 

CMYK 0 / 51 / 18 / 0

HEX #FF7DD2

RGB 255 125 210

HSL 320.77, 1%, 0.75%

LAB 69.88, 59.23, -20.88

 

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

CMYK 0 / 85 / 50 / 7

HEX #EE2378

RGB 238 35 120

HSL 334.88, 0.86%, 0.54%

LAB 52.66, 76.4, 5.25

 

CMYK 0 / 92 / 54 / 13

HEX #DD1165

RGB 221 17 101

HSL 335.29, 0.86%, 0.47%

LAB 47.9, 73.75, 9.63

 

CMYK 0 / 100 / 60 / 20

HEX #CC0052

RGB 204 0 82

HSL 335.88, 1%, 0.4%

LAB 43.43, 70.18, 14.75

 

CMYK 0 / 100 / 66 / 27

HEX #BB003F

RGB 187 0 63

HSL 339.79, 1%, 0.37%

LAB 39.45, 65.12, 20.86

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 80 / 68 / 0

HEX #FF3252

RGB 255 50 82

HSL 350.63, 1%, 0.6%

LAB 56.24, 75.14, 33.33

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 80 / 25 / 0

HEX #FF32C0

RGB 255 50 192

HSL 318.44, 1%, 0.6%

LAB 59.29, 84.12, -26.93

 

CMYK 0 / 80 / 3 / 0

HEX #FF32F7

RGB 255 50 247

HSL 302.34, 1%, 0.6%

LAB 61.87, 91.26, -53.93

 

CMYK 19 / 80 / 0 / 0

HEX #CF32FF

RGB 207 50 255

HSL 285.95, 1%, 0.6%

LAB 54.83, 84.17, -70.08

 

CMYK 40 / 80 / 0 / 0

HEX #9832FF

RGB 152 50 255

HSL 269.85, 1%, 0.6%

LAB 47.21, 75.9, -82.83

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 72 / 41 / 7

HEX #EE438C

RGB 238 67 140

HSL 334.39, 0.83%, 0.6%

LAB 56.17, 69.75, -1.6

 

CMYK 0 / 62 / 36 / 13

HEX #DD548E

RGB 221 84 142

HSL 334.6, 0.67%, 0.6%

LAB 55.75, 58.65, -3.72

 

CMYK 0 / 51 / 29 / 20

HEX #CD6491

RGB 205 100 145

HSL 334.29, 0.51%, 0.6%

LAB 56.23, 46.54, -5.05

 

CMYK 0 / 38 / 22 / 26

HEX #BC7593

RGB 188 117 147

HSL 334.65, 0.35%, 0.6%

LAB 57.58, 32.01, -4.46

 

CMYK 0 / 80 / 3 / 0

HEX #FF32F8

RGB 255 50 248

HSL 302.05, 1%, 0.6%

LAB 61.93, 91.4, -54.4

 

CMYK 0 / 80 / 24 / 0

HEX #FF32C1

RGB 255 50 193

HSL 318.15, 1%, 0.6%

LAB 59.33, 84.24, -27.44

 

CMYK 0 / 80 / 45 / 0

HEX #FF328B

RGB 255 50 139

HSL 333.95, 1%, 0.6%

LAB 57.47, 78.83, 1.25

 

CMYK 0 / 80 / 67 / 0

HEX #FF3255

RGB 255 50 85

HSL 349.76, 1%, 0.6%

LAB 56.28, 75.28, 31.64

 

CMYK 0 / 72 / 80 / 0

HEX #FF4732

RGB 255 71 50

HSL 6.15, 1%, 0.6%

LAB 58.03, 67.88, 52.77

 

CMYK 0 / 100 / 57 / 13

HEX #DF005F

RGB 223 0 95

HSL 334.44, 1%, 0.44%

LAB 47.64, 75.31, 13.04

 

CMYK 0 / 96 / 55 / 0

HEX #FF0972

RGB 255 9 114

HSL 334.39, 1%, 0.52%

LAB 54.73, 83.01, 12.27

 

CMYK 0 / 80 / 46 / 0

HEX #FF3289

RGB 255 50 137

HSL 334.54, 1%, 0.6%

LAB 57.41, 78.66, 2.35

 

CMYK 0 / 64 / 37 / 0

HEX #FF5CA1

RGB 255 92 161

HSL 334.6, 1%, 0.68%

LAB 62.92, 67.46, -3.6

 

CMYK 0 / 48 / 27 / 0

HEX #FF85B9

RGB 255 133 185

HSL 334.43, 1%, 0.76%

LAB 70.55, 51.97, -5.93

 

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

CMYK 0 / 19 / 80 / 0

HEX #FFCF32

RGB 255 207 50

HSL 45.95, 1%, 0.6%

LAB 85.06, 2.95, 77.29

 

CMYK 80 / 13 / 0 / 0

HEX #32DDFF

RGB 50 221 255

HSL 189.95, 1%, 0.6%

LAB 81.63, -30.47, -28.47

 

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

CMYK 45 / 0 / 80 / 0

HEX #8BFF32

RGB 139 255 50

HSL 93.95, 1%, 0.6%

LAB 90.43, -63.42, 79.19

 

CMYK 80 / 45 / 0 / 0

HEX #328BFF

RGB 50 139 255

HSL 213.95, 1%, 0.6%

LAB 58.38, 14.44, -64.98

 

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

CMYK 0 / 19 / 80 / 0

HEX #FFCF32

RGB 255 207 50

HSL 45.95, 1%, 0.6%

LAB 85.06, 2.95, 77.29

 

CMYK 80 / 0 / 35 / 0

HEX #32FFA6

RGB 50 255 166

HSL 153.95, 1%, 0.6%

LAB 89.37, -67.51, 29.22

 

CMYK 80 / 62 / 0 / 0

HEX #3262FF

RGB 50 98 255

HSL 225.95, 1%, 0.6%

LAB 47.79, 39.88, -82.16

 

CMYK 0 / 79 / 45 / 0

HEX #FF358B

RGB 255 53 139

HSL 334.46, 1%, 0.6%

LAB 57.72, 78.1, 1.62

 

CMYK 5 / 0 / 80 / 0

HEX #F1FF32

RGB 241 255 50

HSL 64.1, 1%, 0.6%

LAB 96.18, -26.47, 86.47

 

CMYK 80 / 0 / 35 / 0

HEX #32FFA6

RGB 50 255 166

HSL 153.95, 1%, 0.6%

LAB 89.37, -67.51, 29.22

 

CMYK 75 / 80 / 0 / 0

HEX #4032FF

RGB 64 50 255

HSL 244.1, 1%, 0.6%

LAB 38.88, 67.16, -96.84

 

Description

Color code: HEX #FF358B | qconv.com Color code: HEX #FF358B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 53 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 53 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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