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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF31CD it is the complementary color #00CE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF31CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF31CD shade: #FF31C8, #FF43DB, #FF55EE, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF31CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF31CD shade: #FF31CD, #EE1FBA, #DD0DA7, #CC0094 and #BB0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF31CD shade: #FF32CD, #FF3296, #FF325F and #FF3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF31CD shade: #FF32CD, #F932FF, #C232FF, #8B32FF and #5432FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF31CD shade matches the following richer shades: #FF32CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF31CD shade: #FF32CD, #EE43C5, #DD54BC, #CD64B4 and #BC75AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF31CD shade: #C132FF, #F832FF, #FF32CF, #FF3299 and #FF3262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF31CD shade: #DF00A9, #FF09C3, #FF32CD, #FF5CD7 and #FF85E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF31CD shade: #FF31CD, #FF8B32 and #32FFDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF31CD shade: #FF31CD, #CFFF32 and #32CFFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF31CD shade: #FF31CD, #FF8B32, #32FF62 and #32A6FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF31CD shade: #FF31CD, #FFC832, #32FF62 and #3269FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

Complementary color

CMYK 100 / 0 / 76 / 19

HEX #00CE32

RGB 0 206 50

HSL 134.56, 1%, 0.4%

LAB 72.48, -71.39, 61.16

 

CMYK 0 / 81 / 22 / 0

HEX #FF31C8

RGB 255 49 200

HSL 316.02, 1%, 0.6%

LAB 59.55, 85.28, -31.11

 

CMYK 0 / 74 / 14 / 0

HEX #FF43DB

RGB 255 67 219

HSL 311.49, 1%, 0.63%

LAB 61.99, 83.09, -38.09

 

CMYK 0 / 67 / 7 / 0

HEX #FF55EE

RGB 255 85 238

HSL 306, 1%, 0.67%

LAB 64.91, 79.99, -44.14

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

CMYK 0 / 87 / 22 / 7

HEX #EE1FBA

RGB 238 31 186

HSL 315.07, 0.86%, 0.53%

LAB 54.76, 83.56, -30.72

 

CMYK 0 / 94 / 24 / 13

HEX #DD0DA7

RGB 221 13 167

HSL 315.58, 0.89%, 0.46%

LAB 50.04, 80.23, -27.17

 

CMYK 0 / 100 / 27 / 20

HEX #CC0094

RGB 204 0 148

HSL 316.47, 1%, 0.4%

LAB 45.6, 75.84, -22.93

 

CMYK 0 / 100 / 31 / 27

HEX #BB0081

RGB 187 0 129

HSL 318.61, 1%, 0.37%

LAB 41.45, 70.38, -17.99

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 0 / 80 / 41 / 0

HEX #FF3296

RGB 255 50 150

HSL 330.73, 1%, 0.6%

LAB 57.79, 79.78, -4.77

 

CMYK 0 / 80 / 63 / 0

HEX #FF325F

RGB 255 50 95

HSL 346.83, 1%, 0.6%

LAB 56.45, 75.79, 25.97

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 24 / 80 / 0 / 0

HEX #C232FF

RGB 194 50 255

HSL 282.15, 1%, 0.6%

LAB 52.92, 82.08, -73.27

 

CMYK 45 / 80 / 0 / 0

HEX #8B32FF

RGB 139 50 255

HSL 266.05, 1%, 0.6%

LAB 45.62, 74.21, -85.49

 

CMYK 67 / 80 / 0 / 0

HEX #5432FF

RGB 84 50 255

HSL 249.95, 1%, 0.6%

LAB 40.22, 68.54, -94.58

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 0 / 72 / 17 / 7

HEX #EE43C5

RGB 238 67 197

HSL 314.39, 0.83%, 0.6%

LAB 58.25, 76.32, -31.64

 

CMYK 0 / 62 / 15 / 13

HEX #DD54BC

RGB 221 84 188

HSL 314.45, 0.67%, 0.6%

LAB 57.41, 64.62, -27.99

 

CMYK 0 / 51 / 12 / 20

HEX #CD64B4

RGB 205 100 180

HSL 314.29, 0.51%, 0.6%

LAB 57.45, 51.65, -23.51

 

CMYK 0 / 38 / 9 / 26

HEX #BC75AB

RGB 188 117 171

HSL 314.37, 0.35%, 0.6%

LAB 58.37, 35.93, -17.13

 

CMYK 24 / 80 / 0 / 0

HEX #C132FF

RGB 193 50 255

HSL 281.85, 1%, 0.6%

LAB 52.77, 81.92, -73.51

 

CMYK 3 / 80 / 0 / 0

HEX #F832FF

RGB 248 50 255

HSL 297.95, 1%, 0.6%

LAB 61.18, 91.17, -59.53

 

CMYK 0 / 80 / 19 / 0

HEX #FF32CF

RGB 255 50 207

HSL 314.05, 1%, 0.6%

LAB 59.93, 85.91, -34.51

 

CMYK 0 / 80 / 40 / 0

HEX #FF3299

RGB 255 50 153

HSL 329.85, 1%, 0.6%

LAB 57.89, 80.06, -6.39

 

CMYK 0 / 80 / 62 / 0

HEX #FF3262

RGB 255 50 98

HSL 345.95, 1%, 0.6%

LAB 56.51, 75.96, 24.26

 

CMYK 0 / 100 / 24 / 13

HEX #DF00A9

RGB 223 0 169

HSL 314.53, 1%, 0.44%

LAB 50.16, 81.85, -28.13

 

CMYK 0 / 96 / 24 / 0

HEX #FF09C3

RGB 255 9 195

HSL 314.63, 1%, 0.52%

LAB 57.46, 90.17, -31.49

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 0 / 64 / 16 / 0

HEX #FF5CD7

RGB 255 92 215

HSL 314.72, 1%, 0.68%

LAB 64.82, 74.1, -31.44

 

CMYK 0 / 48 / 12 / 0

HEX #FF85E1

RGB 255 133 225

HSL 314.75, 1%, 0.76%

LAB 71.87, 57.69, -26.13

 

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

CMYK 0 / 45 / 80 / 0

HEX #FF8B32

RGB 255 139 50

HSL 26.05, 1%, 0.6%

LAB 69.44, 38.16, 63.4

 

CMYK 80 / 0 / 13 / 0

HEX #32FFDD

RGB 50 255 221

HSL 170.05, 1%, 0.6%

LAB 90.51, -55.14, 2.64

 

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

CMYK 19 / 0 / 80 / 0

HEX #CFFF32

RGB 207 255 50

HSL 74.05, 1%, 0.6%

LAB 93.89, -39.87, 83.58

 

CMYK 80 / 19 / 0 / 0

HEX #32CFFF

RGB 50 207 255

HSL 194.05, 1%, 0.6%

LAB 77.59, -23.56, -34.68

 

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

CMYK 0 / 45 / 80 / 0

HEX #FF8B32

RGB 255 139 50

HSL 26.05, 1%, 0.6%

LAB 69.44, 38.16, 63.4

 

CMYK 80 / 0 / 62 / 0

HEX #32FF62

RGB 50 255 98

HSL 134.05, 1%, 0.6%

LAB 88.49, -77.94, 60.03

 

CMYK 80 / 35 / 0 / 0

HEX #32A6FF

RGB 50 166 255

HSL 206.05, 1%, 0.6%

LAB 65.88, -1.51, -53.01

 

CMYK 0 / 81 / 20 / 0

HEX #FF31CD

RGB 255 49 205

HSL 314.56, 1%, 0.6%

LAB 59.77, 85.89, -33.63

 

CMYK 0 / 22 / 80 / 0

HEX #FFC832

RGB 255 200 50

HSL 43.9, 1%, 0.6%

LAB 83.34, 6.55, 75.79

 

CMYK 80 / 0 / 62 / 0

HEX #32FF62

RGB 50 255 98

HSL 134.05, 1%, 0.6%

LAB 88.49, -77.94, 60.03

 

CMYK 80 / 59 / 0 / 0

HEX #3269FF

RGB 50 105 255

HSL 223.9, 1%, 0.6%

LAB 49.5, 35.53, -79.38

 

Description

Color code: HEX #FF31CD | qconv.com Color code: HEX #FF31CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 49 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 49 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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