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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF3DD9 it is the complementary color #00C226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF3DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF3DD9 shade: #FF3DD4, #FF4FE7, #FF61FA, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF3DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF3DD9 shade: #FF3DD9, #EE2BC6, #DD19B3, #CC07A0 and #BB008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF3DD9 shade: #FF3DD9, #FF3DA4, #FF3D70 and #FF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF3DD9 shade: #FF3DD9, #F03DFF, #BC3DFF, #883DFF and #533DFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF3DD9 shade matches the following richer shades: #FF3DD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF3DD9 shade: #FF3DD9, #EF4CCF, #DF5CC5, #CF6CBC and #C07BB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF3DD9 shade: #BB3DFF, #EE3DFF, #FF3DDB, #FF3DA7 and #FF3D74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF3DD9 shade: #E900BB, #FF13D0, #FF3DD9, #FF66E1 and #FF8FE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF3DD9 shade: #FF3DD9, #FF873D and #3DFFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF3DD9 shade: #FF3DD9, #DBFF3D and #3DDBFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF3DD9 shade: #FF3DD9, #FF873D, #3DFF60 and #3DB4FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF3DD9 shade: #FF3DD9, #FFC13D, #3DFF60 and #3D7AFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

Complementary color

CMYK 100 / 0 / 80 / 24

HEX #00C226

RGB 0 194 38

HSL 131.75, 1%, 0.38%

LAB 68.55, -68.83, 61.07

 

CMYK 0 / 76 / 17 / 0

HEX #FF3DD4

RGB 255 61 212

HSL 313.3, 1%, 0.62%

LAB 61.09, 83.85, -35.54

 

CMYK 0 / 69 / 9 / 0

HEX #FF4FE7

RGB 255 79 231

HSL 308.18, 1%, 0.65%

LAB 63.85, 81.02, -41.9

 

CMYK 0 / 62 / 2 / 0

HEX #FF61FA

RGB 255 97 250

HSL 301.9, 1%, 0.69%

LAB 67.06, 77.4, -47.38

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 82 / 17 / 7

HEX #EE2BC6

RGB 238 43 198

HSL 312.31, 0.85%, 0.55%

LAB 56.07, 82.82, -35.61

 

CMYK 0 / 89 / 19 / 13

HEX #DD19B3

RGB 221 25 179

HSL 312.86, 0.8%, 0.48%

LAB 51.06, 80.26, -32.64

 

CMYK 0 / 97 / 22 / 20

HEX #CC07A0

RGB 204 7 160

HSL 313.4, 0.93%, 0.41%

LAB 46.35, 76.62, -28.99

 

CMYK 0 / 100 / 25 / 27

HEX #BB008D

RGB 187 0 141

HSL 314.76, 1%, 0.37%

LAB 41.98, 71.72, -24.55

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 76 / 36 / 0

HEX #FF3DA4

RGB 255 61 164

HSL 328.14, 1%, 0.62%

LAB 59.23, 78.3, -10.82

 

CMYK 0 / 76 / 56 / 0

HEX #FF3D70

RGB 255 61 112

HSL 344.23, 1%, 0.62%

LAB 57.82, 73.92, 17.73

 

CMYK 0 / 76 / 76 / 0

HEX #FF3D3D

RGB 255 61 61

HSL 0, 1%, 0.62%

LAB 57.01, 71.35, 46.06

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 6 / 76 / 0 / 0

HEX #F03DFF

RGB 240 61 255

HSL 295.36, 1%, 0.62%

LAB 60.85, 87.03, -60.12

 

CMYK 26 / 76 / 0 / 0

HEX #BC3DFF

RGB 188 61 255

HSL 279.28, 1%, 0.62%

LAB 53.22, 77.75, -72.82

 

CMYK 47 / 76 / 0 / 0

HEX #883DFF

RGB 136 61 255

HSL 263.2, 1%, 0.62%

LAB 46.7, 69.69, -83.73

 

CMYK 67 / 76 / 0 / 0

HEX #533DFF

RGB 83 61 255

HSL 246.8, 1%, 0.62%

LAB 41.84, 63.56, -91.9

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 68 / 13 / 6

HEX #EF4CCF

RGB 239 76 207

HSL 311.78, 0.84%, 0.62%

LAB 59.91, 74.92, -34.74

 

CMYK 0 / 59 / 12 / 13

HEX #DF5CC5

RGB 223 92 197

HSL 311.91, 0.67%, 0.62%

LAB 59.32, 63.12, -30.16

 

CMYK 0 / 48 / 9 / 19

HEX #CF6CBC

RGB 207 108 188

HSL 311.52, 0.51%, 0.62%

LAB 59.55, 49.6, -24.86

 

CMYK 0 / 36 / 7 / 25

HEX #C07BB2

RGB 192 123 178

HSL 312.17, 0.35%, 0.62%

LAB 60.42, 35.24, -17.99

 

CMYK 27 / 76 / 0 / 0

HEX #BB3DFF

RGB 187 61 255

HSL 278.97, 1%, 0.62%

LAB 53.08, 77.58, -73.05

 

CMYK 7 / 76 / 0 / 0

HEX #EE3DFF

RGB 238 61 255

HSL 294.74, 1%, 0.62%

LAB 60.55, 86.66, -60.63

 

CMYK 0 / 76 / 14 / 0

HEX #FF3DDB

RGB 255 61 219

HSL 311.13, 1%, 0.62%

LAB 61.4, 84.76, -39.01

 

CMYK 0 / 76 / 35 / 0

HEX #FF3DA7

RGB 255 61 167

HSL 327.22, 1%, 0.62%

LAB 59.33, 78.61, -12.42

 

CMYK 0 / 76 / 55 / 0

HEX #FF3D74

RGB 255 61 116

HSL 342.99, 1%, 0.62%

LAB 57.9, 74.19, 15.49

 

CMYK 0 / 100 / 20 / 9

HEX #E900BB

RGB 233 0 187

HSL 311.85, 1%, 0.46%

LAB 52.85, 85.79, -34.35

 

CMYK 0 / 93 / 18 / 0

HEX #FF13D0

RGB 255 19 208

HSL 311.95, 1%, 0.54%

LAB 58.3, 90.91, -37.63

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 60 / 12 / 0

HEX #FF66E1

RGB 255 102 225

HSL 311.76, 1%, 0.7%

LAB 66.67, 71.58, -34.16

 

CMYK 0 / 44 / 9 / 0

HEX #FF8FE9

RGB 255 143 233

HSL 311.79, 1%, 0.78%

LAB 74.05, 54.09, -27.18

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 47 / 76 / 0

HEX #FF873D

RGB 255 135 61

HSL 22.89, 1%, 0.62%

LAB 68.7, 40.55, 58.1

 

CMYK 76 / 0 / 16 / 0

HEX #3DFFD5

RGB 61 255 213

HSL 167.01, 1%, 0.62%

LAB 90.47, -56.11, 6.73

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 14 / 0 / 76 / 0

HEX #DBFF3D

RGB 219 255 61

HSL 71.13, 1%, 0.62%

LAB 94.7, -34.82, 81.67

 

CMYK 76 / 14 / 0 / 0

HEX #3DDBFF

RGB 61 219 255

HSL 191.13, 1%, 0.62%

LAB 81.22, -28.49, -29.08

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 47 / 76 / 0

HEX #FF873D

RGB 255 135 61

HSL 22.89, 1%, 0.62%

LAB 68.7, 40.55, 58.1

 

CMYK 76 / 0 / 62 / 0

HEX #3DFF60

RGB 61 255 96

HSL 130.82, 1%, 0.62%

LAB 88.62, -76.88, 61.04

 

CMYK 76 / 29 / 0 / 0

HEX #3DB4FF

RGB 61 180 255

HSL 203.2, 1%, 0.62%

LAB 70.07, -8.26, -46.38

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DD9

RGB 255 61 217

HSL 311.75, 1%, 0.62%

LAB 61.31, 84.5, -38.02

 

CMYK 0 / 24 / 76 / 0

HEX #FFC13D

RGB 255 193 61

HSL 40.82, 1%, 0.62%

LAB 81.69, 10.55, 70.66

 

CMYK 76 / 0 / 62 / 0

HEX #3DFF60

RGB 61 255 96

HSL 130.82, 1%, 0.62%

LAB 88.62, -76.88, 61.04

 

CMYK 76 / 52 / 0 / 0

HEX #3D7AFF

RGB 61 122 255

HSL 221.13, 1%, 0.62%

LAB 54.17, 25.98, -71.77

 

Description

Color code: HEX #FF3DD9 | qconv.com Color code: HEX #FF3DD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 61 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 61 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 15 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 15% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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