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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4C00 it is the complementary color #00B3FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4C00 shade: #FF4C00, #FF5E0E, #FF7021, #FF8234 and #FF9447

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4C00 shade: #FF4C00, #EE3A00, #DD2800, #CC1600 and #BB0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4C00 shade: #FF4B00, #FF0700 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4C00 shade: #FF4B00, #FF9000, #FFD500, #E3FF00 and #9EFF00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4C00 shade matches the following richer shades: #FF4B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4C00 shade: #FF4B00, #EA5414, #D55C29, #C1643D and #AC6D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4C00 shade: #FF003F, #FF0400, #FF4800, #FF8C00 and #FFD000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4C00 shade: #AC3300, #D53F00, #FF4B00, #FF6829 and #FF8552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4C00 shade: #FF4C00, #83FF00 and #001DFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4C00 shade: #FF4C00, #00FF48 and #4800FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4C00 shade: #FF4C00, #83FF00, #00B6FF and #7B00FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4C00 shade: #FF4C00, #37FF00, #00B6FF and #C700FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

Complementary color

CMYK 100 / 30 / 0 / 0

HEX #00B3FF

RGB 0 179 255

HSL 197.88, 1%, 0.5%

LAB 69.08, -11.21, -47.98

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 0 / 63 / 95 / 0

HEX #FF5E0E

RGB 255 94 14

HSL 19.92, 1%, 0.53%

LAB 61.04, 58.54, 68.16

 

CMYK 0 / 56 / 87 / 0

HEX #FF7021

RGB 255 112 33

HSL 21.35, 1%, 0.56%

LAB 64.13, 50.88, 65.09

 

CMYK 0 / 49 / 80 / 0

HEX #FF8234

RGB 255 130 52

HSL 23.05, 1%, 0.6%

LAB 67.63, 42.73, 60.93

 

CMYK 0 / 42 / 72 / 0

HEX #FF9447

RGB 255 148 71

HSL 25.11, 1%, 0.64%

LAB 71.48, 34.37, 56.43

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 0 / 76 / 100 / 7

HEX #EE3A00

RGB 238 58 0

HSL 14.62, 1%, 0.47%

LAB 53.17, 66.18, 65.17

 

CMYK 0 / 82 / 100 / 13

HEX #DD2800

RGB 221 40 0

HSL 10.86, 1%, 0.43%

LAB 48.12, 66.22, 61.08

 

CMYK 0 / 89 / 100 / 20

HEX #CC1600

RGB 204 22 0

HSL 6.47, 1%, 0.4%

LAB 43.38, 65.23, 57.12

 

CMYK 0 / 98 / 100 / 27

HEX #BB0400

RGB 187 4 0

HSL 1.28, 1%, 0.37%

LAB 38.99, 63.02, 53.29

 

CMYK 0 / 71 / 100 / 0

HEX #FF4B00

RGB 255 75 0

HSL 17.65, 1%, 0.5%

LAB 58.31, 65.76, 69.31

 

CMYK 0 / 97 / 100 / 0

HEX #FF0700

RGB 255 7 0

HSL 1.65, 1%, 0.5%

LAB 53.4, 79.63, 67.28

 

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

 

CMYK 0 / 71 / 100 / 0

HEX #FF4B00

RGB 255 75 0

HSL 17.65, 1%, 0.5%

LAB 58.31, 65.76, 69.31

 

CMYK 0 / 44 / 100 / 0

HEX #FF9000

RGB 255 144 0

HSL 33.88, 1%, 0.5%

LAB 70.32, 34.8, 76.01

 

CMYK 0 / 16 / 100 / 0

HEX #FFD500

RGB 255 213 0

HSL 50.12, 1%, 0.5%

LAB 86.43, -0.91, 86.79

 

CMYK 11 / 0 / 100 / 0

HEX #E3FF00

RGB 227 255 0

HSL 66.59, 1%, 0.5%

LAB 95.1, -32.91, 92.06

 

CMYK 38 / 0 / 100 / 0

HEX #9EFF00

RGB 158 255 0

HSL 82.82, 1%, 0.5%

LAB 91.14, -58.55, 87.31

 

CMYK 0 / 71 / 100 / 0

HEX #FF4B00

RGB 255 75 0

HSL 17.65, 1%, 0.5%

LAB 58.31, 65.76, 69.31

 

CMYK 0 / 71 / 100 / 0

HEX #FF4B00

RGB 255 75 0

HSL 17.65, 1%, 0.5%

LAB 58.31, 65.76, 69.31

 

CMYK 0 / 64 / 91 / 8

HEX #EA5414

RGB 234 84 20

HSL 17.94, 0.84%, 0.5%

LAB 55.97, 55.61, 61.67

 

CMYK 0 / 57 / 81 / 16

HEX #D55C29

RGB 213 92 41

HSL 17.79, 0.68%, 0.5%

LAB 53.99, 44.97, 50.67

 

CMYK 0 / 48 / 68 / 24

HEX #C1643D

RGB 193 100 61

HSL 17.73, 0.52%, 0.5%

LAB 52.72, 34.07, 38.42

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 100 / 75 / 0

HEX #FF003F

RGB 255 0 63

HSL 345.18, 1%, 0.5%

LAB 53.62, 81.16, 41.25

 

CMYK 0 / 98 / 100 / 0

HEX #FF0400

RGB 255 4 0

HSL 0.94, 1%, 0.5%

LAB 53.33, 79.84, 67.25

 

CMYK 0 / 72 / 100 / 0

HEX #FF4800

RGB 255 72 0

HSL 16.94, 1%, 0.5%

LAB 57.94, 66.79, 69.14

 

CMYK 0 / 45 / 100 / 0

HEX #FF8C00

RGB 255 140 0

HSL 32.94, 1%, 0.5%

LAB 69.48, 36.83, 75.49

 

CMYK 0 / 18 / 100 / 0

HEX #FFD000

RGB 255 208 0

HSL 48.94, 1%, 0.5%

LAB 85.19, 1.63, 85.91

 

CMYK 0 / 70 / 100 / 33

HEX #AC3300

RGB 172 51 0

HSL 17.79, 1%, 0.34%

LAB 39.81, 47.61, 51.83

 

CMYK 0 / 70 / 100 / 16

HEX #D53F00

RGB 213 63 0

HSL 17.75, 1%, 0.42%

LAB 49.13, 56.71, 60.63

 

CMYK 0 / 71 / 100 / 0

HEX #FF4B00

RGB 255 75 0

HSL 17.65, 1%, 0.5%

LAB 58.31, 65.76, 69.31

 

CMYK 0 / 59 / 84 / 0

HEX #FF6829

RGB 255 104 41

HSL 17.66, 1%, 0.58%

LAB 62.78, 54.68, 61.06

 

CMYK 0 / 48 / 68 / 0

HEX #FF8552

RGB 255 133 82

HSL 17.69, 1%, 0.66%

LAB 68.49, 42.51, 47.84

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 49 / 0 / 100 / 0

HEX #83FF00

RGB 131 255 0

HSL 89.18, 1%, 0.5%

LAB 90.02, -66.94, 85.96

 

CMYK 100 / 89 / 0 / 0

HEX #001DFF

RGB 0 29 255

HSL 233.18, 1%, 0.5%

LAB 34.19, 73.38, -104.71

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 100 / 0 / 72 / 0

HEX #00FF48

RGB 0 255 72

HSL 136.94, 1%, 0.5%

LAB 87.96, -83.26, 69.32

 

CMYK 72 / 100 / 0 / 0

HEX #4800FF

RGB 72 0 255

HSL 256.94, 1%, 0.5%

LAB 35.2, 80.25, -102.96

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 49 / 0 / 100 / 0

HEX #83FF00

RGB 131 255 0

HSL 89.18, 1%, 0.5%

LAB 90.02, -66.94, 85.96

 

CMYK 100 / 29 / 0 / 0

HEX #00B6FF

RGB 0 182 255

HSL 197.18, 1%, 0.5%

LAB 69.95, -12.84, -46.62

 

CMYK 52 / 100 / 0 / 0

HEX #7B00FF

RGB 123 0 255

HSL 268.94, 1%, 0.5%

LAB 40.3, 82.82, -94.34

 

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 78 / 0 / 100 / 0

HEX #37FF00

RGB 55 255 0

HSL 107.06, 1%, 0.5%

LAB 88.13, -82.65, 83.66

 

CMYK 100 / 29 / 0 / 0

HEX #00B6FF

RGB 0 182 255

HSL 197.18, 1%, 0.5%

LAB 69.95, -12.84, -46.62

 

CMYK 22 / 100 / 0 / 0

HEX #C700FF

RGB 199 0 255

HSL 286.82, 1%, 0.5%

LAB 51.11, 90.38, -76.18

 

Description

Color code: HEX #FF4C00 | qconv.com Color code: HEX #FF4C00 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 76 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 76 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - Responding to the un...
Link: http://elvery.net

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