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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4F34 it is the complementary color #00B0CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4F34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4F34 shade: #FF4F2F, #FF6142, #FF7355, #FF8568 and #FF977B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4F34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4F34 shade: #FF4F34, #EE3D21, #DD2B0E, #CC1900 and #BB0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4F34 shade: #FF4E32 and #FF3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4F34 shade: #FF4E32, #FF8532, #FFBC32, #FFF332 and #D3FF32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4F34 shade matches the following richer shades: #FF4E32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4F34 shade: #FF4E32, #EE5A43, #DD6654, #CD7264 and #BC7E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4F34 shade: #FF3288, #FF3251, #FF4A32, #FF8132 and #FFB732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4F34 shade: #DF1D00, #FF2A09, #FF4E32, #FF715C and #FF9585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4F34 shade: #FF4F34, #BEFF32 and #326CFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4F34 shade: #FF4F34, #32FF4A and #4A32FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4F34 shade: #FF4F34, #BEFF32, #32E7FF and #7332FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4F34 shade: #FF4F34, #81FF32, #32E7FF and #B032FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

Complementary color

CMYK 100 / 13 / 0 / 20

HEX #00B0CB

RGB 0 176 203

HSL 187.98, 1%, 0.4%

LAB 66.03, -27.74, -24.29

 

CMYK 0 / 69 / 82 / 0

HEX #FF4F2F

RGB 255 79 47

HSL 9.23, 1%, 0.59%

LAB 59.03, 65, 55.14

 

CMYK 0 / 62 / 74 / 0

HEX #FF6142

RGB 255 97 66

HSL 9.84, 1%, 0.63%

LAB 61.83, 58.51, 48.6

 

CMYK 0 / 55 / 67 / 0

HEX #FF7355

RGB 255 115 85

HSL 10.59, 1%, 0.67%

LAB 65.1, 51.36, 42.35

 

CMYK 0 / 48 / 59 / 0

HEX #FF8568

RGB 255 133 104

HSL 11.52, 1%, 0.7%

LAB 68.78, 43.85, 36.64

 

CMYK 0 / 41 / 52 / 0

HEX #FF977B

RGB 255 151 123

HSL 12.73, 1%, 0.74%

LAB 72.78, 36.22, 31.51

 

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

CMYK 0 / 74 / 86 / 7

HEX #EE3D21

RGB 238 61 33

HSL 8.2, 0.86%, 0.53%

LAB 53.63, 65.64, 55.55

 

CMYK 0 / 81 / 94 / 13

HEX #DD2B0E

RGB 221 43 14

HSL 8.41, 0.88%, 0.46%

LAB 48.43, 65.59, 57.44

 

CMYK 0 / 88 / 100 / 20

HEX #CC1900

RGB 204 25 0

HSL 7.35, 1%, 0.4%

LAB 43.56, 64.72, 57.19

 

CMYK 0 / 96 / 100 / 27

HEX #BB0700

RGB 187 7 0

HSL 2.25, 1%, 0.37%

LAB 39.1, 62.69, 53.33

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 48 / 80 / 0

HEX #FF8532

RGB 255 133 50

HSL 24.29, 1%, 0.6%

LAB 68.22, 41.17, 62.29

 

CMYK 0 / 26 / 80 / 0

HEX #FFBC32

RGB 255 188 50

HSL 40.39, 1%, 0.6%

LAB 80.44, 12.77, 73.24

 

CMYK 0 / 5 / 80 / 0

HEX #FFF332

RGB 255 243 50

HSL 56.49, 1%, 0.6%

LAB 94.14, -15.03, 85.14

 

CMYK 17 / 0 / 80 / 0

HEX #D3FF32

RGB 211 255 50

HSL 72.88, 1%, 0.6%

LAB 94.14, -38.33, 83.9

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 62 / 72 / 7

HEX #EE5A43

RGB 238 90 67

HSL 8.07, 0.83%, 0.6%

LAB 57.94, 55.78, 43

 

CMYK 0 / 54 / 62 / 13

HEX #DD6654

RGB 221 102 84

HSL 7.88, 0.67%, 0.6%

LAB 57.57, 45.2, 32.57

 

CMYK 0 / 44 / 51 / 20

HEX #CD7264

RGB 205 114 100

HSL 8, 0.51%, 0.6%

LAB 57.97, 34.31, 23.57

 

CMYK 0 / 33 / 38 / 26

HEX #BC7E75

RGB 188 126 117

HSL 7.61, 0.35%, 0.6%

LAB 58.88, 22.93, 14.72

 

CMYK 0 / 80 / 47 / 0

HEX #FF3288

RGB 255 50 136

HSL 334.83, 1%, 0.6%

LAB 57.38, 78.58, 2.91

 

CMYK 0 / 80 / 68 / 0

HEX #FF3251

RGB 255 50 81

HSL 350.93, 1%, 0.6%

LAB 56.22, 75.09, 33.89

 

CMYK 0 / 71 / 80 / 0

HEX #FF4A32

RGB 255 74 50

HSL 7.02, 1%, 0.6%

LAB 58.4, 66.86, 53.12

 

CMYK 0 / 49 / 80 / 0

HEX #FF8132

RGB 255 129 50

HSL 23.12, 1%, 0.6%

LAB 67.42, 43.16, 61.56

 

CMYK 0 / 28 / 80 / 0

HEX #FFB732

RGB 255 183 50

HSL 38.93, 1%, 0.6%

LAB 79.25, 15.37, 72.2

 

CMYK 0 / 87 / 100 / 13

HEX #DF1D00

RGB 223 29 0

HSL 7.8, 1%, 0.44%

LAB 47.71, 69.09, 61.16

 

CMYK 0 / 84 / 96 / 0

HEX #FF2A09

RGB 255 42 9

HSL 8.05, 1%, 0.52%

LAB 55.01, 75.13, 65.84

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 56 / 64 / 0

HEX #FF715C

RGB 255 113 92

HSL 7.73, 1%, 0.68%

LAB 64.84, 52.69, 38.26

 

CMYK 0 / 42 / 48 / 0

HEX #FF9585

RGB 255 149 133

HSL 7.87, 1%, 0.76%

LAB 72.53, 38.13, 25.74

 

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

CMYK 25 / 0 / 80 / 0

HEX #BEFF32

RGB 190 255 50

HSL 79.02, 1%, 0.6%

LAB 92.88, -46.27, 82.31

 

CMYK 80 / 58 / 0 / 0

HEX #326CFF

RGB 50 108 255

HSL 223.02, 1%, 0.6%

LAB 50.24, 33.66, -78.16

 

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

CMYK 80 / 0 / 71 / 0

HEX #32FF4A

RGB 50 255 74

HSL 127.02, 1%, 0.6%

LAB 88.3, -80.23, 69.08

 

CMYK 71 / 80 / 0 / 0

HEX #4A32FF

RGB 74 50 255

HSL 247.02, 1%, 0.6%

LAB 39.51, 67.8, -95.78

 

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

CMYK 25 / 0 / 80 / 0

HEX #BEFF32

RGB 190 255 50

HSL 79.02, 1%, 0.6%

LAB 92.88, -46.27, 82.31

 

CMYK 80 / 9 / 0 / 0

HEX #32E7FF

RGB 50 231 255

HSL 187.02, 1%, 0.6%

LAB 84.51, -35.22, -24.07

 

CMYK 55 / 80 / 0 / 0

HEX #7332FF

RGB 115 50 255

HSL 259.02, 1%, 0.6%

LAB 42.98, 71.42, -89.93

 

CMYK 0 / 69 / 80 / 0

HEX #FF4F34

RGB 255 79 52

HSL 7.98, 1%, 0.6%

LAB 59.07, 65.14, 52.79

 

CMYK 49 / 0 / 80 / 0

HEX #81FF32

RGB 129 255 50

HSL 96.88, 1%, 0.6%

LAB 90.05, -66.31, 78.7

 

CMYK 80 / 9 / 0 / 0

HEX #32E7FF

RGB 50 231 255

HSL 187.02, 1%, 0.6%

LAB 84.51, -35.22, -24.07

 

CMYK 31 / 80 / 0 / 0

HEX #B032FF

RGB 176 50 255

HSL 276.88, 1%, 0.6%

LAB 50.37, 79.31, -77.52

 

Description

Color code: HEX #FF4F34 | qconv.com Color code: HEX #FF4F34 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 79 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 79 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 80 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 80% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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