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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6700 it is the complementary color #0098FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF6700 shade: #FF6700, #FF790E, #FF8B21, #FF9D34 and #FFAF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF6700 shade: #FF6700, #EE5500, #DD4300, #CC3100 and #BB1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF6700 shade: #FF6700, #FF2200 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF6700 shade: #FF6700, #FFAB00, #FFF000, #C8FF00 and #83FF00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF6700 shade matches the following richer shades: #FF6700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF6700 shade: #FF6700, #EA6A14, #D56E29, #C1723D and #AC7652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF6700 shade: #FF0022, #FF2100, #FF6600, #FFAA00 and #FFEE00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF6700 shade: #AC4500, #D55600, #FF6700, #FF7F29 and #FF9852

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF6700 shade: #FF6700, #65FF00 and #0000FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF6700 shade: #FF6700, #00FF65 and #6600FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF6700 shade: #FF6700, #65FF00, #0099FF and #9800FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF6700 shade: #FF6700, #19FF00, #0099FF and #E500FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

Complementary color

CMYK 100 / 40 / 0 / 0

HEX #0098FF

RGB 0 152 255

HSL 204.24, 1%, 0.5%

LAB 61.37, 4.17, -60.22

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 53 / 95 / 0

HEX #FF790E

RGB 255 121 14

HSL 26.64, 1%, 0.53%

LAB 65.72, 46.35, 71.11

 

CMYK 0 / 45 / 87 / 0

HEX #FF8B21

RGB 255 139 33

HSL 28.65, 1%, 0.56%

LAB 69.35, 37.73, 69.18

 

CMYK 0 / 38 / 80 / 0

HEX #FF9D34

RGB 255 157 52

HSL 31.03, 1%, 0.6%

LAB 73.3, 28.99, 66.16

 

CMYK 0 / 31 / 72 / 0

HEX #FFAF47

RGB 255 175 71

HSL 33.91, 1%, 0.64%

LAB 77.5, 20.35, 62.66

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 64 / 100 / 7

HEX #EE5500

RGB 238 85 0

HSL 21.43, 1%, 0.47%

LAB 56.76, 56.37, 66.88

 

CMYK 0 / 70 / 100 / 13

HEX #DD4300

RGB 221 67 0

HSL 18.19, 1%, 0.43%

LAB 51.14, 57.82, 62.42

 

CMYK 0 / 76 / 100 / 20

HEX #CC3100

RGB 204 49 0

HSL 14.41, 1%, 0.4%

LAB 45.68, 58.71, 58.07

 

CMYK 0 / 83 / 100 / 27

HEX #BB1F00

RGB 187 31 0

HSL 9.95, 1%, 0.37%

LAB 40.48, 58.73, 53.86

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 87 / 100 / 0

HEX #FF2200

RGB 255 34 0

HSL 8, 1%, 0.5%

LAB 54.45, 76.59, 67.66

 

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 33 / 100 / 0

HEX #FFAB00

RGB 255 171 0

HSL 40.24, 1%, 0.5%

LAB 76.31, 20.81, 79.86

 

CMYK 0 / 6 / 100 / 0

HEX #FFF000

RGB 255 240 0

HSL 56.47, 1%, 0.5%

LAB 93.27, -14.35, 91.67

 

CMYK 22 / 0 / 100 / 0

HEX #C8FF00

RGB 200 255 0

HSL 72.94, 1%, 0.5%

LAB 93.36, -43.48, 89.99

 

CMYK 49 / 0 / 100 / 0

HEX #83FF00

RGB 131 255 0

HSL 89.18, 1%, 0.5%

LAB 90.02, -66.94, 85.96

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 55 / 91 / 8

HEX #EA6A14

RGB 234 106 20

HSL 24.11, 0.84%, 0.5%

LAB 59.75, 45.69, 64.29

 

CMYK 0 / 48 / 81 / 16

HEX #D56E29

RGB 213 110 41

HSL 24.07, 0.68%, 0.5%

LAB 57.52, 36, 53.96

 

CMYK 0 / 41 / 68 / 24

HEX #C1723D

RGB 193 114 61

HSL 24.09, 0.52%, 0.5%

LAB 55.8, 26.57, 41.91

 

CMYK 0 / 31 / 52 / 33

HEX #AC7652

RGB 172 118 82

HSL 24, 0.35%, 0.5%

LAB 54.38, 17.05, 28.27

 

CMYK 0 / 100 / 87 / 0

HEX #FF0022

RGB 255 0 34

HSL 352, 1%, 0.5%

LAB 53.36, 80.45, 56.29

 

CMYK 0 / 87 / 100 / 0

HEX #FF2100

RGB 255 33 0

HSL 7.76, 1%, 0.5%

LAB 54.39, 76.76, 67.64

 

CMYK 0 / 60 / 100 / 0

HEX #FF6600

RGB 255 102 0

HSL 24, 1%, 0.5%

LAB 62.31, 55.01, 71.34

 

CMYK 0 / 33 / 100 / 0

HEX #FFAA00

RGB 255 170 0

HSL 40, 1%, 0.5%

LAB 76.08, 21.33, 79.71

 

CMYK 0 / 7 / 100 / 0

HEX #FFEE00

RGB 255 238 0

HSL 56, 1%, 0.5%

LAB 92.76, -13.37, 91.3

 

CMYK 0 / 60 / 100 / 33

HEX #AC4500

RGB 172 69 0

HSL 24.07, 1%, 0.34%

LAB 42.8, 39.61, 53.38

 

CMYK 0 / 60 / 100 / 16

HEX #D55600

RGB 213 86 0

HSL 24.23, 1%, 0.42%

LAB 52.73, 47.06, 62.48

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 0 / 50 / 84 / 0

HEX #FF7F29

RGB 255 127 41

HSL 24.11, 1%, 0.58%

LAB 66.97, 43.89, 64.63

 

CMYK 0 / 40 / 68 / 0

HEX #FF9852

RGB 255 152 82

HSL 24.28, 1%, 0.66%

LAB 72.45, 32.86, 52.29

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 60 / 0 / 100 / 0

HEX #65FF00

RGB 101 255 0

HSL 96.24, 1%, 0.5%

LAB 89.06, -74.66, 84.79

 

CMYK 100 / 100 / 0 / 0

HEX #0000FF

RGB 0 0 255

HSL 240, 1%, 0.5%

LAB 32.3, 79.2, -107.86

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 100 / 0 / 60 / 0

HEX #00FF65

RGB 0 255 101

HSL 143.76, 1%, 0.5%

LAB 88.19, -80.4, 58.34

 

CMYK 60 / 100 / 0 / 0

HEX #6600FF

RGB 102 0 255

HSL 264, 1%, 0.5%

LAB 37.92, 81.53, -98.35

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 60 / 0 / 100 / 0

HEX #65FF00

RGB 101 255 0

HSL 96.24, 1%, 0.5%

LAB 89.06, -74.66, 84.79

 

CMYK 100 / 40 / 0 / 0

HEX #0099FF

RGB 0 153 255

HSL 204, 1%, 0.5%

LAB 61.66, 3.58, -59.77

 

CMYK 40 / 100 / 0 / 0

HEX #9800FF

RGB 152 0 255

HSL 275.76, 1%, 0.5%

LAB 44.08, 85.19, -87.96

 

CMYK 0 / 60 / 100 / 0

HEX #FF6700

RGB 255 103 0

HSL 24.24, 1%, 0.5%

LAB 62.47, 54.57, 71.43

 

CMYK 90 / 0 / 100 / 0

HEX #19FF00

RGB 25 255 0

HSL 114.12, 1%, 0.5%

LAB 87.84, -85.27, 83.3

 

CMYK 100 / 40 / 0 / 0

HEX #0099FF

RGB 0 153 255

HSL 204, 1%, 0.5%

LAB 61.66, 3.58, -59.77

 

CMYK 10 / 100 / 0 / 0

HEX #E500FF

RGB 229 0 255

HSL 293.88, 1%, 0.5%

LAB 55.97, 94.41, -68.07

 

Description

Color code: HEX #FF6700 | qconv.com Color code: HEX #FF6700 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 103 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 103 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

67% - 株式会社 ティップネス 2014年度新卒...
Link: http://www.tipness.co.jp

78% - Fractalia MGS
Link: http://fractalia.mx

64% - AEMMCE - Asociación ...
Link: http://www.aemmce.com

30% - frm_AvisoEntrada
Link: http://eservicios.aguascalientes.gob.mx

56% - RSO Raccolta servizi...
Link: http://rso.altervista.org

48% - 株式会社 ティップネス 新卒採用情報
Link: https://www.tipness.co.jp

58% - 变现猫官网-国内领先的流量变现服务平台|...
Link: http://www.bianxianmao.com

28% - Additional Informati...
Link: http://www.schiller-bernd.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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