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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF60E0 it is the complementary color #009F1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF60E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF60E0 shade: #FF60DB, #FF72EE, #FF84FF, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF60E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF60E0 shade: #FF60E0, #EE4ECD, #DD3CBA, #CC2AA7 and #BB1894

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF60E0 shade: #FF60E0, #FF60B5, #FF608A and #FF6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF60E0 shade: #FF60E0, #F360FF, #C860FF, #9D60FF and #7360FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF60E0 shade matches the following richer shades: #FF60E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF60E0 shade: #FF60E0, #F26DD8, #E57AD0, #D887C8 and #CB94C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF60E0 shade: #C760FF, #F160FF, #FF60E2, #FF60B7 and #FF608D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF60E0 shade: #FF0ED0, #FF37D8, #FF60E0, #FF8AE8 and #FFB3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF60E0 shade: #FF60E0, #FF9D60 and #60FFDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF60E0 shade: #FF60E0, #E2FF60 and #60E2FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF60E0 shade: #FF60E0, #FF9D60, #60FF7D and #60C2FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF60E0 shade: #FF60E0, #FFCC60, #60FF7D and #6092FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

Complementary color

CMYK 100 / 0 / 81 / 38

HEX #009F1F

RGB 0 159 31

HSL 131.7, 1%, 0.31%

LAB 56.97, -59.29, 52.18

 

CMYK 0 / 62 / 14 / 0

HEX #FF60DB

RGB 255 96 219

HSL 313.58, 1%, 0.69%

LAB 65.55, 73.12, -32.55

 

CMYK 0 / 55 / 7 / 0

HEX #FF72EE

RGB 255 114 238

HSL 307.23, 1%, 0.72%

LAB 69.09, 68.47, -37.6

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 67 / 14 / 7

HEX #EE4ECD

RGB 238 78 205

HSL 312.38, 0.82%, 0.62%

LAB 59.92, 73.69, -33.61

 

CMYK 0 / 73 / 16 / 13

HEX #DD3CBA

RGB 221 60 186

HSL 313.04, 0.7%, 0.55%

LAB 54.18, 73.1, -31.84

 

CMYK 0 / 79 / 18 / 20

HEX #CC2AA7

RGB 204 42 167

HSL 313.7, 0.66%, 0.48%

LAB 48.62, 71.86, -29.62

 

CMYK 0 / 87 / 21 / 27

HEX #BB1894

RGB 187 24 148

HSL 314.36, 0.77%, 0.41%

LAB 43.3, 69.68, -26.77

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B5

RGB 255 96 181

HSL 327.92, 1%, 0.69%

LAB 64.13, 68.12, -13.26

 

CMYK 0 / 62 / 46 / 0

HEX #FF608A

RGB 255 96 138

HSL 344.15, 1%, 0.69%

LAB 62.89, 63.59, 9.63

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 5 / 62 / 0 / 0

HEX #F360FF

RGB 243 96 255

HSL 295.47, 1%, 0.69%

LAB 65.47, 75.84, -52.75

 

CMYK 22 / 62 / 0 / 0

HEX #C860FF

RGB 200 96 255

HSL 279.25, 1%, 0.69%

LAB 59.77, 66.13, -62.18

 

CMYK 38 / 62 / 0 / 0

HEX #9D60FF

RGB 157 96 255

HSL 263.02, 1%, 0.69%

LAB 54.82, 56.97, -70.41

 

CMYK 55 / 62 / 0 / 0

HEX #7360FF

RGB 115 96 255

HSL 247.17, 1%, 0.69%

LAB 50.96, 49.17, -76.85

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 55 / 11 / 5

HEX #F26DD8

RGB 242 109 216

HSL 311.73, 0.84%, 0.69%

LAB 65.57, 63.74, -30.99

 

CMYK 0 / 47 / 9 / 10

HEX #E57AD0

RGB 229 122 208

HSL 311.78, 0.67%, 0.69%

LAB 65.85, 52.59, -26.22

 

CMYK 0 / 38 / 7 / 15

HEX #D887C8

RGB 216 135 200

HSL 311.85, 0.51%, 0.69%

LAB 66.59, 40.52, -20.75

 

CMYK 0 / 27 / 5 / 20

HEX #CB94C0

RGB 203 148 192

HSL 312, 0.35%, 0.69%

LAB 67.79, 27.78, -14.62

 

CMYK 22 / 62 / 0 / 0

HEX #C760FF

RGB 199 96 255

HSL 278.87, 1%, 0.69%

LAB 59.64, 65.91, -62.39

 

CMYK 5 / 62 / 0 / 0

HEX #F160FF

RGB 241 96 255

HSL 294.72, 1%, 0.69%

LAB 65.19, 75.38, -53.21

 

CMYK 0 / 62 / 11 / 0

HEX #FF60E2

RGB 255 96 226

HSL 310.94, 1%, 0.69%

LAB 65.84, 74.13, -36.01

 

CMYK 0 / 62 / 28 / 0

HEX #FF60B7

RGB 255 96 183

HSL 327.17, 1%, 0.69%

LAB 64.2, 68.36, -14.3

 

CMYK 0 / 62 / 45 / 0

HEX #FF608D

RGB 255 96 141

HSL 343.02, 1%, 0.69%

LAB 62.97, 63.87, 8.01

 

CMYK 0 / 95 / 18 / 0

HEX #FF0ED0

RGB 255 14 208

HSL 311.7, 1%, 0.53%

LAB 58.16, 91.33, -37.85

 

CMYK 0 / 78 / 15 / 0

HEX #FF37D8

RGB 255 55 216

HSL 311.7, 1%, 0.61%

LAB 60.74, 85.89, -38.36

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 46 / 9 / 0

HEX #FF8AE8

RGB 255 138 232

HSL 311.79, 1%, 0.77%

LAB 73.06, 56.38, -28.15

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3F0

RGB 255 179 240

HSL 311.84, 1%, 0.85%

LAB 81.72, 36.85, -19.29

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 38 / 62 / 0

HEX #FF9D60

RGB 255 157 96

HSL 23.02, 1%, 0.69%

LAB 73.69, 31.1, 46.8

 

CMYK 62 / 0 / 14 / 0

HEX #60FFDC

RGB 96 255 220

HSL 166.79, 1%, 0.69%

LAB 91.31, -49.72, 4.42

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 11 / 0 / 62 / 0

HEX #E2FF60

RGB 226 255 96

HSL 70.94, 1%, 0.69%

LAB 95.39, -30.22, 70.39

 

CMYK 62 / 11 / 0 / 0

HEX #60E2FF

RGB 96 226 255

HSL 190.94, 1%, 0.69%

LAB 84.02, -27.29, -24.74

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 38 / 62 / 0

HEX #FF9D60

RGB 255 157 96

HSL 23.02, 1%, 0.69%

LAB 73.69, 31.1, 46.8

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7D

RGB 96 255 125

HSL 130.94, 1%, 0.69%

LAB 89.62, -67.64, 49.64

 

CMYK 62 / 24 / 0 / 0

HEX #60C2FF

RGB 96 194 255

HSL 203.02, 1%, 0.69%

LAB 75.01, -10.94, -38.6

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 20 / 62 / 0

HEX #FFCC60

RGB 255 204 96

HSL 40.75, 1%, 0.69%

LAB 84.63, 6.63, 59.35

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7D

RGB 96 255 125

HSL 130.94, 1%, 0.69%

LAB 89.62, -67.64, 49.64

 

CMYK 62 / 43 / 0 / 0

HEX #6092FF

RGB 96 146 255

HSL 221.13, 1%, 0.69%

LAB 61.88, 16.27, -59.28

 

Description

Color code: HEX #FF60E0 | qconv.com Color code: HEX #FF60E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 96 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 96 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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