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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6BD2 it is the complementary color #00942D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6BD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF6BD2 shade: #FF6BCD, #FF7DE0, #FF8FF3, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6BD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF6BD2 shade: #FF6BD2, #EE59BF, #DD47AC, #CC3599 and #BB2386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF6BD2 shade: #FF6BD2, #FF6BAA, #FF6B82 and #FF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF6BD2 shade: #FF6BD2, #FF6BF9, #DC6BFF, #B46BFF and #8C6BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF6BD2 shade matches the following richer shades: #FF6BD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF6BD2 shade: #FF6BD2, #F377CD, #E783C8, #DB8EC3 and #CF9ABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF6BD2 shade: #DC6BFF, #FF6BFA, #FF6BD2, #FF6BAB and #FF6B83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF6BD2 shade: #FF18B8, #FF41C5, #FF6BD2, #FF94DE and #FFBDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF6BD2 shade: #FF6BD2, #FFB56B and #6BFFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF6BD2 shade: #FF6BD2, #D2FF6B and #6BD2FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF6BD2 shade: #FF6BD2, #FFB56B, #6BFF97 and #6BB5FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF6BD2 shade: #FF6BD2, #FFE16B, #6BFF97 and #6B88FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

Complementary color

CMYK 100 / 0 / 70 / 42

HEX #00942D

RGB 0 148 45

HSL 138.24, 1%, 0.29%

LAB 53.35, -54.8, 43.36

 

CMYK 0 / 58 / 20 / 0

HEX #FF6BCD

RGB 255 107 205

HSL 320.27, 1%, 0.71%

LAB 66.66, 66.63, -23

 

CMYK 0 / 51 / 12 / 0

HEX #FF7DE0

RGB 255 125 224

HSL 314.31, 1%, 0.75%

LAB 70.39, 61.32, -27.85

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF3

RGB 255 143 243

HSL 306.43, 1%, 0.78%

LAB 74.43, 55.74, -32.06

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 63 / 20 / 7

HEX #EE59BF

RGB 238 89 191

HSL 318.93, 0.81%, 0.64%

LAB 60.86, 67.55, -24.18

 

CMYK 0 / 68 / 22 / 13

HEX #DD47AC

RGB 221 71 172

HSL 319.6, 0.69%, 0.57%

LAB 54.92, 67.47, -22.56

 

CMYK 0 / 74 / 25 / 20

HEX #CC3599

RGB 204 53 153

HSL 320.26, 0.6%, 0.5%

LAB 49.11, 66.92, -20.53

 

CMYK 0 / 81 / 28 / 27

HEX #BB2386

RGB 187 35 134

HSL 320.92, 0.68%, 0.44%

LAB 43.49, 65.63, -17.94

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 58 / 33 / 0

HEX #FF6BAA

RGB 255 107 170

HSL 334.46, 1%, 0.71%

LAB 65.5, 62.2, -4.95

 

CMYK 0 / 58 / 49 / 0

HEX #FF6B82

RGB 255 107 130

HSL 350.68, 1%, 0.71%

LAB 64.47, 58.17, 16.44

 

CMYK 0 / 58 / 58 / 0

HEX #FF6B6B

RGB 255 107 107

HSL 0, 1%, 0.71%

LAB 64.03, 56.38, 28.92

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 58 / 2 / 0

HEX #FF6BF9

RGB 255 107 249

HSL 302.43, 1%, 0.71%

LAB 68.47, 73.22, -44.61

 

CMYK 14 / 58 / 0 / 0

HEX #DC6BFF

RGB 220 107 255

HSL 285.81, 1%, 0.71%

LAB 64.12, 65.73, -55.08

 

CMYK 29 / 58 / 0 / 0

HEX #B46BFF

RGB 180 107 255

HSL 269.59, 1%, 0.71%

LAB 59.38, 56.32, -62.93

 

CMYK 45 / 58 / 0 / 0

HEX #8C6BFF

RGB 140 107 255

HSL 253.38, 1%, 0.71%

LAB 55.39, 47.64, -69.56

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 51 / 16 / 5

HEX #F377CD

RGB 243 119 205

HSL 318.39, 0.84%, 0.71%

LAB 67.02, 57.75, -22.6

 

CMYK 0 / 43 / 13 / 9

HEX #E783C8

RGB 231 131 200

HSL 318.6, 0.68%, 0.71%

LAB 67.57, 47.4, -19.1

 

CMYK 0 / 35 / 11 / 14

HEX #DB8EC3

RGB 219 142 195

HSL 318.7, 0.52%, 0.71%

LAB 68.28, 36.94, -15.38

 

CMYK 0 / 26 / 8 / 19

HEX #CF9ABF

RGB 207 154 191

HSL 318.11, 0.36%, 0.71%

LAB 69.57, 25.69, -11.34

 

CMYK 14 / 58 / 0 / 0

HEX #DC6BFF

RGB 220 107 255

HSL 285.81, 1%, 0.71%

LAB 64.12, 65.73, -55.08

 

CMYK 0 / 58 / 2 / 0

HEX #FF6BFA

RGB 255 107 250

HSL 302.03, 1%, 0.71%

LAB 68.52, 73.38, -45.09

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 58 / 33 / 0

HEX #FF6BAB

RGB 255 107 171

HSL 334.05, 1%, 0.71%

LAB 65.53, 62.32, -5.48

 

CMYK 0 / 58 / 49 / 0

HEX #FF6B83

RGB 255 107 131

HSL 350.27, 1%, 0.71%

LAB 64.49, 58.26, 15.9

 

CMYK 0 / 91 / 28 / 0

HEX #FF18B8

RGB 255 24 184

HSL 318.44, 1%, 0.55%

LAB 57.44, 87.67, -25.17

 

CMYK 0 / 75 / 23 / 0

HEX #FF41C5

RGB 255 65 197

HSL 318.32, 1%, 0.63%

LAB 60.84, 80.85, -27.4

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DE

RGB 255 148 222

HSL 318.5, 1%, 0.79%

LAB 74.64, 49.84, -20.26

 

CMYK 0 / 26 / 8 / 0

HEX #FFBDEB

RGB 255 189 235

HSL 318.18, 1%, 0.87%

LAB 83.78, 30.76, -13.52

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 29 / 58 / 0

HEX #FFB56B

RGB 255 181 107

HSL 30, 1%, 0.71%

LAB 79.25, 19.34, 47.92

 

CMYK 58 / 0 / 6 / 0

HEX #6BFFF0

RGB 107 255 240

HSL 173.92, 1%, 0.71%

LAB 92.1, -42.96, -4.74

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 18 / 0 / 58 / 0

HEX #D2FF6B

RGB 210 255 107

HSL 78.24, 1%, 0.71%

LAB 94.43, -35.51, 64.54

 

CMYK 58 / 18 / 0 / 0

HEX #6BD2FF

RGB 107 210 255

HSL 198.24, 1%, 0.71%

LAB 79.86, -17.37, -31.06

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 29 / 58 / 0

HEX #FFB56B

RGB 255 181 107

HSL 30, 1%, 0.71%

LAB 79.25, 19.34, 47.92

 

CMYK 58 / 0 / 41 / 0

HEX #6BFF97

RGB 107 255 151

HSL 137.84, 1%, 0.71%

LAB 90.27, -61.51, 38.07

 

CMYK 58 / 29 / 0 / 0

HEX #6BB5FF

RGB 107 181 255

HSL 210, 1%, 0.71%

LAB 71.82, -1.87, -43.53

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 12 / 58 / 0

HEX #FFE16B

RGB 255 225 107

HSL 47.84, 1%, 0.71%

LAB 89.94, -3.35, 60.38

HEX #FFE16B

CMYK 58 / 0 / 41 / 0

HEX #6BFF97

RGB 107 255 151

HSL 137.84, 1%, 0.71%

LAB 90.27, -61.51, 38.07

HEX #6BFF97

CMYK 58 / 47 / 0 / 0

HEX #6B88FF

RGB 107 136 255

HSL 228.24, 1%, 0.71%

LAB 59.85, 24.2, -62.51

HEX #6B88FF

Description

Color code: HEX #FF6BD2 | qconv.com Color code: HEX #FF6BD2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 107 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 107 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 18 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 18% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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