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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF7AF3 it is the complementary color #00850C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF7AF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF7AF3 shade: #FF7AEE, #FF8CFF, #FF9EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF7AF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF7AF3 shade: #FF7AF3, #EE68E0, #DD56CD, #CC44BA and #BB32A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF7AF3 shade: #FF7AF3, #FF7ACF, #FF7AAB, #FF7A87 and #FF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF7AF3 shade: #FF7AF3, #E77AFF, #C37AFF, #9F7AFF and #7B7AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF7AF3 shade matches the following richer shades: #FF7AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF7AF3 shade: #FF7AF3, #F485EA, #E98FE1, #DE9AD8 and #D4A5CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF7AF3 shade: #C37AFF, #E67AFF, #FF7AF3, #FF7AD0 and #FF7AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF7AF3 shade: #FF27EB, #FF51EF, #FF7AF3, #FFA3F6 and #FFCCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF7AF3 shade: #FF7AF3, #FF9F7A and #7AFFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF7AF3 shade: #FF7AF3, #F3FF7A and #7AF3FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF7AF3 shade: #FF7AF3, #FF9F7A, #7AFF85 and #7AD9FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF7AF3 shade: #FF7AF3, #FFC77A, #7AFF85 and #7AB1FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

Complementary color

CMYK 100 / 0 / 91 / 48

HEX #00850C

RGB 0 133 12

HSL 125.41, 1%, 0.26%

LAB 48.01, -52.71, 48.99

 

CMYK 0 / 52 / 7 / 0

HEX #FF7AEE

RGB 255 122 238

HSL 307.67, 1%, 0.74%

LAB 70.42, 64.9, -35.52

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 56 / 6 / 7

HEX #EE68E0

RGB 238 104 224

HSL 306.27, 0.8%, 0.67%

LAB 64.53, 66.14, -37.11

 

CMYK 0 / 61 / 7 / 13

HEX #DD56CD

RGB 221 86 205

HSL 307.11, 0.67%, 0.6%

LAB 58.45, 66.38, -36.09

 

CMYK 0 / 67 / 9 / 20

HEX #CC44BA

RGB 204 68 186

HSL 307.94, 0.57%, 0.53%

LAB 52.42, 66.3, -34.81

 

CMYK 0 / 73 / 11 / 27

HEX #BB32A7

RGB 187 50 167

HSL 308.76, 0.58%, 0.46%

LAB 46.49, 65.72, -33.15

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 52 / 19 / 0

HEX #FF7ACF

RGB 255 122 207

HSL 321.65, 1%, 0.74%

LAB 69.24, 60.2, -20.17

 

CMYK 0 / 52 / 33 / 0

HEX #FF7AAB

RGB 255 122 171

HSL 337.89, 1%, 0.74%

LAB 68.11, 55.5, -1.67

 

CMYK 0 / 52 / 47 / 0

HEX #FF7A87

RGB 255 122 135

HSL 354.14, 1%, 0.74%

LAB 67.22, 51.71, 17.41

 

CMYK 0 / 52 / 52 / 0

HEX #FF7A7A

RGB 255 122 122

HSL 0, 1%, 0.74%

LAB 66.96, 50.58, 24.37

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 9 / 52 / 0 / 0

HEX #E77AFF

RGB 231 122 255

HSL 289.17, 1%, 0.74%

LAB 68.11, 61.45, -48.67

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 38 / 52 / 0 / 0

HEX #9F7AFF

RGB 159 122 255

HSL 256.69, 1%, 0.74%

LAB 60.35, 43.44, -61.49

 

CMYK 52 / 52 / 0 / 0

HEX #7B7AFF

RGB 123 122 255

HSL 240.45, 1%, 0.74%

LAB 57.41, 35.61, -66.36

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 45 / 4 / 4

HEX #F485EA

RGB 244 133 234

HSL 305.41, 0.83%, 0.74%

LAB 70.84, 55.93, -32.8

 

CMYK 0 / 39 / 3 / 9

HEX #E98FE1

RGB 233 143 225

HSL 305.33, 0.67%, 0.74%

LAB 71.15, 46.05, -27.48

 

CMYK 0 / 31 / 3 / 13

HEX #DE9AD8

RGB 222 154 216

HSL 305.29, 0.51%, 0.74%

LAB 71.96, 35.17, -21.4

 

CMYK 0 / 22 / 2 / 17

HEX #D4A5CF

RGB 212 165 207

HSL 306.38, 0.35%, 0.74%

LAB 73.16, 24.27, -14.73

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 10 / 52 / 0 / 0

HEX #E67AFF

RGB 230 122 255

HSL 288.72, 1%, 0.74%

LAB 67.99, 61.19, -48.87

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 52 / 18 / 0

HEX #FF7AD0

RGB 255 122 208

HSL 321.2, 1%, 0.74%

LAB 69.28, 60.34, -20.68

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 85 / 8 / 0

HEX #FF27EB

RGB 255 39 235

HSL 305.56, 1%, 0.58%

LAB 60.52, 91.71, -49.38

 

CMYK 0 / 68 / 6 / 0

HEX #FF51EF

RGB 255 81 239

HSL 305.52, 1%, 0.66%

LAB 64.46, 81.52, -45.39

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 36 / 4 / 0

HEX #FFA3F6

RGB 255 163 246

HSL 305.87, 1%, 0.82%

LAB 78.52, 46.18, -27.39

 

CMYK 0 / 20 / 2 / 0

HEX #FFCCFA

RGB 255 204 250

HSL 305.88, 1%, 0.9%

LAB 87.65, 25.48, -15.69

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 38 / 52 / 0

HEX #FF9F7A

RGB 255 159 122

HSL 16.69, 1%, 0.74%

LAB 74.48, 32, 34.26

 

CMYK 52 / 0 / 16 / 0

HEX #7AFFD5

RGB 122 255 213

HSL 161.05, 1%, 0.74%

LAB 91.89, -46.39, 8.97

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 5 / 0 / 52 / 0

HEX #F3FF7A

RGB 243 255 122

HSL 65.41, 1%, 0.74%

LAB 96.81, -21.7, 61.33

 

CMYK 52 / 5 / 0 / 0

HEX #7AF3FF

RGB 122 243 255

HSL 185.41, 1%, 0.74%

LAB 89.61, -30.8, -16.21

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 38 / 52 / 0

HEX #FF9F7A

RGB 255 159 122

HSL 16.69, 1%, 0.74%

LAB 74.48, 32, 34.26

 

CMYK 52 / 0 / 48 / 0

HEX #7AFF85

RGB 122 255 133

HSL 124.96, 1%, 0.74%

LAB 90.48, -60.75, 47.12

 

CMYK 52 / 15 / 0 / 0

HEX #7AD9FF

RGB 122 217 255

HSL 197.14, 1%, 0.74%

LAB 82.37, -18, -27.17

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF3

RGB 255 122 243

HSL 305.41, 1%, 0.74%

LAB 70.63, 65.7, -37.95

 

CMYK 0 / 22 / 52 / 0

HEX #FFC77A

RGB 255 199 122

HSL 34.74, 1%, 0.74%

LAB 83.71, 11.12, 45.9

 

CMYK 52 / 0 / 48 / 0

HEX #7AFF85

RGB 122 255 133

HSL 124.96, 1%, 0.74%

LAB 90.48, -60.75, 47.12

 

CMYK 52 / 31 / 0 / 0

HEX #7AB1FF

RGB 122 177 255

HSL 215.19, 1%, 0.74%

LAB 71.42, 3.42, -44.11

 

Description

Color code: HEX #FF7AF3 | qconv.com Color code: HEX #FF7AF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 122 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 122 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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