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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF8193 it is the complementary color #007E6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF8193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF8193 shade: #FF818E, #FF93A1, #FFA5B4, #FFB7C7 and #FFC9DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF8193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF8193 shade: #FF8193, #EE6F80, #DD5D6D, #CC4B5A and #BB3947

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF8193 shade: #FF7F91 and #FF7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF8193 shade: #FF7F91, #FF7FB4, #FF7FD6, #FF7FF8 and #E27FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF8193 shade matches the following richer shades: #FF7F91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF8193 shade: #FF7F91, #F48999, #EA94A0, #E09EA7 and #D5A8AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF8193 shade: #FF7FD6, #FF7FB4, #FF7F92, #FF8E7F and #FFB07F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF8193 shade: #FF2C4A, #FF566E, #FF7F91, #FFA8B5 and #FFD2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF8193 shade: #FF8193, #F8FF7F and #7FC5FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF8193 shade: #FF8193, #92FF7F and #7F92FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF8193 shade: #FF8193, #F8FF7F, #7FFFEB and #857FFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF8193 shade: #FF8193, #D2FF7F, #7FFFEB and #AC7FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

Complementary color

CMYK 100 / 0 / 14 / 51

HEX #007E6C

RGB 0 126 108

HSL 171.43, 1%, 0.25%

LAB 46.98, -34.11, 1.44

NCS® S4040-B80G

CMYK 0 / 49 / 44 / 0

HEX #FF818E

RGB 255 129 142

HSL 353.81, 1%, 0.75%

LAB 68.69, 49.01, 15.5

 

CMYK 0 / 42 / 37 / 0

HEX #FF93A1

RGB 255 147 161

HSL 352.22, 1%, 0.79%

LAB 72.69, 42.06, 10.54

 

CMYK 0 / 35 / 29 / 0

HEX #FFA5B4

RGB 255 165 180

HSL 350, 1%, 0.82%

LAB 76.96, 35.11, 6.19

 

CMYK 0 / 28 / 22 / 0

HEX #FFB7C7

RGB 255 183 199

HSL 346.67, 1%, 0.86%

LAB 81.43, 28.29, 2.34

 

CMYK 0 / 21 / 15 / 0

HEX #FFC9DA

RGB 255 201 218

HSL 341.11, 1%, 0.89%

LAB 86.05, 21.7, -1.09

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 0 / 53 / 46 / 7

HEX #EE6F80

RGB 238 111 128

HSL 351.97, 0.79%, 0.68%

LAB 62.6, 50.46, 14.59

 

CMYK 0 / 58 / 51 / 13

HEX #DD5D6D

RGB 221 93 109

HSL 352.5, 0.65%, 0.62%

LAB 56.39, 51.38, 16.62

 

CMYK 0 / 63 / 56 / 20

HEX #CC4B5A

RGB 204 75 90

HSL 353.02, 0.56%, 0.55%

LAB 50.23, 52.17, 19.04

 

CMYK 0 / 70 / 62 / 27

HEX #BB3947

RGB 187 57 71

HSL 353.54, 0.53%, 0.48%

LAB 44.16, 52.71, 21.97

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F91

RGB 255 127 145

HSL 351.56, 1%, 0.75%

LAB 68.38, 50.28, 13.38

 

CMYK 0 / 50 / 50 / 0

HEX #FF7F7F

RGB 255 127 127

HSL 0, 1%, 0.75%

LAB 68, 48.6, 22.96

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F91

RGB 255 127 145

HSL 351.56, 1%, 0.75%

LAB 68.38, 50.28, 13.38

 

CMYK 0 / 50 / 29 / 0

HEX #FF7FB4

RGB 255 127 180

HSL 335.16, 1%, 0.75%

LAB 69.28, 54.23, -5.01

 

CMYK 0 / 50 / 16 / 0

HEX #FF7FD6

RGB 255 127 214

HSL 319.22, 1%, 0.75%

LAB 70.38, 58.88, -22.34

 

CMYK 0 / 50 / 3 / 0

HEX #FF7FF8

RGB 255 127 248

HSL 303.28, 1%, 0.75%

LAB 71.7, 64.23, -39.01

 

CMYK 11 / 50 / 0 / 0

HEX #E27FFF

RGB 226 127 255

HSL 286.41, 1%, 0.75%

LAB 68.44, 57.7, -48.21

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F91

RGB 255 127 145

HSL 351.56, 1%, 0.75%

LAB 68.38, 50.28, 13.38

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F91

RGB 255 127 145

HSL 351.56, 1%, 0.75%

LAB 68.38, 50.28, 13.38

 

CMYK 0 / 44 / 37 / 4

HEX #F48999

RGB 244 137 153

HSL 351.03, 0.83%, 0.75%

LAB 69.06, 42.32, 9.64

 

CMYK 0 / 37 / 32 / 8

HEX #EA94A0

RGB 234 148 160

HSL 351.63, 0.67%, 0.75%

LAB 70.32, 33.86, 7.37

 

CMYK 0 / 29 / 25 / 12

HEX #E09EA7

RGB 224 158 167

HSL 351.82, 0.52%, 0.75%

LAB 71.62, 25.81, 5.19

 

CMYK 0 / 21 / 18 / 16

HEX #D5A8AF

RGB 213 168 175

HSL 350.67, 0.35%, 0.75%

LAB 73.05, 17.56, 2.71

 

CMYK 0 / 50 / 16 / 0

HEX #FF7FD6

RGB 255 127 214

HSL 319.22, 1%, 0.75%

LAB 70.38, 58.88, -22.34

 

CMYK 0 / 50 / 29 / 0

HEX #FF7FB4

RGB 255 127 180

HSL 335.16, 1%, 0.75%

LAB 69.28, 54.23, -5.01

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F92

RGB 255 127 146

HSL 351.09, 1%, 0.75%

LAB 68.4, 50.38, 12.85

 

CMYK 0 / 44 / 50 / 0

HEX #FF8E7F

RGB 255 142 127

HSL 7.03, 1%, 0.75%

LAB 70.97, 41.15, 26.94

 

CMYK 0 / 31 / 50 / 0

HEX #FFB07F

RGB 255 176 127

HSL 22.97, 1%, 0.75%

LAB 78.37, 23.57, 36.63

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4A

RGB 255 44 74

HSL 351.47, 1%, 0.59%

LAB 55.64, 76.16, 37.25

 

CMYK 0 / 66 / 57 / 0

HEX #FF566E

RGB 255 86 110

HSL 351.48, 1%, 0.67%

LAB 60.82, 65.34, 22.96

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F91

RGB 255 127 145

HSL 351.56, 1%, 0.75%

LAB 68.38, 50.28, 13.38

 

CMYK 0 / 34 / 29 / 0

HEX #FFA8B5

RGB 255 168 181

HSL 351.03, 1%, 0.83%

LAB 77.64, 33.67, 6.62

 

CMYK 0 / 18 / 15 / 0

HEX #FFD2D8

RGB 255 210 216

HSL 352, 1%, 0.91%

LAB 88.12, 16.68, 2.98

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 3 / 0 / 50 / 0

HEX #F8FF7F

RGB 248 255 127

HSL 63.28, 1%, 0.75%

LAB 97.23, -19.34, 59.67

 

CMYK 50 / 23 / 0 / 0

HEX #7FC5FF

RGB 127 197 255

HSL 207.19, 1%, 0.75%

LAB 77.08, -6.47, -35.28

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 43 / 0 / 50 / 0

HEX #92FF7F

RGB 146 255 127

HSL 111.09, 1%, 0.75%

LAB 91.31, -55.06, 51.15

 

CMYK 50 / 43 / 0 / 0

HEX #7F92FF

RGB 127 146 255

HSL 231.09, 1%, 0.75%

LAB 63.58, 22.33, -56.47

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 3 / 0 / 50 / 0

HEX #F8FF7F

RGB 248 255 127

HSL 63.28, 1%, 0.75%

LAB 97.23, -19.34, 59.67

 

CMYK 50 / 0 / 8 / 0

HEX #7FFFEB

RGB 127 255 235

HSL 170.63, 1%, 0.75%

LAB 92.59, -40.31, -1.37

 

CMYK 48 / 50 / 0 / 0

HEX #857FFF

RGB 133 127 255

HSL 242.81, 1%, 0.75%

LAB 59.33, 34.75, -63.24

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 50 / 0 / 8 / 0

HEX #7FFFEB

RGB 127 255 235

HSL 170.63, 1%, 0.75%

LAB 92.59, -40.31, -1.37

 

CMYK 33 / 50 / 0 / 0

HEX #AC7FFF

RGB 172 127 255

HSL 261.09, 1%, 0.75%

LAB 62.65, 43.79, -57.74

 

Description

Color code: HEX #FF8193 | qconv.com Color code: HEX #FF8193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 129 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 129 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 42% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

70% - 本日も百々日和。
Link: http://ameblo.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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