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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFA5EE it is the complementary color #005A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFA5EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFA5EE shade: #FFA5E9, #FFB7FC, #FFC9FF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFA5EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFA5EE shade: #FFA5EE, #EE93DB, #DD81C8, #CC6FB5 and #BB5DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFA5EE shade: #FFA3ED, #FFA3D4, #FFA3BC, #FFA3A3 and #FFA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFA5EE shade: #FFA3ED, #F7A3FF, #DEA3FF, #C6A3FF and #ADA3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFA5EE shade matches the following richer shades: #FFA3ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFA5EE shade: #FFA3ED, #F7AAE9, #F0B2E4, #E8B9DF and #E1C0DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFA5EE shade: #DEA3FF, #F7A3FF, #FFA3EE, #FFA3D5 and #FFA3BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFA5EE shade: #FF50DE, #FF79E5, #FFA3ED, #FFCCF5 and #FFF5FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFA5EE shade: #FFA5EE, #FFC6A3 and #A3FFEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFA5EE shade: #FFA5EE, #EEFFA3 and #A3EEFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFA5EE shade: #FFA5EE, #FFC6A3, #A3FFB4 and #A3DBFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFA5EE shade: #FFA5EE, #FFE1A3, #A3FFB4 and #A3C0FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

Complementary color

CMYK 100 / 0 / 81 / 65

HEX #005A11

RGB 0 90 17

HSL 131.33, 1%, 0.18%

LAB 32.6, -39.14, 33.3

 

CMYK 0 / 35 / 9 / 0

HEX #FFA5E9

RGB 255 165 233

HSL 314.67, 1%, 0.82%

LAB 78.49, 42.95, -20.41

 

CMYK 0 / 28 / 1 / 0

HEX #FFB7FC

RGB 255 183 252

HSL 302.5, 1%, 0.86%

LAB 83, 36.85, -23.79

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

CMYK 0 / 38 / 8 / 7

HEX #EE93DB

RGB 238 147 219

HSL 312.53, 0.73%, 0.75%

LAB 72.33, 44.51, -22.31

 

CMYK 0 / 42 / 10 / 13

HEX #DD81C8

RGB 221 129 200

HSL 313.7, 0.58%, 0.69%

LAB 65.94, 45.26, -21.7

 

CMYK 0 / 46 / 11 / 20

HEX #CC6FB5

RGB 204 111 181

HSL 314.84, 0.48%, 0.62%

LAB 59.47, 46, -21

 

CMYK 0 / 50 / 13 / 27

HEX #BB5DA2

RGB 187 93 162

HSL 315.96, 0.41%, 0.55%

LAB 52.95, 46.71, -20.19

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 0 / 36 / 17 / 0

HEX #FFA3D4

RGB 255 163 212

HSL 328.04, 1%, 0.82%

LAB 77.4, 40.65, -10.64

 

CMYK 0 / 36 / 26 / 0

HEX #FFA3BC

RGB 255 163 188

HSL 343.7, 1%, 0.82%

LAB 76.73, 37.2, 1.48

 

CMYK 0 / 36 / 36 / 0

HEX #FFA3A3

RGB 255 163 163

HSL 0, 1%, 0.82%

LAB 76.13, 34.05, 14.29

 

CMYK 0 / 36 / 36 / 0

HEX #FFA3A3

RGB 255 163 163

HSL 0, 1%, 0.82%

LAB 76.13, 34.05, 14.29

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 3 / 36 / 0 / 0

HEX #F7A3FF

RGB 247 163 255

HSL 294.78, 1%, 0.82%

LAB 77.99, 45.35, -33.14

 

CMYK 13 / 36 / 0 / 0

HEX #DEA3FF

RGB 222 163 255

HSL 278.48, 1%, 0.82%

LAB 75.42, 37.89, -37.33

 

CMYK 22 / 36 / 0 / 0

HEX #C6A3FF

RGB 198 163 255

HSL 262.83, 1%, 0.82%

LAB 73.17, 30.88, -41

 

CMYK 32 / 36 / 0 / 0

HEX #ADA3FF

RGB 173 163 255

HSL 246.52, 1%, 0.82%

LAB 71.08, 23.89, -44.42

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 0 / 31 / 6 / 3

HEX #F7AAE9

RGB 247 170 233

HSL 310.91, 0.83%, 0.82%

LAB 78.7, 37.78, -20.18

 

CMYK 0 / 26 / 5 / 6

HEX #F0B2E4

RGB 240 178 228

HSL 311.61, 0.67%, 0.82%

LAB 79.6, 30.4, -16.2

 

CMYK 0 / 20 / 4 / 9

HEX #E8B9DF

RGB 232 185 223

HSL 311.49, 0.51%, 0.82%

LAB 80.28, 23.12, -12.55

 

CMYK 0 / 15 / 3 / 12

HEX #E1C0DB

RGB 225 192 219

HSL 310.91, 0.35%, 0.82%

LAB 81.19, 16.29, -9.11

 

CMYK 13 / 36 / 0 / 0

HEX #DEA3FF

RGB 222 163 255

HSL 278.48, 1%, 0.82%

LAB 75.42, 37.89, -37.33

 

CMYK 3 / 36 / 0 / 0

HEX #F7A3FF

RGB 247 163 255

HSL 294.78, 1%, 0.82%

LAB 77.99, 45.35, -33.14

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3EE

RGB 255 163 238

HSL 311.09, 1%, 0.82%

LAB 78.24, 44.81, -23.5

 

CMYK 0 / 36 / 16 / 0

HEX #FFA3D5

RGB 255 163 213

HSL 327.39, 1%, 0.82%

LAB 77.44, 40.8, -11.14

 

CMYK 0 / 36 / 26 / 0

HEX #FFA3BD

RGB 255 163 189

HSL 343.04, 1%, 0.82%

LAB 76.76, 37.34, 0.97

 

CMYK 0 / 69 / 13 / 0

HEX #FF50DE

RGB 255 80 222

HSL 311.31, 1%, 0.66%

LAB 63.57, 79.41, -37.31

 

CMYK 0 / 53 / 10 / 0

HEX #FF79E5

RGB 255 121 229

HSL 311.64, 1%, 0.74%

LAB 69.89, 63.93, -31.39

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3ED

RGB 255 163 237

HSL 311.74, 1%, 0.82%

LAB 78.21, 44.65, -23.01

 

CMYK 0 / 20 / 4 / 0

HEX #FFCCF5

RGB 255 204 245

HSL 311.76, 1%, 0.9%

LAB 87.5, 24.6, -13.27

 

CMYK 0 / 4 / 1 / 0

HEX #FFF5FD

RGB 255 245 253

HSL 312, 1%, 0.98%

LAB 97.49, 4.72, -2.65

 

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

CMYK 0 / 22 / 36 / 0

HEX #FFC6A3

RGB 255 198 163

HSL 22.83, 1%, 0.82%

LAB 84.12, 15.75, 25.35

 

CMYK 36 / 0 / 8 / 0

HEX #A3FFEB

RGB 163 255 235

HSL 166.96, 1%, 0.82%

LAB 94.01, -31.75, 0.88

 

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA3

RGB 238 255 163

HSL 71.09, 1%, 0.82%

LAB 96.96, -19.52, 42.14

 

CMYK 36 / 7 / 0 / 0

HEX #A3EEFF

RGB 163 238 255

HSL 191.09, 1%, 0.82%

LAB 89.93, -18.98, -15.55

 

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

CMYK 0 / 22 / 36 / 0

HEX #FFC6A3

RGB 255 198 163

HSL 22.83, 1%, 0.82%

LAB 84.12, 15.75, 25.35

 

CMYK 36 / 0 / 29 / 0

HEX #A3FFB4

RGB 163 255 180

HSL 131.09, 1%, 0.82%

LAB 92.84, -42.37, 27.41

 

CMYK 36 / 14 / 0 / 0

HEX #A3DBFF

RGB 163 219 255

HSL 203.48, 1%, 0.82%

LAB 84.83, -9.32, -23.25

 

CMYK 0 / 35 / 7 / 0

HEX #FFA5EE

RGB 255 165 238

HSL 311.33, 1%, 0.82%

LAB 78.66, 43.78, -22.86

 

CMYK 0 / 12 / 36 / 0

HEX #FFE1A3

RGB 255 225 163

HSL 40.43, 1%, 0.82%

LAB 90.67, 1.8, 34.15

 

CMYK 36 / 0 / 29 / 0

HEX #A3FFB4

RGB 163 255 180

HSL 131.09, 1%, 0.82%

LAB 92.84, -42.37, 27.41

 

CMYK 36 / 25 / 0 / 0

HEX #A3C0FF

RGB 163 192 255

HSL 221.09, 1%, 0.82%

LAB 77.7, 5.07, -34.17

 

Description

Color code: HEX #FFA5EE | qconv.com Color code: HEX #FFA5EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 165 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 165 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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