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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB26A it is the complementary color #004D95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB26A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFB26A shade: #FFB265, #FFC478, #FFD68B, #FFE89E and #FFFAB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB26A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFB26A shade: #FFB26A, #EEA057, #DD8E44, #CC7C31 and #BB6A1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFB26A shade: #FFB26B, #FF8A6B and #FF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFB26A shade: #FFB26B, #FFDA6B, #FBFF6B, #D3FF6B and #ABFF6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFB26A shade matches the following richer shades: #FFB26B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFB26A shade: #FFB26B, #F3B277, #E7B383, #DBB38E and #CFB49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFB26A shade: #FF6B74, #FF886B, #FFB06B, #FFD76B and #FFFF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFB26A shade: #FF8718, #FF9D41, #FFB26B, #FFC794 and #FFDDBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFB26A shade: #FFB26A, #9CFF6B and #746BFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFB26A shade: #FFB26A, #6BFFB0 and #B06BFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFB26A shade: #FFB26A, #9CFF6B, #6BB9FF and #CD6BFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFB26A shade: #FFB26A, #70FF6B, #6BB9FF and #FA6BFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

Complementary color

CMYK 100 / 48 / 0 / 42

HEX #004D95

RGB 0 77 149

HSL 208.99, 1%, 0.29%

LAB 32.87, 9.19, -45.08

 

CMYK 0 / 30 / 60 / 0

HEX #FFB265

RGB 255 178 101

HSL 30, 1%, 0.7%

LAB 78.49, 20.48, 49.97

 

CMYK 0 / 23 / 53 / 0

HEX #FFC478

RGB 255 196 120

HSL 33.78, 1%, 0.74%

LAB 82.96, 12.52, 45.97

 

CMYK 0 / 16 / 45 / 0

HEX #FFD68B

RGB 255 214 139

HSL 38.79, 1%, 0.77%

LAB 87.59, 4.91, 42.27

 

CMYK 0 / 9 / 38 / 0

HEX #FFE89E

RGB 255 232 158

HSL 45.77, 1%, 0.81%

LAB 92.33, -2.3, 38.86

 

CMYK 0 / 2 / 31 / 0

HEX #FFFAB1

RGB 255 250 177

HSL 56.15, 1%, 0.85%

LAB 97.15, -9.1, 35.69

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

CMYK 0 / 33 / 63 / 7

HEX #EEA057

RGB 238 160 87

HSL 29.01, 0.82%, 0.64%

LAB 72.23, 22.1, 49.06

 

CMYK 0 / 36 / 69 / 13

HEX #DD8E44

RGB 221 142 68

HSL 29.02, 0.69%, 0.57%

LAB 65.85, 23.54, 50.55

 

CMYK 0 / 39 / 76 / 20

HEX #CC7C31

RGB 204 124 49

HSL 29.03, 0.61%, 0.5%

LAB 59.41, 25.18, 51.9

 

CMYK 0 / 43 / 84 / 27

HEX #BB6A1E

RGB 187 106 30

HSL 29.04, 0.72%, 0.43%

LAB 52.91, 27.04, 52.83

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26B

RGB 255 178 107

HSL 28.78, 1%, 0.71%

LAB 78.56, 20.9, 47.09

 

CMYK 0 / 46 / 58 / 0

HEX #FF8A6B

RGB 255 138 107

HSL 12.57, 1%, 0.71%

LAB 69.82, 41.57, 36.34

 

CMYK 0 / 58 / 58 / 0

HEX #FF6B6B

RGB 255 107 107

HSL 0, 1%, 0.71%

LAB 64.03, 56.38, 28.92

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26B

RGB 255 178 107

HSL 28.78, 1%, 0.71%

LAB 78.56, 20.9, 47.09

 

CMYK 0 / 15 / 58 / 0

HEX #FFDA6B

RGB 255 218 107

HSL 45, 1%, 0.71%

LAB 88.19, 0.2, 58.39

 

CMYK 2 / 0 / 58 / 0

HEX #FBFF6B

RGB 251 255 107

HSL 61.62, 1%, 0.71%

LAB 97.26, -19.7, 68.47

 

CMYK 17 / 0 / 58 / 0

HEX #D3FF6B

RGB 211 255 107

HSL 77.84, 1%, 0.71%

LAB 94.5, -35.13, 64.62

 

CMYK 33 / 0 / 58 / 0

HEX #ABFF6B

RGB 171 255 107

HSL 94.05, 1%, 0.71%

LAB 92.24, -49.36, 61.46

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26B

RGB 255 178 107

HSL 28.78, 1%, 0.71%

LAB 78.56, 20.9, 47.09

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26B

RGB 255 178 107

HSL 28.78, 1%, 0.71%

LAB 78.56, 20.9, 47.09

 

CMYK 0 / 27 / 51 / 5

HEX #F3B277

RGB 243 178 119

HSL 28.55, 0.84%, 0.71%

LAB 77.42, 17.04, 39.3

 

CMYK 0 / 23 / 43 / 9

HEX #E7B383

RGB 231 179 131

HSL 28.8, 0.68%, 0.71%

LAB 76.6, 12.85, 31.73

 

CMYK 0 / 18 / 35 / 14

HEX #DBB38E

RGB 219 179 142

HSL 28.83, 0.52%, 0.71%

LAB 75.61, 9.34, 24.35

 

CMYK 0 / 13 / 26 / 19

HEX #CFB49A

RGB 207 180 154

HSL 29.43, 0.36%, 0.71%

LAB 74.98, 5.72, 16.84

 

CMYK 0 / 58 / 55 / 0

HEX #FF6B74

RGB 255 107 116

HSL 356.35, 1%, 0.71%

LAB 64.19, 57.04, 24.04

 

CMYK 0 / 47 / 58 / 0

HEX #FF886B

RGB 255 136 107

HSL 11.76, 1%, 0.71%

LAB 69.42, 42.57, 35.83

 

CMYK 0 / 31 / 58 / 0

HEX #FFB06B

RGB 255 176 107

HSL 27.97, 1%, 0.71%

LAB 78.09, 21.95, 46.53

 

CMYK 0 / 16 / 58 / 0

HEX #FFD76B

RGB 255 215 107

HSL 43.78, 1%, 0.71%

LAB 87.45, 1.72, 57.54

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 47 / 91 / 0

HEX #FF8718

RGB 255 135 24

HSL 28.83, 1%, 0.55%

LAB 68.5, 39.59, 70.93

 

CMYK 0 / 38 / 75 / 0

HEX #FF9D41

RGB 255 157 65

HSL 29.05, 1%, 0.63%

LAB 73.39, 29.47, 61.04

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26B

RGB 255 178 107

HSL 28.78, 1%, 0.71%

LAB 78.56, 20.9, 47.09

 

CMYK 0 / 22 / 42 / 0

HEX #FFC794

RGB 255 199 148

HSL 28.6, 1%, 0.79%

LAB 84.09, 13.57, 33.15

 

CMYK 0 / 13 / 26 / 0

HEX #FFDDBD

RGB 255 221 189

HSL 29.09, 1%, 0.87%

LAB 90.16, 7.07, 20.06

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

CMYK 39 / 0 / 58 / 0

HEX #9CFF6B

RGB 156 255 107

HSL 100.14, 1%, 0.71%

LAB 91.53, -54.22, 60.46

 

CMYK 55 / 58 / 0 / 0

HEX #746BFF

RGB 116 107 255

HSL 243.65, 1%, 0.71%

LAB 53.44, 43.05, -72.82

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

CMYK 58 / 0 / 31 / 0

HEX #6BFFB0

RGB 107 255 176

HSL 147.97, 1%, 0.71%

LAB 90.68, -57.12, 26.14

 

CMYK 31 / 58 / 0 / 0

HEX #B06BFF

RGB 176 107 255

HSL 267.97, 1%, 0.71%

LAB 58.94, 55.41, -63.65

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

CMYK 39 / 0 / 58 / 0

HEX #9CFF6B

RGB 156 255 107

HSL 100.14, 1%, 0.71%

LAB 91.53, -54.22, 60.46

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 20 / 58 / 0 / 0

HEX #CD6BFF

RGB 205 107 255

HSL 279.73, 1%, 0.71%

LAB 62.27, 62.15, -58.15

 

CMYK 0 / 30 / 58 / 0

HEX #FFB26A

RGB 255 178 106

HSL 28.99, 1%, 0.71%

LAB 78.54, 20.83, 47.57

 

CMYK 56 / 0 / 58 / 0

HEX #70FF6B

RGB 112 255 107

HSL 117.97, 1%, 0.71%

LAB 89.87, -66.37, 58.13

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 2 / 58 / 0 / 0

HEX #FA6BFF

RGB 250 107 255

HSL 297.97, 1%, 0.71%

LAB 68.06, 72.99, -48.59

 

Description

Color code: HEX #FFB26A | qconv.com Color code: HEX #FFB26A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 178 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 178 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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